Interview: In the most intimate and empathic way, Mierka Girten connects with Trinket Dugan, the character she plays with disarming honesty in Tennessee Williams’ “The Mutilated” at A Red Orchid Theatre. Actor and character share deep, physical, albeit invisible, wounds.The big difference is that while Trinket conceals her mastectomy – her mutilation — in sorrow and shame, Girten talks openly about the multiple sclerosis she has struggled with since her days as a drama student at DePaul University.
Review: After five and a half hours spent watching the dramatic evolution of “2666,” the adaptation by Robert Falls and Seth Bockley of Roberto Bolaño’s sprawling novel at the Goodman Theatre, I could think only of that sublimely ironic lyric made famous by Peggy Lee: Is that all there is?This ambitious enterprise affords a goodly share of rewards along its meandering narrative as a sort of whodunit for intellectuals. But in the end, in its totality, “2666” as theater is a shaggy-dog story of St. Bernard proportions. ★★★