Articles tagged with: Collette Pollard
‘Smart People’ at Writers: A skilled playwright stirs foursome into existential comedy on race
![‘Smart People’ at Writers: A skilled playwright stirs foursome into existential comedy on race Feature 2 Brosilow](https://chicagoontheaisle.com/wp-content/uploads/2018/04/Feature-2-Brosilow-1-125x125.jpg)
Review: The smartest thing about Lydia R. Diamond’s play “Smart People,” now installed at Writers Theatre, may be the playwright herself. Diamond has a slashing wit and a ringing command of language. Whether “Smart People” adds up to all that much, or indeed whether it’s as fresh and imaginative as its high energy suggests, are other matters. ★★★
‘Hir’ at Steppenwolf: In battle on home front, now a gender mine field, a Marine seeks cover
![‘Hir’ at Steppenwolf: In battle on home front, now a gender mine field, a Marine seeks cover sub feature](https://chicagoontheaisle.com/wp-content/uploads/2017/07/sub-feature-1-125x125.jpg)
Review: Taylor Mac’s tumultuous, off-the-wall play “Hir,” currently on stage in a bristling production at Steppenwolf, is about battles, foreign and domestic. And if the shape-changing military one in the Middle East has been going on for a long time, the societal one at the center of “Hir” is just building a good head of steam. Ex-Marine Isaac has come home to a household in chaos, and to a new sexual order – a whole new declension of genders in which “he” and “she” are but instances on a daunting new landscape. ★★★★
‘Arcadia’ at Writers: Stoppard’s fine-spun play proves ideal opener for Glencoe’s new house
![‘Arcadia’ at Writers: Stoppard’s fine-spun play proves ideal opener for Glencoe’s new house sub feature](https://chicagoontheaisle.com/wp-content/uploads/2016/04/sub-feature-125x125.jpg)
Review: If a play, off the shelf as it were, could be tailor-made for the unveiling of a distinctive new theater, Tom Stoppard’s “Arcadia,” an intellectual romp with a touch of tragedy, is the perfect inaugural raiment for Writers’ splendid new home in Glencoe. ★★★★★
‘Goldfish’ at Route 66: As compulsive gambler, Francis Guinan lifts a loser to grace
![‘Goldfish’ at Route 66: As compulsive gambler, Francis Guinan lifts a loser to grace No matter how wretched his luck, Leo (Francis Guinan, right) always has a tormented rationale for son Albert (Alex Stage). (](https://chicagoontheaisle.com/wp-content/uploads/2015/06/No-matter-how-wretched-his-luck-Leo-Francis-Guinan-right-always-has-a-tormented-rationale-for-son-Albert-Alex-Stage.--125x125.jpg)
Review: Leo lives for those bets that feel good. You’d think winning would be the high, but no. When he has placed a bet that feels really good, Leo can breathe. Never mind that his luck is seldom good, or that his college-age son has minded this financially and spiritually broken, irreducible addict since the lad was little more than a child. Such is the starting point of John Kolvenbach’s eloquent, albeit painfully plain-spoken, play “Goldfish,” a sleeper gem of the season in a sparkling production by Route 66 Theatre. ★★★★
‘Isaac’s Eye’ at Writers: In genius’ rarefied realm, Newton’s high-flying boy meets Captain Hooke
![‘Isaac’s Eye’ at Writers: In genius’ rarefied realm, Newton’s high-flying boy meets Captain Hooke Young, impetuous Isaace Newton (Jurgen Hooper, left) lashes out at the famed scientist Robert Hooke (Marc Grapey). (Michael Brosilow)](https://chicagoontheaisle.com/wp-content/uploads/2014/09/Young-impetuous-Isaace-Newton-Jurgen-Hooper-left-lashes-out-at-the-famed-scientist-Robert-Hooke-Marc-Grapey.-Michael-Brosilow-125x125.jpg)
