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‘Queen of Spades’ at Lyric Opera of Chicago: Tchaikovsky’s grand drama draws dicey hand

Feb 24, 2020 – 5:56 pm
B Jovanovich_ QUEEN OF SPADES_Lyric Chicago_c.Cory Weaver

Review: “The Queen of Spades” (or as the Russians say, “Pikovaya dama”) is without question a great opera, among Tchaikovsky’s best works of any kind, with enthralling tragedy and voluptuous, soaring music. He even wrote that he considered “The Queen of Spades” to be the culmination of his life’s work. Yet gloriously conducted though it was at Lyric Opera, and sung brilliantly by tenor Brandon Jovanovich as an obsessive gambler in a tailspin and soprano Sondra Radvanovsky as the blossoming noblewoman who falls for him, the production is willfully shocking and ultimately confusing.★★★

‘Madama Butterfly’ at Lyric Opera of Chicago: From a clear-sighted soprano, a high purpose

Feb 8, 2020 – 10:26 am
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Review: In the #MeToo era, Puccini’s opera “Madama Butterfly” might seem awkwardly antiquated, Though it has held the boards as a box office favorite since its premiere in 1904, Lyric Opera of Chicago also evidently saw a problem in mounting its current production, which opened Feb. 6. The night’s program book advances not one but two fulsome arguments on behalf of this work about a beautiful 15-year-old geisha who is rented out in “marriage” to an American naval officer. But it is soprano Ana Maria Martinez’s finely sung, elegantly drawn portrait of Butterfly that once more raises the opera above its own deplorable subject matter and into the realm of high art. ★★★

‘Don Giovanni’ at Lyric Opera of Chicago: Surprise title-role change to heat up the drama

Nov 25, 2019 – 5:08 pm
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Review: What began as a routine change of cast for the title role in Mozart’s “Don Giovanni” at Lyric Opera of Chicago, with baritone Lucas Meacham giving way to a scheduled replacement for three final performances in December, became a really intriguing development Nov. 25 when the next man up, Davide Luciano, was reported indisposed: The replacement’s replacement will be Ryan McKinny, the vocally and dramatically riveting killer Joseph De Rocher in Jake Heggie’s “Dead Man Walking,” which just closed at Lyric. ★★★★

‘Dead Man Walking’ at Lyric Opera of Chicago: To killer facing death, a nun bears love’s balm

Nov 5, 2019 – 4:57 pm
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Review: The silence, the phenomenal silence in that huge opera house, spoke loudly about the music-drama unfolding onstage: imminent death awaiting the brutal murderer of two teenagers and the desperate effort by a nun to help this roughcut sociopath, now reduced to a tormented and frightened soul, find peace before his execution. This is “Dead Man Walking,” the magnificent opera by composer Jake Heggie and librettist Terrence McNally, brought to life once more through a shattering confluence of music and theater at Lyric Opera of Chicago. ★★★★★

‘Luisa Miller’ at Lyric Opera of Chicago: Verdi rarity is a happy augury for Mazzola era

Oct 14, 2019 – 10:42 am
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Review: We shall see whether Lyric Opera of Chicago, when it comes under the musical leadership of Enrique Mazzola in 2021, pursues the plan of departing music director Andrew Davis to explore the early, less familiar operas of Giuseppe Verdi. The idea has merit, and I think Mazzola will stick with it. There are signs to support that probability in the example immediately at hand: Verdi’s “Luisa Miller,” which Mazzola himself conducts with spirit, insight and evident belief in the opera’s worth. ★★★

‘West Side Story’ at Lyric Opera of Chicago:
New love and old hatred stirred at high heat

May 9, 2019 – 9:43 am
5/2/19 2:46:06 PM -- Chicago, IL

Lyric Opera Chicago
West Side Story Dress Rehearsal



© Todd Rosenberg Photography 2019

Review: By now, Lyric Opera of Chicago can claim an impressive string of spring musicals, hugely popular explorations of classic Americana that appear like shining exclamation marks at the end of regular opera seasons. The latest, “West Side Story,” well may be the finest. Indeed, you might be hard pressed ever to find a more profoundly satisfying account of this exquisite music-drama, which shares with its model, Shakespeare’s “Romeo and Juliet,” both its bittersweet hope and its timeless tragedy. ★★★★★

‘La traviata’ at Lyric Opera of Chicago: Beneath layers of familiarity, a pristine jewel

Feb 18, 2019 – 9:15 pm
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Review: Every opera that gains such enduring popularity as to acquire the epithet warhorse was once, well, a colt – exhilarating in its spunky freshness, its beauty undimmed by long familiarity and habitual service. The real marvel of Lyric Opera’s current staging of Verdi’s “La traviata” lies not just in its lustrous surfaces but rather in its surprising depth, in its true and affecting recovery of a splendor beyond – or, more to the point, before – habit. ★★★★★

