Review: Officially, conductor Riccardo Muti holds the distinction of music director emeritus for life with the Chicago Symphony Orchestra. But after the 83-year-old maestro’s two-week season debut concerts at Orchestra Hall, it seems more apt to acknowledge him as the band’s artistic patriarch. When Muti’s on the podium, the CSO rises to its proper level. It glistens.
Read the full story »As Lyric Opera bids farewell to Andrew Davis, the maestro puts down his baton for a trowel
Interview: Under the pandemic’s abiding if perhaps fading shadow, Lyric Opera of Chicago has fashioned a virtual salute to its exiting music director, Andrew Davis. With some very fine singers as well as the Lyric chorus, Davis led an ambitious video in his honor that debuts May 16. In a chat with Chicago On the Aisle, the maestro reflected on his two decades at the company’s artistic helm.
Sound the trumpets (and trombones and all): Chicago Symphony’s tuning up for its return
Report: Some 14 months after giving its last performance at Orchestra Hall, so long banished from its home and audience by the pandemic, the Chicago Symphony begins and ends its 2020-21 season with a three-weekend flurry of concerts under three different conductors starting May 27 with a showcase for the orchestra’s vaunted brass section.
Songs on heat and passion of ‘Sun and Love’ billed for Lyric’s Ryan singers, new maestro
Preview: Conductor Enrique Mazzola, Lyric Opera of Chicago’s new music director-designate, presides at the piano over a selection of rare love songs by famous Italian composers, sung by the young professionals in training at Lyric’s Ryan Opera Center. Titled “Sole e Amore” – Sun and Love – the free program streams at 6 p.m. Feb. 21.
In his one-man reading of ‘A Christmas Carol,’ Halberstam lets Dickens spark the imagination
Interview: If actors are vessels for the characters they portray, Michael Halberstam has made of himself a grand repository of the diverse populace – living, deceased, earthly and unearthly – immortalized in Charles Dickens’ “A Christmas Carol.” Halberstam, artistic director of Writers Theatre, reads the story all alone in a streamed performance that runs through Jan. 3. He says his account strives to put Dickens’ language at the fulcrum of a charged drama that invokes Spirits, plain folk and a covetous old sinner who has cut himself off from the world.
Larry Yando, Goodman’s beloved Scrooge, created stage in his mind for streaming ‘Carol’
Interview: At this season of the year when the want of Goodman Theatre’s perennial staging of “A Christmas Carol” is keenly felt, we can still rejoice in the abundance of actor Larry Yando’s gifts as that squeezing, wrenching, grasping, scraping, clutching, covetous old sinner Scrooge. Constrained by the pandemic, Goodman isolated Yando in an audio booth – with the rest of a large cast similarly separated – for a free streamed production of Dickens’ treasured tale that continues through New Year’s Eve. Yando says it was a joy to be back at it.
Lyric drops curtain on entire 2020-21 season, projects return to opera house next September
Report: Lyric Opera of Chicago’s lamentable, if not terribly surprising, announcement that it has canceled the entire remainder of its 2020-21 season comes with a poignant promise of renewed life much as we once knew it: detailed and quite enticing plans for 2021-22, a full season projected to start in the customary month of September.
Hear ye, hear ye! Recorded live at Orchestra Hall, CSO musicians soon to be in ‘Sessions’
Report: The Chicago Symphony Orchestra will begin a measured return to live performance Oct. 1 when small groups of musicians commence a series of weekly online chamber concerts from Orchestra Hall under the banner CSO Sessions. The new digital series of on-demand, high-definition video recordings of chamber music – and later chamber orchestra – concerts will feature performances by CSO musicians filmed in Orchestra Hall at Symphony Center.
Voices of love: Grand dame Renée Fleming, shooting star J’Nai Bridges in Lyric songfest
Preview: The celebrated soprano Renée Fleming and mezzo-soprano J’Nai Bridges, an emerging star, have collaborated with a diverse cast of singers to create “For the Love of Lyric,” a concert pre-recorded in part on the Lyric stage. The songfest will be offered free online starting at 6 p.m. Sept. 13. Fleming and Bridges offer two views of a singer’s life in our pandemic world.
