Articles by Nancy Malitz
Glass’ meditative ‘Satyagraha,’ on Gandhi, takes Met’s Live HD series to new ground
Preview: The Metropolitan Opera’s Live in HD broadcasts throughout the U.S. feature a landmark of American minimalism not to miss — ”Satyagraha” by Philip Glass, Nov. 19 and Dec. 7. Here’s a peek.
Contempo doubles down on new music, plays matchmaker for separate audiences
Preview: U.S. and Chicago premieres abound in the season opener of the new-music series Contempo, at the Harris Theater Tuesday. The concert is a double bill featuring a second set with Japanese jazz pianist Hiromi Uehara and her trio.
Lyric Opera’s powerful ‘Boris Godunov’ recaptures tragedy’s original stark beauty
Tortured soul of a Russian czar. 4 stars!
Calling all composers! Win up to 5 minutes on a Hilary Hahn recital! And be recorded!
No, this is not an appeal on the back of a cereal box, although it’s definitely got that gee-whiz feeling.Leave it to Hilary Hahn, the nimble-witted concert violinist and Deutsche Grammophon recording artist, to announce her Encore Contest in a whisper on YouTube by candlelight.
In a meeting of grey eminences, Haitink scores a fine first in Haydn’s oratorio ‘The Creation’
Review: Is there an optimal year in one’s life to conduct a masterpiece of Haydn for the first time? In the case of Dutch conductor Bernard Haitink and Haydn’s oratorio “The Creation,” the magical number would appear to be 82. ****
Chicago Symphony MusicNOW opens season with ping-pong balls and rhythms a-tumble
Review: MusicNOW, the contemporary series of the Chicago Symphony Orchestra, began its 2011-12 season alive with the music of ping-pong balls, marimba, country fiddle and eerie vocals. Composers converged from Dublin, Connecticut, Minnesota and London to hear their works performed.
What’s under that skirt? Chicago Lyric Opera’s coloratura Anna Christy kicks Olympia into top gear
Lyric Opera close-up: We had to know. How is it that soprano Anna Christy is able to zip around like a hovercraft while pinging those sparkling high notes as Olympia, the mechanical doll, in “The Tales of Hoffmann”?
Sondheim’s ‘Follies’ at CST: Broadway glitz and glamour, with all the endearing bruises
At Chi. Shakespeare Theater. 5 stars!
Riccardo Muti receives Birgit Nilsson Prize of $1M
Video: In acceptance speech, he stresses social commitment thru music.
From ‘naughty’ composer, young Baroque troupe gets a nice boost
It’s the phone call all struggling musicians hope for — the announcement of a competition prize complete with recording contract. For Wayward Sisters, a Baroque ensemble specializing in 17th-century music, the news lit up lines in Chicago and three other locales where its four members reside.
Riccardo Muti unearths gem in Mahler tribute
Mahler conducted the world premiere of Busoni’s “Berceuse élégiaque” at the last public performance of his life, with the New York Philharmonic in 1911. At the Chicago Symphony Orchestra’s re-creation of the event, the nine incredible minutes of the “Berceuse” alone are sufficient reason to attend.
Lyric love and fractured hearts in the mirror of Offenbach’s time
Offenbach’s “Tales of Hoffmann” opens Lyric Opera of Chicago season. 4 stars!
John Malkovich stalks sopranos who suffer in song
John Malkovich plays a modern-day Jack the Ripper who has come back from death to make a charmingly creepy case for himself in “The Infernal Comedy: Confessions of a Serial Killer.”
CST will stage remixed ‘Othello’ in London at Cultural Olympiad
“Funk It Up About Nothin'” team creates work for pre-Olympics festival.
Our hit list for the Chicago Symphony’s 2011-12 season
It’s tough to choose amid the bounty and variety that music director Riccardo Muti and guest conductors will offer in the coming months, but we’ve assembled an alluring 12-pack. The envelope, please… …