‘Il trovatore’ at the Lyric Opera of Chicago: Vital foursome re-energizes a Verdi classic

Nov 21, 2018 – 2:28 pm
Il trovatore feature image (Lyric Opera of Chicago)

Review: When people talk about high-energy spectacle and romantic intensity in Italian opera, “Il Trovatore” is the classic Exhibit A. An instant hit when it opened in Rome, it’s still a winner. Lyric’s three-way production with the San Francisco Opera and the Met is a concept that remains dynamic and fresh, from the flash and wham of gypsy smithies hammering away at their swords in the extravagant Anvil Chorus, to the tragic love triangle that complicates a civil war unfolding. ★★★★

Berg’s ‘Wozzeck’ at Lyric Opera of Chicago: Stark expressionism draped in musical riches

Nov 3, 2015 – 10:43 am
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Review: Tomasz Konieczny is Wozzeck, the low-ranking soldier who sinks into madness as he is subjected to scientific experiments, betrayed in love and persistently harrassed. As envisioned by director David McVicar and conductor Andrew Davis, the 1925 opera is as deeply unsettling visually as it is musically rich. Berg’s account of Wozzeck’s grotesque travails has a way of suddenly panning wide, as if to embrace us all in our human dissonance and complexity.★★★★

‘The Scarlet Ibis’ at Chicago Opera Theater: Conflict of brotherly love, honed to lyric pitch

Feb 23, 2019 – 11:29 am
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Review: Brotherly conflict is at the heart of composer Stefan Weisman’s extraordinary operatic adaptation of “The Scarlet Ibis,” a celebrated short story by James Hurst. The 95-minute opera reveals layers of meaning and symbolism and blurs intense naturalism with a kind of dreamy magical realism. The staging by Chicago Opera Theater manages to be at once touching and tender, tough and unflinching: a revelation of the work’s power and depth. ★★★★★

Chicago native Janai Brugger joins ‘Turandot,’ another bright spot in Lyric Opera production

Jan 15, 2018 – 4:34 pm
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Second Look: It was soprano Janai Brugger’s scheduled mid-run insertion as Liù, in Puccini’s “Turandot,” that drew me back for a second look at the Lyric Opera of Chicago production. But while Brugger’s performance rewarded my reprise, the experience also underscored some important truths about this last of Puccini’s operas – and about the real merit of the Lyric’s success with it.

Soprano Susanna Phillips, Lyric Opera alum, returns to Chicago to sing at Grant Park fest

Jun 20, 2017 – 10:56 pm
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Interview: Despite sounding hoarse over the phone because of a cold, Susanna Phillips gushed enthusiasm about making her debut at the Grant Park Music Festival on June 21 in a concert conducted by festival music director Carlos Kalmar. She’s just as enthusiastic about the unusual repertoire she’ll be performing, Aaron Copland’s “Eight Poems of Emily Dickinson.”

What’s under that skirt? Chicago Lyric Opera’s coloratura Anna Christy kicks Olympia into top gear

Oct 18, 2011 – 4:26 pm
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Lyric Opera close-up: We had to know. How is it that soprano Anna Christy is able to zip around like a hovercraft while pinging those sparkling high notes as Olympia, the mechanical doll, in “The Tales of Hoffmann”?

Stages of Silence: Lyric cancels ‘Ring’ cycle; CSO and Chicagoland theaters also go dark

Mar 14, 2020 – 9:48 am
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Report: It was a day to give Friday the 13th a bad name. Lyric Opera of Chicago made the unavoidable but nonetheless stunning decision to cancel the whole of its long-anticipated cycles through Wagner’s “Ring” tetralogy. The Chicago Symphony Orchestra essentially placed its virtuoso forces on paid leave. Broadway in Chicago shut down its main presentations in the Loop. And one after another, theaters large and small posted immediate stoppage of whatever was on their stages along with cancellation of whatever might be next.

Eric Owens, citing health issues, withdraws as Wotan in Wagner ‘Ring’ cycle at Lyric Opera

Mar 2, 2020 – 12:35 pm
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Report: Bass-baritone Eric Owens has withdrawn from the role of Wotan in Lyric Opera of Chicago’s upcoming “Ring” cycles “in order to undergo treatment for ongoing health issues,” Lyric general director Anthony Freud announced March 2.

