Review: Under the baton of James Conlon, the Chicago Symphony Orchestra and Chorus presented “Elijah” in performances April 11-13, of which I heard the last. Like the oratorio on its surface, which is to say in its entirety, what I heard was altogether above reproach. The only question was why it was undertaken at all.
Read the full story »When ethnic roots snag the American dream, idealism stumbles in ‘Disgraced’
Meltdown at Amer. Theater Co. 5 stars!
‘Aida’ at the Lyric Opera: Verdi’s tragedy hits the pitches but misses some dramatic notes
The Princess’ rival is her slave. 3 stars
In Orff’s earthy ‘Carmina Burana,’ Muti guides CSO and vocal force to Fortune’s throne room
Review: Chicago Symphony Orchestra and Chorus with the Chicago Children’s Choir conducted by Riccardo Muti. Maria Grazia Schiavo, soprano; Max Emanuel Cencic, countertenor; Stéphane Degout, baritone. Through Jan. 28. *****
It’s Mamet, so nothing’s plain as black/white when Goodman taps the bitter humor of ‘Race’
Cynically, unbearably funny. 4 stars!
Honeck and the Chicago Symphony recall Dvorak on native soil with a dancing Eighth
Review: If Dvorak’s Ninth Symphony is a yearning postcard “From the New World,” his Symphony No. 8 in G major is redolent of a composer happily settled on native ground. The Eighth is decidedly of the Old World, as conductor Manfred Honeck and the Chicago Symphony Orchestra so generously demonstrated Jan. 19 at Orchestra Hall. ****
‘Mr. Rickey’ imagines a prelude to history, before Jackie Robinson joined the Dodgers
Full count at the Lookingglass. 3 stars.
Role Playing: Diane D’Aquila’s twice regal portrait as lover-monarch in ‘Elizabeth Rex’
Interview: Diane D’Aquila, who brings Queen Elizabeth I to regal and vulnerable life in Timothy Findley’s “Elizabeth Rex” at Chicago Shakespeare Theater, says acting in this gripping, keenly honed production “is a like a dance out there, and it’s scary as hell.”
Chailly lifts his quick baton, and Beethoven’s symphonies emerge from the veil of tradition
CD review: Conductor Riccardo Chailly’s new recording of Beethoven’s nine symphonies, with the Leipzig Gewandhaus Orchestra, may finally be the document that changes the way we think of these seminal works – and the way the next generation of conductors approaches them. *****
Marriage of true minds: Chicago Shakespeare brings the Bard to Chicago Symphony’s party
Preview: Barbara Gaines directs actors from Chicago Shakespeare Theater in concerts Jan. 5-14 with the Chicago Symphony Orchestra conducted by Sir Mark Elder, featuring music inspired by the Bard.
HD sound check at the Berlin Philharmonic: Second look at stellar streaming concerts
The Berlin Philharmonic began live concert broadcasts over the Internet in mid-2009 amid some high-tech speed bumps. Is 2012 the year it all comes together?
Sip New Year’s bubbly at home, tune in to great performances from around the world
Our selective guide to the best national broadcasts, international radio streams, concert replays and festive downloads to help you ring in New Year 2012.
The holly and the ivories proclaim Yuletide in sparking keyboard riffs on old favorites
Review: “A Steinway Christmas Album,” a classy bundle of seasonal arrangements compiled and performed by pianist Jeffrey Biegel. (Steinway) ****
‘Penelope’ at Steppenwolf: Four guys in an empty pool, down to life’s last threads
And Odysseus is bearing down. 3 stars.
Role Playing: Dean Evans, in clown costume, enters the darkness of ‘Burning Bluebeard’
Interview: His clown suit, a bit tattered and soiled with soot, looks like it once might have been pure white. But the character Dean Evans plays in the Neo-Futurists’ production of “Burning Bluebeard” is decidedly dark, one might even say spectral.
‘It’s a Wonderful Life,’ and a wonderful night when ATC revisits ‘radio’ parable of faith
Capra’s film as oldie broadcast. 4 stars!
