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Articles by Nancy Malitz

Lyric Opera, in stylish step with Joffrey Ballet, dances into new season with Gluck’s ‘Orphée’

Sep 26, 2017 – 2:48 pm

Review: My first reaction to the sublime Elysium Fields scene in “Orphée et Eurydice,” as conceived by John Neumeier for the Chicago Lyric Opera, was that I was actually looking at Gluck’s music — that I was “seeing” the sound, so perfectly twinned were the diaphanous movements of the dancers to the serene music representing spirits in afterlife. My second reaction was that Neumeier knows his Freud. With plenty of insight and practical know-how, he has crafted a brilliant contemporary scheme for this 1774 Paris version of Gluck’s opera, which draws from the ancient myth of Orphée’s rescue attempt in the underworld. ★★★★★

In magical return to its birth, APT embraces human heart of ‘A Midsummer Night’s Dream’

Aug 31, 2017 – 8:38 am
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Review: Is there a better way to fall under the spell of Shakespeare than through “A Midsummer Night’s Dream”? Not if it’s the current production under the stars by American Players Theatre, which will get the job done for ages 7 to 97 at the least. The company is but an afternoon’s drive from Chicago into the Wisconsin woods near Madison, and the actors – more than a few of them based in Chicago – are uniformly proficient at finding the human warmth in Shakespeare’s comedy and making it clear in minute detail. ★★★★★

‘An American in Paris’: It’s got rhythm, it’s got cool sets – and many brilliant things more

Jul 31, 2017 – 12:57 pm
Sara Esty is Lise in An American in Paris. (Photo by Matthew Murphy)

Review: One might think it impossible to improve on the 1951 musical film ‘An American in Paris,’ with the inimitable Gene Kelly and Leslie Caron romancing each other to the music of George and Ira Gershwin. But in re-imagining this G.I. love story as a Broadway ballet for a cast of 25, director-choreographer Christopher Wheeldon has given the beloved classic a thrilling energy boost. Presented by Broadway in Chicago, the show plays at the Oriental Theatre through Aug. 13. ★★★★

CSO’s June fare offered smart change of pace, and a swim with ‘Jaws’ live tops off the month

Jun 26, 2017 – 3:07 pm
Riccardo Muti and Chicago SO and choruses (Todd Rosenberg)

Review: Bustin’ with freshness, the Chicago Symphony Orchestra’s June has been almost a season unto itself. The programs have been rich, novel and imbued with summer’s ease. Packed houses have been treated to programs of considerable class, as the names of Riccardo Muti, Susanna Mälkki, John Williams and Branford Marsalis imply. And there is still a big fish in the sea.

Pair of Mozart masters light it up with the CSO — no hurdle’s too high for Honeck or Lewis

Jun 10, 2017 – 11:35 am
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Chicago Symphony Orchestra

Manfred Honeck conductor
Paul Lewis piano
Regula Mühlemann soprano

 © Todd Rosenberg Photography 2017

Review: The Chicago Symphony is, at its present time in history, a Mozart orchestra of sheer delight. With Austrian guest conductor Manfred Honeck and English pianist Paul Lewis as able interlocutors, the nimble ensemble has the brightness, delicacy and tensile strength to float long lines at breakneck speeds, remaining ever lyrical while having wicked fun.

Civitas, Gipsy Way musicians pursue cultural connections and leave digital footprints, too

May 29, 2017 – 11:17 am
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Review: Shanghai-born violinist Yuan-Qing Yu is a tenacious advocate for contemporary music and a member of the Chicago Symphony. Czech-born Pavel Šporcl is a celebrated virtuoso with a gypsy crossover streak and a bodaciously blue violin. They brought their international project “Alla Zingarese,” which involves Chicago’s Civitas and Šporcl’s Gipsy Way ensembles, to Chicago May 21 before laying down the tracks for the local Cedille label.