Ron Parson, steeped in Wilson’s stagecraft, brings theater perspective to seminar series
Preview: Stage director and Court Theatre resident artist Ron OJ Parson has helmed 31 productions of August Wilson’s Pittsburgh plays at theaters around the country. He brings his deep experience with the plays to the final installment in a series of online seminars collectively titled “The World of August Wilson and The Black Creative Voice,” led by University of Chicago professor Kenneth Moore and running through Sept. 29.
CSO cancels all events through year’s end, erasing orchestra concerts and other series
Report: The Chicago Symphony Orchestra has canceled its entire autumn slate of concerts and related events through the end of 2020, joining Lyric Opera of Chicago and major performing arts organizations around the country in acknowledging the threat of COVID-19.
Miró String Quartet will convene in one place to stream live trek through Beethoven cycle
Preview: Recall, if you can, four musicians sitting in the same space playing a complex and compelling work, recreating art that peers into who we are as a human collective. With every such experience now deconstructed to a Zoom pastiche, it seems quite remarkable and wonderful indeed to contemplate the Miró Quartet’s forthcoming cycle of the Beethoven string quartets, performed not just live but together, within the same physical boundaries.
Chicago Symphony musicians greet summer with a festival of free streamed performances
Preview: “Sumer is icumen in, loudly sing, cuckoo.” The summer solstice, marking the longest day of the year and the first day of summer, came June 20, a little early this year. And to celebrate the occasion, musicians of the Chicago Symphony Orchestra have organized a Virtual Day of Music – streamed performances over a span of eight and a half hours June 21.
Lyric Opera cancels its entire autumn season; January opening brings newly honored ‘Blue’
Report: Confronted by the pandemic’s stark outlook, Lyric Opera of Chicago has announced cancellation of all productions through December, the entire autumn portion of it 2020-21 season. For now, the company plans to resume operation in January with the new opera “Blue,” a riveting tragedy about a black policeman’s family facing violence and heartbreak by Tony Award-winning composer Jeanine Tesori and playwright Tazewell Thompson. “Blue” was named Opera of the Year on June 17 by the Music Critics Association of North America.
Muti’s curated CSO series from the archives celebrates principal players and Fritz Reiner
Interview: While Chicago Symphony Orchestramusic director Riccardo Muti has been sidelined at this home in Ravenna, Italy, the time on his hands has allowed him to plow more deeply into treasured masterworks and explore the archive of Chicago Symphony concert recordings to curate an ongoing series of concerts broadcast by WFMT (98.7 FM) and streamed at wfmt.com. In a long-distance chat with Chicago On the Aisle, Muti talked about his programming choices and looked ahead to his post-virus return to Orchestra Hall.
Lyric Opera postpones remainder of season; CSO and WFMT create new broadcast series
Report: Lyric Opera of Chicago announced April 2 that it will defer its spring musical, “42nd Street,” along with all other spring projects until coming seasons. Meanwhile, the Chicago Symphony Orchestra unveiled collaboration with WFMT to broadcast and stream a series of Tuesday programs from the orchestra’s concert archives and CDs, curated by music director Riccardo Muti.
‘Kill Move Paradise’ from TimeLine (to you): Streaming from the stage, way outside the box
Report: Like other theaters across metro Chicago, TimeLine suddenly had to suspend a play in mid-run as the coronavirus crisis descended. But in a fortuitous twist of events, the company can offer the remainder of that run to theater-hungry Chicagoans via streaming.
