Review: It was quite some display of virtuosity, of sure-fire musical panache, that the Montreal Symphony Orchestra and music director Kent Nagano offered Oct. 15 at Orchestra Hall. With a sumptuous encore of Ravel’s grandly wrought “La valse,” the visitors might have been saying, “We can do this all night.” But by that point, after a sterling account of Bartók’s Concerto for Orchestra, Nagano’s splendid ensemble was beyond needing to prove anything. “La valse,” opulent and sensuous and undulating, wasn’t so much a statement as a gift.
Review: Hard to know if it was in the spirit of the Chicago Marathon or what, but the Russian-American pianist Kirill Gerstein opened the Chicago Symphony Center’s nine-part season-long Beethoven 250 celebration of the composer’s 32 piano sonatas with a recital Oct. 13 that definitely went the extra mile. Having delivered a fresh, rhythmically electric and often playful account of five relatively early Beethoven sonatas, Gerstein unleashed – as an encore, no less – Beethoven’s formidable “Eroica” Variations.