‘Shakespeare in Love’ film-to-theater adaptation extended through June 18

May 21, 2017 – 7:31 pm
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This Just In: The following is a news release written by an arts organization, submitted to Chicago On the Aisle.
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​Chicago Shakespeare Theater’s Shakespeare in Love extended by popular demand through June 18  
Chicago Shakespeare Theater (CST) announces today …

Chicago Shakes announces cast for family musical version of ‘Madascar,’ coming July 13

May 21, 2017 – 7:04 pm
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This Just In: The following is a news release written by an arts organization, submitted to Chicago On the Aisle.
Chicago Shakespeare Theater announces casting for “MADASCAR – A MUSICAL ADVENTURE”
DreamWorks animated film brought to life onstage …

Muti, leading the CSO through Brahms cycle, says unsuspected sadness edges symphonies

May 12, 2017 – 12:13 pm
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Interview: Riccardo Muti has been conducting the symphonies of Brahms for 45 years, but to his current total immersion project with the Chicago Symphony he brings the excitement of a perpetual student. In a conversation with Chicago On the Aisle, after performing the First and Second Symphonies and with the Third and Fourth scheduled through May 13, the Chicago Symphony Orchestra’s music director said he was thrilled with the way things were going and conveyed the exhilaration of discoveries that have put into focus his remarkable experiences with Brahms as a young man.

In a spin at Lyric, ‘My Fair Lady’ still leaves romance in lurch, but the show’s irresistible

May 9, 2017 – 4:40 pm
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Review: For more than a century, people have been arguing about the ending of George Bernard Shaw’s “Pygmalion,” the play behind Lerner and Loewe’s beloved musical “My Fair Lady.” Now the Lyric Opera of Chicago jumps into this amusing fray, but don’t expect the matter to be cleared up. When it comes to the cockney guttersnipe Eliza Doolittle and the phonetics professor who successfully passes her off as an aristocrat, the romantic stakes are still dizzy with spin. ★★★★

Ravinia Festival creates role of conductor laureate for beloved leader James Levine

Apr 12, 2017 – 2:43 pm
James Levine (Cory Weaver)

This Just In: The following is a news release written by an arts organization, submitted to Chicago On the Aisle.
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Longtime music director will renew his summer residency, conducting the Chicago Symphony Orchestra and leading master …

Chicago Opera Theater’s end-of-season gala involves surprise guest Philip Glass

Apr 12, 2017 – 2:03 pm
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This Just In: The following is a news release written by an arts organization, submitted to Chicago On the Aisle.
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Celebrate with Philip Glass and COT! COT’s End of Season Gala involves surprise guest Philip Glass!
April 12, 2016 …

Jeremy Piven leads intimate discussion with Kevin Spacey at Gene Siskel Film Center benefit

Apr 12, 2017 – 12:33 pm
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This Just In: The following is a news release written by an arts organization, submitted to Chicago On the Aisle.
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“Kevin Spacey: Renaissance Man,” features In-Depth Conversation with Golden Globe and Emmy Award-Winner Piven and Spacey …

Lyric Opera’s ‘Rising Stars’ concert reflects program designed to help young talent shine

Apr 1, 2017 – 8:44 pm
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Report: They were everywhere onstage all season, and seven are taking their final bows. It’s time to cut the cake for the gifted young artists who are emerging from the Lyric Opera of Chicago’s high-level Ryan Opera Center multi-year training program. They are venturing forth, some with bookings already in hand.

In ‘Hamilton’ immersion, Chicago school kids embroider the musical with riffs of their own

Mar 31, 2017 – 6:13 am
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Report: I wish every adult attending the hit musical “Hamilton” could see it the way nearly 20,000 Chicagoans in their mid-teens will experience it over the coming months. And not just because of the $10 tickets for a show that generally costs hundreds. What each student comes away with is a personalized connection to America’s birth.

‘Eugene Onegin’ at Lyric Opera: As anti-hero, Mariusz Kwiecień summons a tragic elegance

Mar 4, 2017 – 11:09 am

Review: Love took a glorious beating in the final grand opera of the Lyric Opera of Chicago’s season, but then it has been pretty much that way since October. Prince Tamino and Princess Pamina lived happily ever after, but otherwise things ended badly for the aspiring lovers of 2016-17. Now the Lyric gives us Tchaikovsky’s cynical anti-hero Eugene Onegin, brought to life in a devastating package of elegance and self-deluding condescension by baritone Mariusz Kwiecień. ★★★★

Channeling film-maker Eisenstein, Muti directs epic struggle in Prokofiev’s ‘Ivan the Terrible’

Feb 26, 2017 – 7:02 am

Review: Even for Riccardo Muti, it was an extraordinary night at the symphony. The maestro’s latest musico-dramatic assemblage, Prokofiev’s “Ivan the Terrible,” received its Chicago Symphony premiere featuring longtime Muti friend Gérard Depardieu as Russia’s ruthless Tsar Ivan IV. The performance was nothing short of operatic in the majesty of its vision, the grandeur of its pageantry and the grip of its blood-red emotional palette.

