Articles in Top Story
Review: Lucas Hnath’s dark, wry and bitter play “Death Tax” unfolds like a recitation of humankind’s less savory qualities. Duplicity probably tops the list here, but there’s also ample place for avarice, covetousness, vanity and exploitative guilt. Remarkably enough, this brilliant 90-minute descent into the lower depths of human behavior is as fascinating as it is dismaying – and it’s imbued with visceral truth by a wholly immersed, intimate ensemble at Redtwist Theatre. ★★★★
Review: It’s not often that you can pull a forgotten gem out of the trunk, showcase it in a tasteful setting, and reveal it for the magnificently neglected thing that it is. Chicago Opera Theater has succeeded in doing us that favor with Tchaikovsky’s dreamy, naturalistic 1892 opera “Iolanta” – the composer’s last – performed by able forces at the Studebaker, a lovingly refurbished 740-seat jewel-box on Michigan Avenue that also dates from that same last decade of the 19th century. ★★★
Update: Lyric Opera of Chicago and the Chicago Federation of Musicians Local #10-208 (CFM) have reached a multi-year labor agreement extending through the 2020/21 season. On Oct. 14, the Chicago Federation of Musicians voted to ratify the tentative agreement reached one day earlier. No further details or comments were available. The musicians went on strike Oct. 9 in response to cuts in compensation and work weeks sought by management.
Review: John Williams, the 86-year-old film-music ruler of galaxies across the observable universe, brought his matchless light to the Chicago Symphony Orchestra and a roaring audience at Orchestra Hall on April 26. He raised his light saber-like baton – or was it the other way around? – and meticulously, joyfully lit up the place.