Articles in Top Story
Sound the trumpets (and trombones and all): Chicago Symphony’s tuning up for its return
Report: Some 14 months after giving its last performance at Orchestra Hall, so long banished from its home and audience by the pandemic, the Chicago Symphony begins and ends its 2020-21 season with a three-weekend flurry of concerts under three different conductors starting May 27 with a showcase for the orchestra’s vaunted brass section.
‘Queen of Spades’ at Lyric Opera of Chicago: Tchaikovsky’s grand drama draws dicey hand
Review: “The Queen of Spades” (or as the Russians say, “Pikovaya dama”) is without question a great opera, among Tchaikovsky’s best works of any kind, with enthralling tragedy and voluptuous, soaring music. He even wrote that he considered “The Queen of Spades” to be the culmination of his life’s work. Yet gloriously conducted though it was at Lyric Opera, and sung brilliantly by tenor Brandon Jovanovich as an obsessive gambler in a tailspin and soprano Sondra Radvanovsky as the blossoming noblewoman who falls for him, the production is willfully shocking and ultimately confusing.★★★
In jewel-box setting, Chicago Opera Theater polishes rare Tchaikovsky treasure ‘Iolanta’
Review: It’s not often that you can pull a forgotten gem out of the trunk, showcase it in a tasteful setting, and reveal it for the magnificently neglected thing that it is. Chicago Opera Theater has succeeded in doing us that favor with Tchaikovsky’s dreamy, naturalistic 1892 opera “Iolanta” – the composer’s last – performed by able forces at the Studebaker, a lovingly refurbished 740-seat jewel-box on Michigan Avenue that also dates from that same last decade of the 19th century. ★★★
Lyric Opera, striking orchestra reach accord, ending walkout; musicians ratify agreement
Update: Lyric Opera of Chicago and the Chicago Federation of Musicians Local #10-208 (CFM) have reached a multi-year labor agreement extending through the 2020/21 season. On Oct. 14, the Chicago Federation of Musicians voted to ratify the tentative agreement reached one day earlier. No further details or comments were available. The musicians went on strike Oct. 9 in response to cuts in compensation and work weeks sought by management.
John Williams, baton (or light saber) in hand, leads CSO and fans on tour of his film music
Review: John Williams, the 86-year-old film-music ruler of galaxies across the observable universe, brought his matchless light to the Chicago Symphony Orchestra and a roaring audience at Orchestra Hall on April 26. He raised his light saber-like baton – or was it the other way around? – and meticulously, joyfully lit up the place.