Elizabeth DeShong carries a torch for tragic bel canto – and for Bernadette, Bette, Judy

Feb 19, 2017 – 10:48 am
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Interview: Enough with comedy. This singer, now featured in “Norma” at the Lyric Opera, and soon to kick back with other rising stars at a “Beyond the Aria” event at the Harris Theater, believes the world is poised for a major revival of coloratura-tinged drama, bel canto’s serious side. Her inspirations include opera’s Marilyn Horne, but she admires those legendary Broadway belters, too.

‘A Disappearing Number’ at TimeLine: Infinity as starting point in a story of incalculable love

Feb 16, 2017 – 11:35 am
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Review: Who are the rare humans able to unlock secret patterns of the universe, sharing their discoveries as music, science, mathematics or metaphor? You might think of Michelangelo or Bach. Copernicus or Newton. Shakespeare. Einstein. But Ramanujan? If this name stopped you, then you’re a candidate for TimeLine’s fascinating romance “A Disappearing Number.” ★★★★

‘Norma’ at Lyric Opera: Radvanovsky’s fiery priestess sets the tone for blazing melodrama

Feb 1, 2017 – 2:36 pm
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Review: There is no Verdi at the Lyric Opera of Chicago this season, but there is plenty of Italian spectacle from the generation prior. Donizetti’s crazed “Lucia di Lammermoor” bowed earlier this season, and now comes Bellini’s “Norma,” the bel canto saga of a Druid high priestess betrayed in love. Sondra Radvanovsky stars in a majestic turn. ★★★★

Lyric’s ‘Flute’ is a time-bending gift from ’50s, backyard fun boxed in spirit of Disney magic

Dec 19, 2016 – 10:51 am
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Review: The ultimate holiday gift for arts lovers this season is Lyric Opera of Chicago’s rambunctiously retro world premiere production of Mozart’s “The Magic Flute,” set triumphantly in the world headquarters of the baby boom. Which is to say, a backyard of the ’50s and ’60s, as seen through the eyes of a child. This nostalgic feat is an exceptional musical delight and a fine show for families of all ages. What makes this show giftable is its extended January run. ★★★★

In a ‘Curious Incident,’ a special boy grapples with the twists, turns and illogic of growing up

Dec 13, 2016 – 10:03 am
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Review: Christopher is determined to a) solve the mystery of who has killed his neighbor’s dog and b) take a math advance-placement exam. The story that takes flight is music for the soul. Now playing through Dec. 24 at the Oriental, this brave and wonderful Broadway in Chicago national touring production is about the dignity of the adolescent passage, as seen through the eyes of a brilliant boy in constant danger of sensory overload, and his ever-present companion, a pet rat. ★★★★

‘Fundamentals’ at Steppenwolf: Downstairs at posh hotel, no Up button for the service crew

Dec 11, 2016 – 1:59 pm
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Review: The time is right for “The Fundamentals,” a sly new play by Erika Sheffer now upstairs at Steppenwolf. With mega-corps in the news for claiming ignorance of malfeasance so widespread it involves thousands of workers — while simultaneously selling the perfume of lofty company ideals — Sheffer zeroes in on the souls who draw the paychecks and suffer the joke. ★★★

‘Christmas Carol’ rings out again at Goodman: Scrooge & Co. affirm spirit at heart of the deal

Dec 3, 2016 – 1:44 pm
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Review: For his ninth season, Larry Yando plays the gnarled old man whose very name is now a synonym for miser, his “Bah! Humbug!” an all-purpose slapdown that distills the essence of a curmudgeonly world view. Until Scrooge discovers joy, that is. Yando’s wonderfully long face is as capable as ever of rubbery contortions worthy of a cartoonist’s pen. Goodman’s “A Christmas Carol” is a tradition happily renewed. ★★★★