Review: ★★★ As a clinical study of narcissism, even autism, in a budding young genius, Lucas Hnath’s play “Isaac’s Eye,” an imaginary clash between the obscure 25-year-old Isaac Newton and the celebrated British scientist Robert Hooke, is clever and sometimes brilliant theater. But as drama, it comes off at Writers Theatre as, well, a clinical study. ★★★
Visiting the Darwins: ‘In the Garden’ dispenses some homey chat about homo sapiens and God
![Visiting the Darwins: ‘In the Garden’ dispenses some homey chat about homo sapiens and God Darwin (Andrew White) shows his children (Caroline Heffernan and John Francis Babbo) the hand-like bones common to various creatures. (Liz Lauren)](https://chicagoontheaisle.com/wp-content/uploads/2014/04/Darwin-Andrew-White-shows-his-children-Caroline-Heffernan-and-John-Francis-Babbo-the-hand-like-bones-common-to-various-creatures.-Liz-Lauren-125x125.jpg)
Review: Scene upon witty scene, there is much to admire about Sara Gmitter’s elegant and facile new play “In the Garden: A Darwinian Love Story,” which in its world premiere at Lookingglass Theatre offers a kind of evolutionary portrait of the marriage of Charles and Emma Darwin. Floridly festooned in designer Collette Pollard’s literal interlacing of the natural and civilized worlds, “In the Garden” exudes a radiant, if benign charm. ★★
‘The How and the Why’ at TimeLine: Evolution thicker than blood as biologists clash
![‘The How and the Why’ at TimeLine: Evolution thicker than blood as biologists clash The How And The Why (Lara Goetsch)](https://chicagoontheaisle.com/wp-content/uploads/2014/02/The-How-And-The-Why-Lara-Goetsch-125x125.jpg)
Review: Rachel Hardeman is 28 years old and very bright, in fact a budding evolutionary biologist. She’s also a prickly pear who wears her attitude like a badge – or perhaps a protective cape. In Sarah Treem’s fascinating play “The How and the Why,” now on clinical display at TimeLine Theatre, Rachel collides with a blood relative who may owe her a good deal – some explaining for starters – and the thorns fly. ★★★
‘Blood and Gifts’ at TimeLine: Blood-soaked Afghanistan as pawn in U.S.-Russian faceoff
![‘Blood and Gifts’ at TimeLine: Blood-soaked Afghanistan as pawn in U.S.-Russian faceoff Kareem Bandealy as Abdullah Kahn in Blood and Gifts at TimeLine Theatre credit Lara Goetsch](https://chicagoontheaisle.com/wp-content/uploads/2013/05/Kareem-Bandealy-as-Abdullah-Kahn-in-Blood-and-Gifts-at-TimeLine-Theatre-credit-Lara-Goetsch-125x125.jpg)
Review: ★★★★★
‘The Happiest Song Plays Last’ at Goodman: Counterpoint of old guilt and quest for grace
Review: ★★★★★
To cut, to shift, perchance to sharpen, Writers’ bold ‘Hamlet’ matches conviction with power
Review: ★★★★★
ATC and About Face hang fresh ‘Rent’ sign on a production of street-level intimacy, energy
![ATC and About Face hang fresh ‘Rent’ sign on a production of street-level intimacy, energy Rent Jonathan Larson American Theater Co About Face Theatre 2012 Alex Agard Alan Schmuckler Esteban Andres Cruz Derrick Trumbly credit Michael Brosilow](https://chicagoontheaisle.com/wp-content/uploads/2012/05/Rent-Jonathan-Larson-American-Theater-Co-About-Face-Theatre-2012-Alex-Agard-Alan-Schmuckler-Esteban-Andres-Cruz-Derrick-Trumbly-credit-Michael-Brosilow-125x125.jpg)
Musical classic, new again. 4 stars!
‘Fish Men’ at Goodman: When chess hustlers bait their hooks, slippery truth snaps at the line
Con game in the park. 3 stars.