Articles by Nancy Malitz
Jaap van Zweden named next music director of the New York Philharmonic starting in 2018
News Release: New York Philharmonic Chairman Oscar S. Schafer and President Matthew VanBesien have announced that conductor Jaap van Zweden will become the Orchestra’s next Music Director, beginning in 2018–19, the Orchestra’s 177th season. Mr. van Zweden will serve as Music Director Designate in the 2017–18 season.
Disney’s “Aladdin” North America tour starts in 2017 at Broadway In Chicago Cadillac Palace
12-week engagement runs April 11 – July 2, 2017
‘Nabucco’ at Lyric Opera: The youthful Verdi’s future on display in a grand night of singing
Review: The best way to experience a performance of Verdi’s “Nabucco” is to think like an actor thinks. Stay in the moment completely. Don’t overthink the logic, the plot complications, the evidence of history. Avoid those traps and the musical impact of “Nabucco” — which is currently on the boards at the Lyric Opera of Chicago, where several mighty singing actors are doing terrific work – will thrill you to your bones.★★★★
Steppenwolf Theatre To Open ‘1700’ Café & Bar & 80-Seat Black Box Theater in Spring 2016
News Release: CHICAGO (January 21, 2016) – Steppenwolf Theatre Company announced today the opening of a new café & bar and 80-seat theater in the building at 1700 N Halsted St., which is connected to its existing main lobby. Slated to open in Spring 2016, the café & bar space will be a warm neighborhood hub serving artisanal coffee, espresso and tea by La Colombe by day while gradually moving to traditional bar service for the evening hours.
In a grand flourish, Lyric will match Wagner ‘Ring’ launch with Berlioz spectacle ‘Troyens’
Season Preview: Not many people can put a ten-year life plan on a single piece of paper. But Anthony Freud, general director of the Lyric Opera of Chicago, has got his drill down when it comes to the properly balanced life of a grand opera company. Merrily goaded on Jan. 14 by music director Andrew Davis, who was clearly amused, Freud pulled from his pocket, in a tantalizingly brief “reveal,” a carefully folded, well-worn document crammed with the titles of dozens of operas on a grid. Here are the highlights.
Broadening stream of virtual performances ranges from master classes to masterworks
Digital Preview: With another Artic blast on the way, it’s a good time to check out the world’s top fine arts events available live or on-demand — Joyce DiDonato’s master classes at Carnegie Hall, a “Ring” in Vienna, a new cello concerto in Detroit. And the Lyric Opera of Chicago has just finished recording its new “Bel Canto” for a future PBS broadcast.
PBS chooses Lyric Opera premiere ‘Bel Canto’ for Great Performances telecast
News Release: “Bel Canto” — the world premiere opera by Jimmy López and Nilo Cruz that Renée Fleming helped to develop for the Lyric Opera of Chicago — has been chosen for broadcast on the “Great Performances” PBS series. A New York City production team will be in Chicago to film the Jan. 5 and Jan. 8 performances to prepare a national broadcast for the 2016-17 television season. The opera extends through Jan. 17 at the Civic Opera House.
Theaters serve up holiday stew of 3 Scrooges filled with laughs, lessons, gravy and graves
Review: Chicago’s holiday offerings include Three Scrooges — not a show, but a trio of shows all based on “A Christmas Carol.” And yes, there’s some slapstick in it, even ribaldry, depending on which flavor of Dickens you choose.
‘Bel Canto’ premiere at Lyric Opera delivers tragic image of humanity at unbridgeable gulf
Review: The true measure of Peruvian composer Jimmy López’s new opera “Bel Canto,” which received its world premiere Dec. 7 by the commissioning Lyric Opera of Chicago, transcends its check-list of merits as a skillfully wrought and thoroughly engaging work. It is a compelling tragedy expressive of humanity at its best and most aspiring, and at its most grievously imperfect. ★★★★★
In holiday spirit, CSO sets out musical bounty, and lovers of Gershwin, Dvořák gobble it up
Review: “Rhapsody in Blue” is on the docket, compliments of pianist Jon Kimura Parker. And if you’re lucky, a bit of Oscar Peterson, too. Composer Anna Clyne’s five-minute lollapalooza called “Masquerade” is the all-embracing upper in Thanksgiving weekend concerts featuring Dvořák’s 7th and led by Marin Alsop in an unmistakeable party mode.
