Articles tagged with: Andrea Silvestrelli
Second Look: It was soprano Janai Brugger’s scheduled mid-run insertion as Liù, in Puccini’s “Turandot,” that drew me back for a second look at the Lyric Opera of Chicago production. But while Brugger’s performance rewarded my reprise, the experience also underscored some important truths about this last of Puccini’s operas – and about the real merit of the Lyric’s success with it.
Review: A dark and mythical love story set long, long ago in an imaginary locale in China, Giacomo Puccini’s final opera, “Turandot,” has traditionally brought out the grand in grand opera. And so it does again in Lyric Opera of Chicago’s lavish production, which is dominated by a massive, eye-grabbing sculpture of a serpentine dragon that undulates across and through a steeply raked set with an array of other changing scenic touches. ★★★
Review: For a living, pulsating definition of Romanticism, look no further than the 25-year-old Georges Bizet’s opera “The Pearl Fishers.” Worlds away from the verismo terrain of “Carmen,” which would cap Bizet’s brief life just 12 years later, “Les pêcheurs de perles” is an exotic love poem set in ancient Ceylon, its soaring lyricism consummated in one man’s ultimate sacrifice offered to another in the name of both love and friendship. The whole seductive package – remote enchantment, grand singing, evocative costumes, stylized sets – comes together in a splendid production at the Lyric Opera of Chicago. ★★★★
Report: Russian dramatic soprano Tatiana Serjan, who riveted audiences as Riccardo Muti’s Lady Macbeth with the Chicago Symphony in 2013, will return to the Windy City next January at the Lyric Opera of Chicago to sing another knife-wielder, Floria Tosca, the tempestuous diva who tries to outwit a tyrant and foil her lover’s assassination. The Lyric’s 60th anniversary season, announced Jan. 27, also will feature soprano and Lyric creative consultant Renée Fleming in a signature role as Countess Madeleine in Richard Strauss’ final opera, “Capriccio.”
Review: Verdi’s “Rigoletto” is about a man’s tormented soul, and about his sheltered daughter, a young woman utterly innocent of the world – and the inexorable calamity that befalls them both. In all that, in the voices of baritone Andrzej Dobber and soprano Albina Shagimuratova and their moving rapport as protective father and enraptured daughter, the Lyric Opera of Chicago offers a “Rigoletto” deeply rewarding at its heart. Draw the circle larger, however, and the problems with this production become evident. ★★★
Tortured soul of a Russian czar. 4 stars!