Articles tagged with: Beethoven
DiDonato, Muti conjure Martucci song cycle, then the CSO delivers a Beethoven thriller
Review: Chicago Symphony Orchestra music director Riccardo Muti has long and eagerly shared his love for some 19th-century Italian composers who are otherwise slipping into history. For Giuseppe Martucci’s formidable song cycle “La canzone dei ricordi” (Song of Remembrance), Muti brought in another persuasive advocate, the mezzo-soprano Joyce DiDonato. An electrifying Beethoven Seventh Symphony lit up the concert’s second half.
It’s a pianistic happening as Evgeny Kissin treats adoring listeners to a musical bounty
Review: After the third encore in pianist Evgeny Kissin’s recital Sunday afternoon at Orchestra Hall, the hundreds of listeners still on hand switched into an insistent, stentorian applause. The Russian virtuoso came through with one last bonus, a thundering roll through Chopin’s Prelude in D minor, Op. 28, No. 24; and with that, another phenomenal exhibition was over. ★★★★★
Day in Rhineland: Muti, Chicago Symphony translate Schumann Third into vivid travelogue
Review: Robert Schumann’s Symphony No. 3 in E-flat isn’t known as the “Rhenish” for nothing. I felt very much like Schumann’s Rhine-journeying companion Thursday night, listening to the Chicago Symphony Orchestra’s radiant performance of the Third Symphony conducted by music director Riccardo Muti. ★★★★
With Muti back at helm, Chicago Symphony applies classic touch to Mozart, Beethoven
Review: The Chicago Symphony Orchestra’s Mozart-Beethoven concert Thursday night with music director Riccardo Muti felt like one long “aha!” moment. Here was the full measure of finesse, composure and pliancy the orchestra had expected to put on display for audiences in Southeast Asia with Muti at the helm, but in his absence never entirely achieved. ★★★★★
CSO in Asia: At tour’s end, sense of triumph magnified by journey of maestro, musicians
Report: The Chicago Symphony Orchestra had come a long way, in every sense and under trying circumstances, to hear the Seoul Arts Center rocked by applause on the final stop of its Asia tour. In the quiet of an interview before the closing concerts, conductor Lorin Maazel, who had joined the fraught tour in Hong Kong to lead the CSO across China to this conclusion, its first ever visit to Seoul, described his thrown-together effort with the orchestra not merely as a challenge met, but as “an impossible task.” That the mission was accomplished as impressively as it was, Maazel said, bore witness not only to the Chicagoans’ musicianship but also to their collective professionalism.
CSO in Asia: That purring sound is Muti’s ‘Ferrari,’ driven by Maazel, cruising China
Report: TIANJIN – Conductor Lorin Maazel has pretty much peaked out in his appreciation of the Chicago Symphony, even topping music director Riccardo Muti’s proud comparison of the orchestra to a Ferrari. Shortly after he caught up with the CSO to take over its Asia tour conducting duties from Edo de Waart, in Hong Kong, the grey eminence Maazel summed up the impression he drew from his first rehearsal with the orchestra: “About an hour into it, I thought to myself, ‘My God, what a sound!’”
CSO in Asia: Lorin Maazel, maestro and guru, says little but it’s all music to happy campers
Report: As the sweatered and smiling 82-year-old Lorin Maazel climbed to his seat and settled into a high swivel chair atop the double-riser podium at Hong Kong Cultural Centre on Jan. 28, the conductor’s presence seemed to relax the musicians of the Chicago Symphony Orchestra. What came next, in this first rehearsal together, was impressive not for what Maazel said, but for what he didn’t.
When Beethoven speaks, a struggling pianist listens and everybody learns about the Titan
Preview: What if Beethoven could speak? Suppose that titanic composer just popped into the room where a young pianist was wrestling with a sonata and offered, on the spot, the ultimate master class. You might have something very like pianist-composer-Beethoven impersonator Bruce Adolphe’s “Leave It to Ludwig” – an entertaining stage show aimed squarely at youngsters but authentic and serious enough, even when it’s very funny, to illuminate the subject of Beethoven for adults as well.
Standing in for Muti as CSO readies for Asia, De Waart leads stylish bundle of Beethoven
Review: Concerts this weekend and next were supposed to be warm-ups for the Chicago Symphony Orchestra’s Asian tour, launching later this month with music director Riccardo Muti. But with Muti laid low by the flu, the tour preview has a new man on the podium at Orchestra Hall – Edo De Waart, music director of the Milwaukee Symphony Orchestra. To judge by Thursday night’s opening flourish, an all-Beethoven affair, De Waart will send the CSO on its way to the Far East — and presumably back to Muti’s stewardship – fiddle fit.
‘Variations’ at TimeLine: Seeking the solution to Beethoven’s obsession with a trivial waltz
In lightning-quick Beethoven 7th Symphony, van Zweden and CSO deliver a poetic thriller
Review: It’s one thing to hear a hair-raising orchestra performance on a CD, and quite another to experience it happening right in front of you, live, in the splendorous acoustics of a concert space. The Chicago Symphony Orchestra’s rocket-sled finale in Beethoven’s Seventh Symphony on May 15 at Orchestra Hall, with conductor Jaap van Zweden, was one to send a writer combing his thesaurus for a higher form of wow. *****
Chailly lifts his quick baton, and Beethoven’s symphonies emerge from the veil of tradition
CD review: Conductor Riccardo Chailly’s new recording of Beethoven’s nine symphonies, with the Leipzig Gewandhaus Orchestra, may finally be the document that changes the way we think of these seminal works – and the way the next generation of conductors approaches them. *****
Review: Pacifica Quartet pairs Shostakovich and Beethoven, showing them as peers
Review: The Pacifica Quartet offered a stunning reminder in its concert Sunday at the University of Chicago that the quartets of Shostakovich stand shoulder to shoulder with Beethoven’s as exemplars of the form, great and deeply personal expressions. *****
Amid Beethoven and Shostakovich quartet cycles, Pacifica to glimpse both at University of Chicago
The Pacifica Quartet has been playing complete cycles of Beethoven’s 16 string quartets and Shostakovich’s 15 in international venues over the last couple of years. Violist Masumi Per Rostad talks about the enduring importance of both composers.