Articles tagged with: Matthias Goerne
Preview: Musical reflections on Easter, transcendent and intimate and existential, form conductor Charles Dutoit’s multilayered theme for his concerts April 13-15 with the Chicago Symphony Orchestra. The gentler parts are well known; for many listeners, however, the other part, a spiritual warp of upheaval and terror born of World War II, may come as revelation in startling terms.
Report: Riccardo Muti has agreed to a five-year extension of his contract as music director of the Chicago Symphony Orchestra through the 2019-20 season, the orchestra announced Monday. Word of the new pact, concluded only Monday morning, came unexpectedly at a press conference to announce the CSO’s season plans for 2014-15, the final year on Muti’s current agreement. The 72-year-old Italian maestro expressed delight at the extension, noting with a wry grin that at its conclusion he will not yet be 80. “The older I get, the more homesick I feel,” he said, “but these musicians and the city of Chicago have made me feel like this is my second home.”
Preview: Baritone Matthias Goerne and pianist Christoph Eschenbach have collaborated many times on Schubert’s famous song-cycles – including the tragic “Schöne Müllerin,” which they will perform Jan. 19 at Orchestra Hall. It is an ever-evolving dramatic adventure, says Eschenbach, literally a flowing river which these two actors, baritone and pianist, can never experience twice in the same way.
Ravinia Festival Best Bets: If you want to branch out a bit musically, the summertime Ravinia Festival in Highland Park is a good place for it. There, classical music lovers sample niche-expanding novelties of the sort that gave Brooklyn Academy of Music its must-see reputation. College students picnic on the lawn for free when the Chicago Symphony Orchestra performs. And family friendly movie prices rule for recitals featuring the latest contest winners and stars on the rise.
Review: Among the Chicago Symphony Orchestra’s most important relationships with conductors in their prime middle years is surely that with Finnish conductor and composer Esa-Pekka Salonen, 54, who led a concert of Tchaikovsky, Sibelius and Lutoslawski so compelling that it made one want to go back to the box office and do the whole thing all over again. Through March 3. ★★★★★