The new (virus) vibe: Chicago musicians play together while apart for a worldwide audience
Antidotes: If the COVID-19 virus temporarily froze operations at the nation’s classical music capitals including Chicago, there are definitely signs the industry is getting its groove back. Available for streaming is a concert performed live from the University of Chicago, with no audience in the hall, by Chicago’s outstanding Third Coast Percussion. The Chicago Symphony’s prestigious Civic Orchestra training ensemble marks its 100th anniversary with some Tchaikovsky, digitally assembled from dozens of individual recordings made on smartphones and Zoom audio recorders. Two familiar faces at Lyric Opera of Chicago, Ryan McKinny and Isabel Leonard, offer an alluring cell phone duet from Mozart’s “Don Giovanni.” And – wait for it – we have a priceless slice of Beethoven whimsy for you at our story’s end.
Shelter from the storm: SF Symphony offers landmark video series ‘Keeping Score’ – free
Virus Antidotes: The San Francisco Symphony has announced plans to release its “Keeping Score” profiles a great composers and their pivotal works, narrated by conductor Michael Tilson Thomas, for unlimited free streaming on the orchestra’s YouTube channel. Through nine one-hour documentaries, Tilson Thomas and the San Francisco Symphony trace the lives of eight influential composers: Tchaikovsky, Beethoven, Copland, Stravinsky, Berlioz, Ives, Shostakovich – and Mahler, to whose life and work two segments are devoted. Each episode includes a one-hour concert program by the San Francisco Symphony.
In cultural landscape suddenly barren, stream
of relief begins with week of Met Opera in HD
Virus Antidote: Donning our deerstalker sleuthing cap, Chicago On the Aisle is casting around for brilliant options for our suddenly culture-starved readers. The first fruit of our exploration is a spectacular week of free streamed programs from the Metropolitan Opera’s archive of “Met Live in HD” cinema broadcasts, which begin March 16 with Bizet’s “Carmen.”
Stages of Silence: Lyric cancels ‘Ring’ cycle; CSO and Chicagoland theaters also go dark
Report: It was a day to give Friday the 13th a bad name. Lyric Opera of Chicago made the unavoidable but nonetheless stunning decision to cancel the whole of its long-anticipated cycles through Wagner’s “Ring” tetralogy. The Chicago Symphony Orchestra essentially placed its virtuoso forces on paid leave. Broadway in Chicago shut down its main presentations in the Loop. And one after another, theaters large and small posted immediate stoppage of whatever was on their stages along with cancellation of whatever might be next.
Herbert Blomstedt, at 92, poured a long life
into luminous Brahms Second with the CSO
Review: Next up for the Chicago Symphony Orchestra, March 12-17 at Orchestra Hall, is a concert of Gershwin and Ravel that should be a stylish, jazzy rouser. But for the moment, I’m happy to reflect back on quite a different experience, a consummate display of elegance and the power of understatement: conductor Herbert Blomstedt’s program of Brahms and Mozart with French pianist Bertrand Chamayou.
In a timeout from the Beethoven symphonies, three musicians illuminate the inner composer
Review: It’s remarkable how, at the midpoint of Riccardo Muti’s roundly rewarding season-long cycle through Beethoven’s nine symphonies with the Chicago Symphony Orchestra, a concert of three Beethoven piano trios could leave one wishing for nothing more grand or personal or profound. That sentiment apparently was shared by many another listener in an audience that filled Orchestra Hall to overflowing for the March 2 performance by pianist Emanuel Ax, violinist Leonidas Kavakos and cellist Yo-Yo Ma.
Eric Owens, citing health issues, withdraws as Wotan in Wagner ‘Ring’ cycle at Lyric Opera
Report: Bass-baritone Eric Owens has withdrawn from the role of Wotan in Lyric Opera of Chicago’s upcoming “Ring” cycles “in order to undergo treatment for ongoing health issues,” Lyric general director Anthony Freud announced March 2.
