Review: Officially, conductor Riccardo Muti holds the distinction of music director emeritus for life with the Chicago Symphony Orchestra. But after the 83-year-old maestro’s two-week season debut concerts at Orchestra Hall, it seems more apt to acknowledge him as the band’s artistic patriarch. When Muti’s on the podium, the CSO rises to its proper level. It glistens.
Read the full story »Conjuring ghosts and dreams, Lyric Opera’s new ‘Werther’ lifts the spirit of a melodrama
Review: One is so torn watching tenor Matthew Polenzani’s vocally resplendent performance in the title role of a new production of Massenet’s “Werther” at the Lyric Opera of Chicago. While you’re sitting there beguiled by Polenzani’s authoritative, richly modulated sound, something deep inside is spurring you to bolt from your seat, rush onto the stage and just shake that determinedly miserable character he’s playing. ★★★★
Role Playing: In wheelchair, Jacqueline Grandt explores paralysis of neglect in ‘Broken Glass’
Interview: Except when she crashes to the floor, Jacqueline Grandt spends the full length of Arthur Miller’s “Broken Glass” at Redtwist Theatre in a wheelchair or resting in bed. Yet every night, Grandt says, she leaves the theater physically exhausted.
Left dangling by Sandy: Carnegie Hall looks warily up and B’way pauses as NY regroups
Report update: Carnegie Hall’s concerts for Nov. 1 have been cancelled as the crane remains unsecured, and more cancellations are expected. Broadway theaters have resumed their performance schedules, so it’s back to work for several Chicago-based performers. Many off-Broadway theaters in the downtown area are still without electricity and remain closed.
Decidedly duo recital by Weilerstein, Barnatan launches Symphony Center chamber series
Preview: Ask cellist Alisa Weilerstein about the recital she plays Oct. 28 at Orchestra Hall, and she will quickly note that the best thing about the program is that it’s actually a duo recital for two equally important voices – and that she’s lucky to be teamed up with Israeli pianist and longtime collaborator Inon Barnatan. Their concert opens the chamber music portion of this season’s Symphony Center Presents series, which also offers four more chamber concerts, nine solo piano recitals and two performances by visiting orchestras.
Deep cuts leave souls bleeding in Redtwist’s close perspective on Miller’s ‘Broken Glass’
Review:★★★
Lyric to present first opera in mariachi style, tale of the Mexican experience in America
“To Cross the Face of the Moon”
Mythology’s ripple effect felt as Lookingglass splashes into season with ‘Metamorphoses’
Review: ★★★★★
Orchestra for Peace honors Solti centenary; conductor left a prodigious recording legacy
An Appreciation: The birth centenary of any great contributor to human affairs gives us pause. But the Oct. 21 concert by the World Orchestra for Peace at Orchestra Hall, honoring the 100th anniversary of Sir Georg Solti’s birth, has personal relevance for me. At the same time Solti commenced his musical directorship of the Chicago Symphony Orchestra, in September 1969, I began my professional career as a music critic, at The Milwaukee Sentinel. There’s more to that connection than mere coincidence.
Osmo Vänskä, subbing for Haitink, leads CSO in radiant Brahms symphony, Double Concerto
Review: Orchestra Hall was packed for the Chicago Symphony Orchestra’s all-Brahms concert Thursday night, and one had to believe much of that audience had signed up because the scheduled conductor was favorite guest maestro Bernard Haitink. But when Haitink became “indisposed,” Minnesota Orchestra music director Osmo Vänskä stepped in – and, with two brilliant soloists and the CSO at peak form, delivered an evening of Brahms to remember. ★★★★★
CSO extends consultancy with Yo-Yo Ma; cites record gifts and ticket sales, but higher costs
Report: Yo-Yo Ma’s high profile creative consultancy with the Chicago Symphony Orchestra has been extended another two years through 2015, the Chicago Symphony Orchestra Association (CSOA) announced Oct. 17 at the organization’s annual meeting at Symphony Center. In its financial tally for fiscal 2012, the CSOA reported that contributions rose a record 11.6 percent to $28.2 million, but total expenses outpaced that growth slightly.
Global opera fans, your elixir awaits: The Met launches seventh season of live HD
Preview: I’ll take mine with popcorn
The New Season: Once again, Redtwist will assemble shards of Miller’s ‘Broken Glass’
17th in a series of season previews: Redtwist Theatre’s founding artistic director Michael Colucci hopes the third time will be the charm as he attempts once again to find a Chicago audience for Arthur Miller’s “Broken Glass” – the launch piece for a 2012-13 season that also spotlights the Chicago premieres of Lee Blessing’s “Body of Water” and Leslye Headland’s “Reverb.”
BREAKING NEWS: Haitink cancels CSO concerts; Minnesota maestro Osmo Vänskä subs
Haitink “indisposed,” program same
Shrouded in dreams and illusion, Goodman’s ‘Sweet Bird of Youth’ teeters into nightmare
Review: ★★★★
The New Season: With Logan Center opening and fresh vision, UC Presents spreads wings
16th in a series of season previews: It’s shaping up as a banner season for the University of Chicago Presents, with many of its 2012-13 concerts slated for the new Reva and David Logan Center for the Arts and the Chicago premiere of Andre Previn’s Piano Trio No. 2 coming up in a series strewn with ensemble debuts.
Opening Carnegie Hall season, Muti and CSO match the celebrity sparkle of a packed house
Report from NYC: “Carmina Burana”
The New Season: Chicago Shakespeare offers a walk ‘In the Park with George’ and a premiere
15th in a series of season previews: Chicago Shakespeare Theater’s 2012-13 season will extend artistic director Barbara Gaines’ deep exploration of the Bard with “Henry VIII” as associate artistic director Gary Griffin adds a Sondheim encore to last year’s hit production of “Follies.” And Gaines will direct what she calls “the funniest play I ever read” in the Chicago premiere of David Ives’ comedy “The School for Lies,” a romping modern spin on Molière’s “The Misanthrope.”
The New Season: Lookingglass will celebrate 25th anniversary with pair of world premieres
14th in a series of season previews: In its first 24 seasons, Lookingglass Theatre has brought 58 world premieres to its stage. In observing its 25th anniversary, the company will bring that number to a tidy five dozen – and throw in the Chicago premiere Rajiv Joseph’s “Bengal Tiger at the Baghdad Zoo” for good measure.
CSO and musicians reach tentative agreement; 3-year pact secures concerts, October tours
Report: CSO board’s approval due soon.
As CSO contract talks break down, musicians’ strike forces last-minute concert cancellation
Update: Talks resume with mediator.
Muti and the CSO launch season with a bang sparked by off-beat, over-the-top mix of works
Review: Symphony orchestra seasons typical open with some form of sizzle, maybe a mix of warhorse masterwork and superstar soloist. But music director Riccardo Muti went the opposite direction, kicking off the Chicago Symphony Orchestra’s new season Thursday night with a complete sleeper of a program, an evening of little-known works and with no soloist at all. It was terrific. ****
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