Comic sequel to ‘Pride & Prejudice’ bundles bookish romance into shining Christmas play

Nov 25, 2016 – 10:13 pm
Author Renee Rosen

Charles Osgood Photography
 
 Northlight Theatre dress rehearsal for Miss Bennet: Christmas at Pemberley, Wednesday, Nov. 9, 2016.
Charles Osgood Photography
 
 Northlight Theatre dress rehearsal for Miss Bennet: Christmas at Pemberley, Wednesday, Nov. 9, 2016.
Charles Osgood Photography
 
 Northlight Theatre dress rehearsal for Miss Bennet: Christmas at Pemberley, Wednesday, Nov. 9, 2016.
Charles Osgood Photography
 
 Northlight Theatre dress rehearsal for Miss Bennet: Christmas at Pemberley, Wednesday, Nov. 9, 2016.
Charles Osgood Photography

Review: Less than halfway through “Miss Bennet: Christmas at Pemberley,” a happy world premiere in the spirit of Jane Austen’s “Pride and Prejudice,” I found myself wishing that Elizabeth Bennet had eight sisters, not four. That way I could look forward to more Austen sequels by the playwright team of Lauren Gunderson and Margot Melcon. They have done a pitch-perfect job assimilating the 19th-century novelist’s way with words while spinning entirely new adventures for the bookish, presumably unmarriageable, middle sister of the Bennet household – Mary. ★★★★

In season of grandeur and magic, Lyric Opera scores with simple charm of ‘Don Quichotte’

Nov 22, 2016 – 6:30 pm
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Review: Ambitious out of the gate, the 2016-17 Lyric Opera of Chicago season gave us Part I of Wagner’s “Ring” cycle, with Rhinemaidens, giants and a dragon. In December the company will offer Mozart’s “The Magic Flute,” with trials of fire and water, a feathered bird-catcher and another dragon. In between we have seen high-flying coloratura (“Lucia di Lammermoor”) and a new high-tech stage toy in Berlioz’ “Les Troyens.” Time now for some simple old-school tradition? Whyever not? The Lyric’s presentation of Massenet’s “Don Quichotte” is pure operatic comfort food. ★★★★

James Levine, a musical soul for all ages, appears before the CSO and it’s all poetry

Nov 8, 2016 – 12:42 pm

Review: Celebrating his splendid Indian summer, James Levine rolled up a long ramp to a custom-designed maestro’s podium at Orchestra Hall, took a hi-hello spin, and settled into a love-fest with the Chicago Symphony, starting with some absolutely irresistible Mozart. It is impossible to overstate the importance to American culture of this brilliant musician who, despite physical infirmity, is capable of unforgettable concerts when conditions are right.

This is going to sound mad, but for Lyric star scary-difficult role of Donizetti’s Lucia is easy

Nov 4, 2016 – 2:40 pm
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Report: One of the great dramatic coloraturas of our day will go mad for the last time at Lyric Opera of Chicago on Nov. 6. But it’s impossible to believe that Russian singer Albina Shagimuratova won’t be back. The bond she forged with Lyric Opera general director Anthony Freud a decade ago is strong. Shagimuratova is at the top of her game now. But when she first sang for Anthony Freud, she was in her mid-twenties, fresh from the Moscow State Conservatory. She didn’t know the first thing about building a career.

Young maestro walks into house Reiner built, confronts CSO and a daunting Strauss legacy

Oct 30, 2016 – 12:19 pm

Review: It must be with a certain prideful reluctance that the musicians of the Chicago Symphony Orchestra face each new generation of conductors eager to take their own shot with one of the most famous works in its recorded legacy  – Richard Strauss’ “Also sprach Zarathustra.” The 38-year-old Colombian conductor Andrés Orozco-Estrada did not score a clear success despite a lot of bounce and body language in every single beat.

CSO reports artistic, financial gains but shows little progress in restoring its recording legacy

Oct 27, 2016 – 5:48 pm
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Report: As orchestras around the country claw their way toward better health in the aftermath of the 2008 financial crisis, the Chicago Symphony Orchestra Association (CSOA) shared some upbeat news on Oct. 26 at the orchestra’s annual meeting. The love affair between the orchestra and its celebrated music director Riccardo Muti still flourishes.