Articles tagged with: Anthony Freud
Season Preview: Not many people can put a ten-year life plan on a single piece of paper. But Anthony Freud, general director of the Lyric Opera of Chicago, has got his drill down when it comes to the properly balanced life of a grand opera company. Merrily goaded on Jan. 14 by music director Andrew Davis, who was clearly amused, Freud pulled from his pocket, in a tantalizingly brief “reveal,” a carefully folded, well-worn document crammed with the titles of dozens of operas on a grid. Here are the highlights.
Preview: He could be talking about Puccini’s “La boheme” or Verdi’s “La traviata” or Bizet’s “Carmen,” but when Anthony Freud, general director of the Lyric Opera of Chicago, says, “I would encourage anyone who has never experienced opera to give it a try,” he’s referring to none of the above. Freud means Alban Berg’s harrowing Expressionist music-drama “Wozzeck.”
Feature Review: “The Property,” a new vest-pocket opera that burst onto the Chicago scene Feb. 25, is the sweet-spirited musical brainchild of a 28-year-old Minsk-born Polish composer Wlad Marhulets, who makes a living these days tooling music for films in L.A. Marhuletz came to the Lyric Opera by way of klezmer madness — not a disease, rather an exhilarating state of mind. Through March 5.★★★
Report: You know that Valentine’s Day is just around the corner when the romantic couplings planned for the Lyric Opera’s 2015-16 season are the stuff of headlines. The game of love becomes a delicious frenzy when lots of money and a very attractive widow are at stake: Soprano Renée Fleming will be playing her “Merry Widow” title role to the hilt with baritone Thomas Hampson beginning Nov. 14 and into the holiday season. We provide details.
Report: Russian dramatic soprano Tatiana Serjan, who riveted audiences as Riccardo Muti’s Lady Macbeth with the Chicago Symphony in 2013, will return to the Windy City next January at the Lyric Opera of Chicago to sing another knife-wielder, Floria Tosca, the tempestuous diva who tries to outwit a tyrant and foil her lover’s assassination. The Lyric’s 60th anniversary season, announced Jan. 27, also will feature soprano and Lyric creative consultant Renée Fleming in a signature role as Countess Madeleine in Richard Strauss’ final opera, “Capriccio.”
Report: Mieczysław Weinberg, perhaps the best Soviet composer you never heard of, was the “other story” at a Lyric Opera of Chicago press conference Jan. 17 when a new Wagner “Ring” Cycle was announced. But Weinberg’s recently revived opera, “The Passenger,” inspired by a Holocaust novel, is making the international rounds and will arrive at the Chicago Lyric in early 2015, as excitement grows for this prolific composer and esteemed friend of Shostakovich.
Report: With headliners Christine Goerke and Eric Owens — two breakthrough American Wagner singers that everyone is seeking – Lyric Opera of Chicago announced Friday that it will embark on a new David Pountney production of the “Ring” Cycle starring Owens as the great god Wotan and Goerke as Brünnhilde, his beloved Valkyrie daughter. The cycle’s four operas are to be unveiled one by one in consecutive seasons beginning in 2016-17, and then in total-immersion festival form, over the course of three weeks in April 2020.
Preview: For its second tribute in this Verdi year, the Lyric Opera of Chicago will present, so to speak, the whole truth about “La traviata.” And Latvian soprano Marina Rebeka, a young but well-tested Violetta making her Lyric debut, is wholly on board with that.
Update: Show inspires June spin-off
“To Cross the Face of the Moon”
The Chicago Lyric Opera’s new season begins and ends with shows that should attract aficionados of opera and theater: “Elektra” and “A Streetcar Named Desire.” Here’s the show-by-show breakdown.