Lyric Opera’s departing music director Davis, successor Mazzola to share podium in 2020-21

Feb 13, 2020 – 3:23 pm
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Report: Lyric Opera of Chicago has cast outgoing music director Andrew Davis in a starring role through the 2020-21 season announced Feb. 12. Besides leading three productions, including Mozart’s “The Marriage of Figaro,” the opera in which he made his Lyric debut in 1987, Davis will conduct a special performance of Beethoven’s Ninth Symphony with the Lyric Opera Orchestra and Chorus. The Sept. 17 opening night double bill of Mascagni’s “Cavalleria rusticana” and Leoncavallo’s “Pagliacci” will also offer Lyric patrons their first glimpse of completely redone seating throughout the house.

Muti leads Chicago Symphony and stellar cast in concert ‘Cavalleria’ richly staged for the ear

Feb 9, 2020 – 6:47 pm
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Review: Pietro Mascagni’s opera “Cavalleria rusticana” led by music director Riccardo Muti and starring the sensational 36-year-old Georgian mezzo-soprano Anita Rachvelishvili amidst an outstanding cast, was a performance for the ages.

Two piano concertos add to Beethoven riches in Chicago Symphony’s year-long celebration

Jan 31, 2020 – 4:56 pm
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Review: It was not perhaps the same bounty that surrounded the world premiere of Beethoven’s Fourth Piano Concerto in 1808, an evening that also included the premieres of the Fifth and Sixth Symphonies and the “Choral Fantasy.” Still, at this juncture in the Chicago Symphony Orchestra’s season-long celebration of Beethoven’s 250th year, it felt like a generous opportunity indeed to hear both the Fourth Piano Concerto and the First on the same program, with the excellent and roundly Beethoven-tested pianist Paul Lewis as soloist and Andrew Davis on the podium.

Andrew Davis, gearing up to lead Lyric ‘Ring,’ conducts CSO while cueing ‘Queen of Spades’

Jan 30, 2020 – 4:37 pm
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Interview: Conductor Andrew Davis, music director of Lyric Opera of Chicago, is taking a time-out from the bit of Wagner he’s preparing over at Lyric – the four-opera, 17-hour “Ring of the Nibelung” – to conduct the Chicago Symphony Orchestra with pianist Paul Lewis in some Beethoven. Davis paused backstage at Orchestra Hall to reflect on his late-blooming history with Wagner’s music, his fascination with the monumental “Ring” and the frankly boggling effort required to bring it off.

Bryn Terfel cancels Lyric Opera date after fall during ‘Flying Dutchman’ production in Spain

Jan 29, 2020 – 3:19 pm
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Report: The Welsh bass-baritone Bryn Terfel has canceled his Feb. 2 recital at Lyric Opera of Chicago because of an injury suffered while performing in Wagner’s “The Flying Dutchman” in Bilbao, Spain. In a statement released Jan. 29, Lyric said: “Sir Bryn Terfel, suffered a severe injury from a fall that will not allow him to perform in Chicago this weekend. According to Sir Bryn’s physician, he has fractured the three prominences of his ankle, causing the ankle to partly dislocate and requiring a surgery scheduled for later this week.”

Welcome to opera’s Roaring ’20s: New voices spark resurgence in a once-wavering art form

Jan 28, 2020 – 5:42 pm
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Commentary: Back in the 20th century, opera companies looked to be in danger of obsolescence. The canon of works was European, old and getting older, and sung in foreign languages. The stars with the greatest vocal gifts didn’t necessarily look their parts compared to standards set by Broadway. Amplification was in. DJs were hot. Film made fantasy impossibly real. Opera cost a lot. But now we’re at the onset of opera’s Roaring Twenties, not least here in Chicago, where a young and fearless theater audience is up for anything if the story-telling is good. Here’s a look at what’s ahead.

Ryan McKinny sheds the mantle of a murderer for chameleon cape of Don Giovanni at Lyric

Dec 5, 2019 – 6:19 pm
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Interview: Bass-baritone Ryan McKinny was Donny-on-the-spot when Lyric Opera of Chicago found itself suddenly bereft of a Don Giovanni  to finish out the current run of Mozart’s opera. A change in the lead role had been planned all along, but Lyric got stranded when the scheduled replacement became indisposed. Enter McKinny, who was already in the house, wrapping up his engagement at Lyric as the convicted murderer Joseph De Rocher in Jake Heggie’s opera “Dead Man Walking.”

