Articles tagged with: Marina Rebeka
Review: For a living, pulsating definition of Romanticism, look no further than the 25-year-old Georges Bizet’s opera “The Pearl Fishers.” Worlds away from the verismo terrain of “Carmen,” which would cap Bizet’s brief life just 12 years later, “Les pêcheurs de perles” is an exotic love poem set in ancient Ceylon, its soaring lyricism consummated in one man’s ultimate sacrifice offered to another in the name of both love and friendship. The whole seductive package – remote enchantment, grand singing, evocative costumes, stylized sets – comes together in a splendid production at the Lyric Opera of Chicago. ★★★★
Review: A more appealing cast could hardly have been assembled for Mozart’s “Don Giovanni” than the vocally resplendent, good-looking singers who inhabit the Lyric Opera of Chicago’s new production and season opener. And for the most part, Mozart’s opera – dramatically dark and musically brilliant — is well served by director Robert Falls’ heated and funny approach to this tale of the world’s most infamous sex addict, whose recklessness and hubris finally bring him all the way down and then some. ★★★★
Interview: Robert Falls knows a complicated stage character when he sees one, and standing in front of him at the moment is no less intricate a figure than Mozart’s lady killer, Don Giovanni. Actually, notes Falls, artistic director at Goodman Theatre and stage director for the Lyric Opera’s season-opening production of “Don Giovanni,” it’s a different sort of killing that brings this prince of philanderers to his horrific end. The show runs Sept. 27-Oct. 29.
Report: Russian dramatic soprano Tatiana Serjan, who riveted audiences as Riccardo Muti’s Lady Macbeth with the Chicago Symphony in 2013, will return to the Windy City next January at the Lyric Opera of Chicago to sing another knife-wielder, Floria Tosca, the tempestuous diva who tries to outwit a tyrant and foil her lover’s assassination. The Lyric’s 60th anniversary season, announced Jan. 27, also will feature soprano and Lyric creative consultant Renée Fleming in a signature role as Countess Madeleine in Richard Strauss’ final opera, “Capriccio.”
Preview: For its second tribute in this Verdi year, the Lyric Opera of Chicago will present, so to speak, the whole truth about “La traviata.” And Latvian soprano Marina Rebeka, a young but well-tested Violetta making her Lyric debut, is wholly on board with that.