Articles tagged with: Renee Fleming
News Release: “Bel Canto” — the world premiere opera by Jimmy López and Nilo Cruz that Renée Fleming helped to develop for the Lyric Opera of Chicago — has been chosen for broadcast on the “Great Performances” PBS series. A New York City production team will be in Chicago to film the Jan. 5 and Jan. 8 performances to prepare a national broadcast for the 2016-17 television season. The opera extends through Jan. 17 at the Civic Opera House.
Review: If it had been opening night for the Lyric Opera production of Franz Lehár’s “The Merry Widow,” one might have understood the stark contrast between the dismal walk-through of the first act and the sustained vivacity suddenly on display post-intermission. One might have chalked it up to a calming of collective nerves. But as this was the second performance, the first-night excuse hardly applies. I daresay the show is what it seemed to be: egregiously uneven. ★★★
Report: You know that Valentine’s Day is just around the corner when the romantic couplings planned for the Lyric Opera’s 2015-16 season are the stuff of headlines. The game of love becomes a delicious frenzy when lots of money and a very attractive widow are at stake: Soprano Renée Fleming will be playing her “Merry Widow” title role to the hilt with baritone Thomas Hampson beginning Nov. 14 and into the holiday season. We provide details.
Feature review: The Metropolitan Opera is the most international of houses, but there is something quintessentially American about the Saturday afternoon HD cinema broadcasts that are now part of its marketing arsenal. After attending a performance of “Die Meistersinger von Nürnberg” at the Met, I caught the same production, broadcast live to cinemas on Dec. 13, starring German baritone Michael Volle as Hans Sachs, the master shoemaker, cobbler of poems and mender of hearts.
Review: To watch Lyric Opera’s “Capriccio” is to put one’s mind inside a blissful dream of wealth and privilege, where the toughest choices facing a glamorous Parisian countess — played by Renée Fleming — concerned which adoring, handsome and talented young man to endow with her philanthropy, and her bed. ★★★★
Review: Charting a memorable arc from the flustered panic of love’s first rush to the sorrowful tenderness of lovers whom death has parted, soprano Renée Fleming and tenor Jonas Kaufmann gave Chicago’s Lyric Opera loyalists quite the evening of music to treasure on March 19.
Report: Russian dramatic soprano Tatiana Serjan, who riveted audiences as Riccardo Muti’s Lady Macbeth with the Chicago Symphony in 2013, will return to the Windy City next January at the Lyric Opera of Chicago to sing another knife-wielder, Floria Tosca, the tempestuous diva who tries to outwit a tyrant and foil her lover’s assassination. The Lyric’s 60th anniversary season, announced Jan. 27, also will feature soprano and Lyric creative consultant Renée Fleming in a signature role as Countess Madeleine in Richard Strauss’ final opera, “Capriccio.”
Update: Show inspires June spin-off
Preview: I’ll take mine with popcorn
Soprano and cello, burgers and pizza.
The Lyric Opera of Chicago has commissioned the first opera from 33-year-old Peruvian composer Jimmy López, and will present the new work’s world premiere in December 2015.
The Chicago Lyric Opera’s new season begins and ends with shows that should attract aficionados of opera and theater: “Elektra” and “A Streetcar Named Desire.” Here’s the show-by-show breakdown.