‘Emma’ at Chicago Shakespeare Theater: Sans reason or accountability (or poetry or music)
Review: Imagine the sharp, slashing repartee between Beatrice and Benedick, in Shakespeare’s “Much Ado About Nothing,” if Beatrice brought no intellectual edge to the fray, and you have the eponymous figure in “Emma,” the mildly diverting, perfectly harmless and utterly forgettable musical in mid-flight at Chicago Shakespeare Theater. ★★
At meeting of Beethoven and a bass clarinet, CSO summons sparks, Shakespearean tears
![2/20/20 10:01:01 PM -- Chicago, IL
Chicago Symphony Orchestra
Riccardo Muti, Conductor
J.Lawrie Bloom, Bass Clarinet
Beethoven Symphony No. 2
Bacri Ophelia’s Tears
[World Premiere, Commissioned by the Chicago Symphony Orchestra through the generous support of Helen Zell]
Beethoven Symphony No. 5
© Todd Rosenberg Photography 2020](https://chicagoontheaisle.com/wp-content/uploads/2020/02/CSO20200220_233-home-page-image.jpg "At meeting of Beethoven and a bass clarinet, CSO summons sparks, Shakespearean tears")
Review: Two over-riding themes of music director Riccardo Muti’s current Chicago Symphony Orchestra season met in harmony in sold-out concerts Feb. 20-25 at Orchestra Hall – a cycle through all nine Beethoven symphonies and Muti’s desire to highlight the CSO’s key players with solo spotlights, often in world premiere concertos by composers the musicians helped to choose. Thus Muti introduced the CSO’s highly regarded bass clarinetist J. Lawrie Bloom in a new work called “Ophelia’s Tears” by French composer Nicolas Bacri, and generously framed the premiere with two Beethoven symphonies, including the Symphony No. 5 in C minor.
CHICAGO WINE JOURNAL: Ridge’s 2017 Zins blend zesty pleasure now with a future pledge
Tasting Report: California wine producer Ridge Vineyards has long enjoyed a reputation among the most distinctive makers of Zinfandel, especially for two bottlings named for the Sonoma County vineyards where their respective grapes are grown: Geyserville in Alexander Valley and Lytton Springs in Dry Creek Valley. The 2017 vintages of both wines bear out Ridge’s phenomenal way with Zin.
‘Queen of Spades’ at Lyric Opera of Chicago: Tchaikovsky’s grand drama draws dicey hand
Review: “The Queen of Spades” (or as the Russians say, “Pikovaya dama”) is without question a great opera, among Tchaikovsky’s best works of any kind, with enthralling tragedy and voluptuous, soaring music. He even wrote that he considered “The Queen of Spades” to be the culmination of his life’s work. Yet gloriously conducted though it was at Lyric Opera, and sung brilliantly by tenor Brandon Jovanovich as an obsessive gambler in a tailspin and soprano Sondra Radvanovsky as the blossoming noblewoman who falls for him, the production is willfully shocking and ultimately confusing.★★★
‘Bug’ at Steppenwolf: The creepy little spies are everywhere. (But you must look closely.)
Review: The first impression of Tracy Letts’ bleakly comic play “Bug” is visual, wordless: a young woman, her back to the audience, stock-still and staring out the open doorway of her dumpy motel room. It’s a telling image. We have just met Agnes, a solitary, empty vessel who’s about to be filled with a surreal and lethal form of paranoia. ★★★
‘Sheepdog’ at Shattered Globe Theatre: When tragedy in black and white dissolves into gray
Review: Amina and Ryan are both Cleveland police officers. She’s black, he’s white. They’re good, dedicated cops. They’re also lovers. They’re thinking long term, about having a child together. Then Ryan shoots and kills a young black man, and lies about how it went down. Shattered Globe Theatre’s current, and just extended, production directed by Wardell Julius Clark deals acutely with Artigue’s 90-minute play but cannot create substance greater than time and text allow. ★★★
‘Freedom Ride’ at Chicago Opera Theater: Buffing the surface of a bold quest for equality
Review: On the one hand, Dan Shore’s opera “Freedom Ride,” now in its world premiere run by Chicago Opera Theater, feels like a simplistic gloss on a turbulent and violent time that is more talked about than evoked. On the other hand, the work’s uncomplicated directness possesses its own fetching appeal, and it echoes through Shore’s gospel-inspired music, front to finish. ★★★
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