Like composer on the podium, Salonen leads Chicago Symphony in brilliant Mahler Sixth
The Finnish conductor Esa-Pekka Salonen shares a peculiarity of temperament and genius with Gustav Mahler. Like Mahler in his time, Salonen today stands among the most important conductors in the world. And again like his great forebear, Salonen would really rather be composing than be saddled with the responsibilities of music director for any orchestra you could name. Even one that might be looking for someone to succeed James Levine in Boston.
New talents refresh evergreen tradition in sharp-shooting musical ‘A Christmas Story’
Debut tour at Chicago Theatre. 4 stars!
Early music vocalists Anonymous 4, bearing gifts from new CD, to offer Chicago concert
Profile: Anonymous 4, the vocal quartet renowned for its plainchant and medieval music recordings, celebrates 25 seasons with a holiday concert of favorites at Chicago’s Art Institute Dec. 18, and a new release called “Secret Voices.”
Queen’s agony over love and duty gets royal treatment in CST’s searing ‘Elizabeth Rex’
Shakespeare’s in the barn. 5 stars!
Tallis Scholars magnify spirit of Christmas in a Renaissance concert at Rockefeller Chapel
Review: For many music lovers, the single word Magnificat probably summons the name Bach, whose setting of this ancient “song of Mary” is doubtless the most famous to modern listeners. But in fact the Magnificat enjoys a long and glorious tradition in music history, notably in the 16th century, and several such Renaissance gems were on display Friday night in an exquisite concert by the Tallis Scholars at the University of Chicago’s Rockefeller Chapel. *****
Once more, Lyric’s treasured ‘Magic Flute’ spins its noble, wacky tale of love and light
Mozart’s classic opera revives. 3 stars.
New York ‘Follies’ stars Broadway babies old enough to have a boffo then and now
Appreciation: The showgirls of Broadway’s “Follies” have histories of their own. Hats off to these flawless charmers and their former selves in a present — and past — perfect production.
CD Review: Paul Lewis rambles Schubertian paths strewn with sonatas, fantasies, fragments
British pianist Paul Lewis brings a potent blend of ingredients to a diverse collection that shows Schubert as both Beethoven’s heir and an original, indeed daring creative spirit. ****
Goodman Theatre’s magical ‘Christmas Carol’ redeems sour Scrooge with heart and laughter
Festive retelling for all ages. 4 stars!
‘An Iliad’ reconsiders the poet who brought us Achilles, Agamemnon, Hector and all that
One-man invasion at the Court. 4 stars!
Role Playing: Dan Waller wields a personal brush as uneasy genius of ‘Pitmen Painters’
Interview: Actor Dan Waller describes himself as a simple guy who values friendship and the respect of his peers. That makes him a close kin to the North England coal miner, revealed as gifted artist, he portrays in Lee Hall’s play “The Pitmen Painters” at TimeLine Theatre.
In the pre-dawn of rock ‘n’ roll, ‘Memphis’ bundles daring hearts in a jumping love story
Burning hot at the Cadillac. 5 stars!
Lyric Opera’s zany ‘Ariadne auf Naxos’ is model Strauss with dash of Marx Brothers
Lovable but seriously bizarre. 4 stars!
In a claustrophobic space, Writers’ frames psychological chill of Pinter’s ‘Caretaker’
Deliciously bizarre test of wits. 4 stars!
Bereft clowns of ‘Burning Bluebeard’ recycle pain and guilt of 1903 Iroquois Theatre fire
Neo-Futurists riff on a tragedy. 4 stars!
Worth A Visit
Recent Posts
- CSO and Chorus offer Mendelssohn’s ‘Elijah’: Polished sound, but scant fury, signifying little
- Klaus Mäkelä is named CSO music director; Finnish conductor to succeed Muti in 2027
- Baroque bounty: Haymarket revives oratorio, Bella Voce turns spotlight on its band Sinfonia
- As Lyric Opera emerges from challenging era, Anthony Freud winds up 13-year run at helm
- With word waiting on next CSO music director, Jakub Hrůša leads a spectacular ‘Zarathustra’
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