In parade of regal opera, Sondra Radvanovsky inhabits three tragic Donizetti queens at Lyric

Dec 3, 2019 – 3:40 pm
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Review: Perhaps the best part of soprano Sondra Radvanovsky’s exhilarating excursion through Donizetti’s Three Queens at Lyric Opera on Dec. 1 is the fact that this remarkable and brave singer will repeat her tour de force – twice. It is an event earmarked not just for enthusiasts of bel canto, but indeed for any operaphile who prizes great drama as the point of great singing. ★★★★★

It’s two years until he takes Lyric Opera reins, but Enrique Mazzola already feels like family

Oct 11, 2019 – 3:15 pm
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Interview: The year 2019 has been for Enrique Mazzola an intense and rewarding breakthrough year he’ll remember for the rest of his life. Named music director designate at Lyric Opera of Chicago, effective with the 2021-22 season, Mazzola talks about learning the ropes in Berlin, Sazburg, New York and Paris and his desire to bring all that experience “energetically to the Lyric,” which he envisions as “a big music home for everybody.”

‘Barber of Seville’ at Lyric Opera: Girl power prevails amid vocal fireworks, lots of laughs

Sep 30, 2019 – 6:43 pm
9/25/19 2:03:44 PM -- Chicago, IL USA
Lyric Opera of Chicago
The Barber of Seville Dress Rehearsal
Rossini 
Sir Andrew Davis conductor

© Todd Rosenberg Photography 2019

Review: In love and determined to get her way, an awesome spitfire turns to Figaro, the barber, for assistance in Rossini’s gleefully funny opera buffa, “The Barber of Seville.” It’s now playing at the Lyric Opera of Chicago in a Broadway style production, with sun-drenched Moorish touches, roving set pieces on wheels, and a motley crew of singing comedians. ★★★★

Davis to step down as Lyric’s music director; Italian Enrique Mazzola will take reins in 2021

Sep 13, 2019 – 5:53 pm
Enrique Mazzola

Report: Andrew Davis will step down as music director of the Lyric Opera of Chicago at the end of the 2020-21 season, to be succeeded by Italian conductor Enrique Mazzola, the company announced on Sept. 12. Mazzola, principal guest conductor at Deutsche Oper Berlin, and until recently artistic and music director of the Orchestre National d’Île-de-France in Paris, made his Lyric debut in 2016 with Donizetti’s “Lucia di Lammermoor.” He returned in 2018 to lead Bellini’s “I Puritani.” He will conduct Verdi’s “Luisa Miller” at the Lyric in October.

Lyric Unlimited presents a brand-new opera for young audiences: ‘Earth to Kenzie’

Jun 28, 2019 – 4:33 pm
Earth to Kenzie top image (Lyric Opera Chicago)

This Just In: The following is a news release written by an arts organization, submitted to and edited by Chicago On the Aisle.
Tickets on sale June 27 for performances at Chicago’s Vittum Theater November 9-10, …

Lyric’s Ryan Center singers, Civic Orchestra produce plenty of sparkle on a shared stage

Jun 7, 2019 – 12:16 pm
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Review: Spirits were high and the audience could hardly have been more receptive when singers from the Lyric Opera of Chicago’s Ryan Center for professional training collaborated with the Civic Orchestra of Chicago in an evening of opera arias and scenes June 5 at Orchestra Hall. The concert conducted by Michael Christie sampled a nicely varied mix of four operas from the 18th-20th centuries.

Chicago Symphony, its fabled sound blazing, gets wild welcome in return to Orchestra Hall

May 3, 2019 – 2:15 pm
5/2/19 9:51:29 PM -- Chicago, IL 
Chicago, IL 
Chicago Symphony Orchestra
Riccardo Muti, Conductor
Joyce DiDonato, Soprano


Bizet Roma
Berlioz The Death of Cleopatra, Lyric Scene for Mezzo-Soprano and Orchestra
Respighi Pines of Rome

© Todd Rosenberg Photography 2019

Review: O say, can you see – the Chicago Symphony Orchestra is back, its seven-week strike over, music on the stands and music director Riccardo Muti once more presiding from the podium. To a whooping, standing-O reception, the CSO roared back into action at Orchestra Hall on May 2 with a performance that made clear the orchestra, in a twinkling, was all the way back: a full-fledged do-over. And lest anyone miss the point that, even at the three-quarter mark of the season, this was in spirit a restart, Muti began with a flick of his baton for a drumroll and struck up “The Star-Spangled Banner.”

‘Moby-Dick’ at Chicago Opera Theater: Condensing the scope, cranking up the power

Apr 29, 2019 – 4:24 pm
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Review: When Jake Heggies’ opera “Moby-Dick” had its world premiere in Dallas in 2010, everything about it was gargantuan and cutting edge technically, with enormous set pieces, elements flying in and out, lighting sufficient to evoke boat-swallowing storms at sea, and whale-size computer graphics. But a new and nifty mid-size design concept, seen at Chicago Opera Theater at the Harris atop Millennium Park, was just as thrilling, even more intense, as it zoomed in on the swirling human action and lurking danger in the vast surround. ★★★★