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‘A Moon for the Misbegotten’ at Writers: Grasping for some truth beneath a pall of lies

Feb 23, 2018 – 9:52 am
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Review: Brawny Phil Hogan and his imposing, hard-as-nails daughter Josie are poor tenant farmers in 1920s Connecticut. James Tyrone Jr., who owns the farm, is a wealthy playboy who’s always had a soft spot for Josie – and for booze and, by loud proclamation, the tarts on Broadway. The daily bread of them all, these desperate occupants of Eugene O’Neill’s “A Moon for the Misbegotten,” is mendacity. They lie to each other and they lie to themselves, until they each find some part of redemption in some measure of truth. Their rough progress toward that grail is a magical thing to witness at Writers Theatre. ★★★★

Stylish new robes for ‘Messiah’: Andrew Davis leads Toronto CD in his modern orchestration

Dec 1, 2016 – 6:43 pm
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Review: To say the just-released recording of Handel’s “Messiah,” arranged and conducted by Andrew Davis with the Toronto Symphony Orchestra and Toronto Mendelssohn Choir, is unlike anything you’ve ever heard would be categorically true, down to the pictorial accents of harp, trombones and – yea, verily – marimba and tambourines.