Theater 2015-16: Remembering PJ Paparelli, American Theater Co. maps ‘Legacy Season’
22nd in a series of season previews: Two world premieres lead off an American Theater Company season dedicated to the memory of PJ Paparelli, the ensemble’s visionary artistic director who died last May after an automobile accident in Scotland. Thomas Bradshaw’s new play “Fulfillment,” about a successful African-American lawyer whose world gets flipped on its head, opens the season. It will be followed by the premiere of “Bruise Easy,” Dan LeFranc’s play about an adult brother and sister whose meeting at their childhood home offers a chance to iron out old issues.
At Goodman’s New Stages Festival, playwrights count on sharpening assist from the audience
Feature: Three formative plays on the boards in Goodman Theatre’s New Stages Festival offer an intriguing glimpse into the process of turning a work of promise into a well-honed piece of stagecraft ready for prime time. Now in its 12th year, the 2015 edition of New Stages concludes Nov. 13-15 with final performances of those plays and a cluster of readings.
Theater 2015-16: With premieres, A Red Orchid takes pursuit of life on the edge to new realms
21st in a series of season previews: A Red Orchid Theatre opens its 23rd season with Brett Neveu’s “Pilgrim’s Progress,” one of two world premieres during 2015-16. It burrows into layers of conflict within a family gathered for Thanksgiving dinner. “It’s brutal and hilarious,” says artistic director Kirsten Fitzgerald, “and it’s the kind of play this company identifies with. We absolutely explore the poetry of life on the edge.”
Berg’s ‘Wozzeck’ at Lyric Opera of Chicago: Stark expressionism draped in musical riches
Review: Tomasz Konieczny is Wozzeck, the low-ranking soldier who sinks into madness as he is subjected to scientific experiments, betrayed in love and persistently harrassed. As envisioned by director David McVicar and conductor Andrew Davis, the 1925 opera is as deeply unsettling visually as it is musically rich. Berg’s account of Wozzeck’s grotesque travails has a way of suddenly panning wide, as if to embrace us all in our human dissonance and complexity.★★★★
Theater 2015-16: The mood is electric at Writers as ‘curtain up’ takes on dramatic new meaning
20th in a series of season previews: Writers Theatre artistic director Michael Halberstam sees ideal choices in the two major productions planned for the spring 2016 opening of the company’s brand new home in Glencoe – Tom Stoppard’s “Arcadia” and the Stephen Sondheim musical “Company.”
Musically agile maestro Davis bends to match iconoclastic Kissin’s Tchaikovsky with CSO
Review: You could feel the Chicago Symphony Orchestra’s crack troop of musicians and their super-flexible maestro Andrew Davis snap to alertness when the Russian pianist Evgeny Kissin ignored what he had just heard in the opening of Tchaikovsky’s Piano Concerto No. 1, and simply went his own way in a performance Oct. 15 at Orchestra Hall.
Rossini’s ‘Cinderella’ at the Lyric: Bright voices and colors and wit (plus a Greek chorus of rats)
Review: With its blindingly bright colors and brilliant musical hijinks, the Lyric Opera of Chicago’s current production of Rossini’s “Cinderella” plays out like a surreal dream that might possess one in the wee hours of the night. It makes perfect sense while it’s happening, zany and hypnotic at the same time. Rossini’s music is wrapped in a fanciful production that goes well beyond the boring rules of logic. ★★★★★
While the band played on, Chicago Symphony and its musicians hammered out a three-season deal
Update: The new deal is good through Sept. 16, 2018.
Riccardo Muti and the Chicago Symphony salute the Blackhawks’ Stanley Cup win with a rousing ‘Chelsea Dagger.’
Video: The Blackhawks’ victory parade ended a block away from Symphony Center in downtown Chicago, but Riccardo Muti was still in the mood to celebrate.
Grant Park Orchestra, led by ‘goalie’ Kalmar, heats up Beethoven to kick off festive summer
Review: Chicago’s getting everything right at the beginning of this summer season. The day after the Blackhawks won the Stanley Cup, the weather was picnic perfect at Millennium Park, where the free Grant Park Music Festival got underway. Thousands laid down their blankets on the great lawn at Pritzker Pavilion. Even the curse of the overture “Drip” – rained out two seasons running – was finally broken. Check out our top festival picks.
CSO’s ‘French Reveries and Passions’: Spirit and imagination set crown on a dream festival
Festival Review: It’s that time of the year when orchestras change their pace, kick back a bit and come a-bloom with new ideas in the spirit of the warming clime. Thus the New York Philharmonic celebrates its 50th season of Concerts in the Parks, the Cincinnati Symphony’s May Festival gets underway, the Boston Symphony is deep into its Pops concerts. But the place to be this season is in the Windy City, where the Chicago Symphony Orchestra is midway through an extravagant multidimensional festival “French Reveries & Passions.”
