Review: Dael Orlandersmith’s one-woman play “Until the Flood,” now in a brief run at the Goodman Theatre, is about race and racism, but also about individual potential and personal accountability. It is an eloquent and evenhanded response to the fatal shooting of the African-American teenager Michael Brown by a white police officer in the St. Louis suburb of Ferguson the night of Aug. 9, 2014. ★★★★
Review: Many opera enthusiasts, many friends of Chicago Opera Theater, must have emerged from the company’s recent double bill of Donizetti one-acters, early and late, at the Studebaker Theatre thinking what I was thinking: Who knew? Gaetano Donizetti (1797-1848), a prodigious composer of bel canto operas, is remembered today essentially for a handful of works: “Lucia di Lammermoor,” “La favorita,” “The Daughter of the Regiment,” and “Don Pasquale.”But who ever heard of his late one-act comedy “Rita,” written two years before “Don Pasquale,” or his student melodrama “Il Pigmalione,” the work of an obviously gifted lad of 19?