‘Sense & Sensibility’ at Chicago Shakespeare: Austen’s beloved sisters glow in new musical
Review: You can just as easily chart a path from Jane Austen to Stephen Sondheim as you can from Austen to Disney, and thus it is not surprising that Chicago Shakespeare Theater’s artistic director Barbara Gaines should create the world premiere production of Paul Gordon’s diverting new musical based on Austen’s first published novel. “Sense and Sensibility” tells the astonishingly vital story of two sisters of marriageable age – one a yin to the other’s yang – in the 1790s. ★★★★
Famous trouser roles folded away, opera star von Stade channels a queen of Egypt (Texas)
Interview: Frederica von Stade broke through to opera fame in the ’70s for her boyish roles that showcased a slim physique and impish wit. Now composers and directors seek her out for a new genre — dames and dowagers such as Myrtle Bledsoe in Ricky Ian Gordon’s “A Coffin in Egypt,” now onstage at Chicago Opera Theater.
‘Martyr’ at Steep: Shrinking from sex, fearful youth finds a hideout, if not shelter, in Bible
Review: When we first encounter Benjamin Südel, he is a moody teen in the middle of his violent spring awakening. Awkward and obsessed with himself, he is almost paralyzed with bewilderment – no, terror – as he is thrust into his school’s hormonal stew. He may or may not be the title character of Marius von Mayenburg’s play, “Martyr,” now enjoying nervous laughter in its fine U.S. premiere at Steep Theatre. ★★★★
Bernard Haitink, venerable master of Mahler, reveled in wonders of Seventh Symphony with CSO
Review: Not only with respect to age is Bernard Haitink, at 86, the eminence grise among Mahler conductors today. His association with Mahler’s symphonies is as close and authoritative as it is long. That profound perspective was again evident on April 9 when Haitink led a poetic excursion through the Seventh Symphony with the Chicago Symphony Orchestra.
‘Carousel’ at Lyric Opera: The stars shine in this merry-go-round. Steven Pasquale is Billy Bigelow
Review: The opening of this “Carousel” has everything going for it as the new Rob Ashford production lays out in the plainest way possible what a high-stakes risk your average small town takes when the traveling circus rolls in. Handsome carney barker Billy Bigelow – every father’s nightmare – and scantily clad carnival owner Mrs. Mullin step out from her trailer together for a mutual smoke, and in those first raw minutes the best aspects of this effort are on display. ★★★
Prelude to a fête française: CSO concert fare anticipates big Gallic do, or has it started?
Review: Although it was not billed as such, the March 19-21 concerts of the Chicago Symphony Orchestra featuring cellist Yo-Yo Ma and conductor Charles Dutoit made it seem as if the French-focus “Reveries and Passions” festival, coming in May and June at Symphony Center, is already underway. Allons-y!
‘First Wives Club’ delivers the songs and stars, but the new musical is still looking for its heart
Review: “The First Wives Club,” the movie, was a sweet revenge caper for three of the funniest forty-something women in the business. Now Faith Prince as Brenda the loudmouth, Christine Sherrill as the aging star Elise and Carmen Cusack as the ditherer Annie star in the Broadway-bound musical comedy “First Wives Club,” playing at the Oriental Theatre. The musical is a work in progress but it has several heady things going for it, including these leading ladies, who fall together in a D-line when their husbands try to dump them. ★★
Violinist Shaham turns to brisk Baroque Bach, recast in modern frame of super-slow videos
Review: After hearing Bach, there are melodies that linger in the memory, as if the brain is sorting bits to savor in pursuit of its own afterglow. But after listening to the Bach of Gil Shaham at Orchestra Hall in a world premiere collaboration with video artist David Michalek, there are images that linger, too.
Klezmer opera ‘The Property’ melds nostalgia, renewal in music awash with Old-World charm
Feature Review: “The Property,” a new vest-pocket opera that burst onto the Chicago scene Feb. 25, is the sweet-spirited musical brainchild of a 28-year-old Minsk-born Polish composer Wlad Marhulets, who makes a living these days tooling music for films in L.A. Marhuletz came to the Lyric Opera by way of klezmer madness — not a disease, rather an exhilarating state of mind. Through March 5.★★★
