Review: Officially, conductor Riccardo Muti holds the distinction of music director emeritus for life with the Chicago Symphony Orchestra. But after the 83-year-old maestro’s two-week season debut concerts at Orchestra Hall, it seems more apt to acknowledge him as the band’s artistic patriarch. When Muti’s on the podium, the CSO rises to its proper level. It glistens.
Read the full story »Digital: ‘Four Seasons’ and Haydn symphonies flash style, finesse under McGegan’s baton
CD Reviews: The latest evidence of the Philharmonia Baroque’s mastery of 18th century fare is a CD release of Vivaldi’s “The Four Seasons” – plus three more violin concertos by the Red Priest, as Vivaldi was known – featuring the orchestra’s wizardly concertmaster and all-world Baroque star Elizabeth Blumenstock. ****
From the Bard to Beethoven: Actor Simon Callow to return to Chicago in June with Symphony
‘Beyond the Score’ with Riccardo Muti
Handel’s early vengeance opera ‘Teseo’ shines amid Chicago Opera Theater’s vocal splendors
Medea’s very, very jealous. 4 stars!
It’s the Bard’s birthday! Simon Callow reflects on the fanciful weave of ‘Being Shakespeare’
Interview: As “the soul of the age” turns 448 on April 23, the celebrated actor talks with Chicago On the Aisle about his one-man play “Being Shakespeare,” presented by Chicago Shakespeare Theater at the Broadway Theatre through April 29.
Steppenwolf captures pulse and horror of war with Sherman’s march through Georgia
Doctorow’s novel on stage. 4 stars!
Chicago Opera lavishes style on Shostakovich comedy about romance — and finding a flat
‘Moscow, Cheryomushki.’ 4 stars!
‘Fish Men’ at Goodman: When chess hustlers bait their hooks, slippery truth snaps at the line
Con game in the park. 3 stars.
‘Angels in America’ at the Court: Viewing AIDS and the yearning heart through a perfect lens
Tony Kushner’s classic soars. 5 stars!
Exploring the starry night at Adler Planetarium, ‘Starball’ will invite audience to shape new myths
Preview: The stars are dream-catchers and story-tellers. Humans have always thought so, hence the mythic characters and lore written into the constellations. But, hey, if the ancient Greeks could puzzle out stories in the stars, why can’t we – and have a ball doing it? No wonder the community myth-making adventure on tap April 19 at the Adler Planetarium is called “Starball.”
Conductor Charles Dutoit leads French lesson as CSO matches Impressionists with Dutilleux
Review: From the admixture of opulence and asceticism that constituted conductor Charles Dutoit’s program of French music with the Chicago Symphony Orchestra this weekend, one might have taken away good lessons offered in a perhaps subversively gleeful spirit. ****
Jazz composer’s song-cycle for Dawn Upshaw tops Chicago agenda for Australian ensemble
Preview: It sounds like a perfect mix of guests for a dinner party, the composers queued up for the Australian Chamber Orchestra’s concert April 15 at Orchestra Hall. George Crumb and Anton Webern will be arriving together, so to speak, along with Schubert and Grieg – and a newcomer whose radical voice should give the affair a good jolt.
‘Butcher of Baraboo’ sharp on characters, wit but the dicey plot could stand another whack
Dark comedy at A Red Orchid. 2 stars.
‘We Are Proud to Present’ a play that crawls before it walks – and then knocks you flat
A stunner at Victory Gardens. 4 stars!
Remy Bumppo romp: Blessing’s ‘Chesapeake’ evades leash, mutes bark of political theater
Shaggy dog revenge story. 3 stars.
CSO debut: Pianist Lugansky shows Russian school still thrives with grand Rachmaninoff
Review: Sensational. That, in a word, was Russian pianist Nikolai Lugansky’s debut April 5 with the Chicago Symphony Orchestra and guest conductor Charles Dutoit. The tall, assured pianist – one could only think of the young Van Cliburn – made epic poetry of Rachmaninoff’s formidable Third Piano Concerto in a performance that probed a deep vein of lyricism and simply transcended technical issues. ****
Role Playing: Chuck Spencer flashes a badge of moral courage in Arthur Miller’s ‘The Price’
Interview: Chuck Spencer relishes poking through the piled clutter during his first long, solitary, silent minutes on stage at the beginning of Arthur Miller’s play “The Price,” at Raven Theatre.
In a week to remember, pianist Mitsuko Uchida bridges the lyrical realms of Schubert, Mozart
Commentary: Pianist Mitsuko Uchida’s two appearances this last week at Orchestra Hall, in a recital of Schubert’s late sonatas March 25 and her current concerts playing and conducting Mozart concertos with the Chicago Symphony Orchestra, resonate not like discrete encounters but rather like an epic testimonial to her phenomenal art.
‘Cascabel’ flips theater on its head with cuisine, acrobatics and upside-down wine
High-wire fun at Lookingglass. 4 stars!
Cultural twins, tied to Chicago and Poland, set to make their mark in the orchestra world
Receive management fellowships.
In ‘Freud’s Last Session,’ an ailing analyst wrestles with death and a Christian convert
Debating God at the Mercury. 3 stars.
It’s ‘The Seagull’ as smoke-and-mirrors romp in stylish Lunt-Fontanne frolic ‘Ten Chimneys’
Review: That master of the modern English comedy of manners, Noel Coward, might plausibly have written “Ten Chimneys,” the light-hearted toss of a play now occupying Northlight Theatre. It is so stylish, so wry, so – well, ephemeral. ***
August Wilson’s legacy resonates in vitality of African portraiture by playwright Danai Gurira
Report: All 20 precociously accomplished high school actors who took part in the August Wilson Monologue Competition at the Goodman Theatre were offered, as part of their winnings, free tickets to American playwright Danai Gurira’s “The Convert,” onstage at the Goodman through March 25. I hope they took the Goodman up on it. Wilson’s legacy is strongly continued with Gurira’s reflection upon her own African roots in a former capital of British colonialism.
Role Playing: Rebecca Finnegan finds lyrical heart of a lonely woman in ‘A Catered Affair’
Interview: So perfectly does Rebecca Finnegan blend her painful lyric pauses into the narrative flow of “A Catered Affair,” at Porchlight Music Theater, that you scarcely notice she has ramped up from speech to song. Then the swelling power of that voice grabs you, and you realize you’re watching something special: an accomplished actor who’s also a genuine singer.
Nathan Lane and straight man Brian Dennehy break the ice with a blitz of interview zingers
A bit o’ comic relief at the Goodman.
Surprise! Renée Fleming and Yo-Yo Ma spring serenade on lunch crowd at Thompson Center
Soprano and cello, burgers and pizza.
Williams’ ‘Camino Real’ reshaped as director sets lyricism on a collision course with libido
Carnal carnival at Goodman. 3 stars.
Solemnity rules as Riccardo Muti guides CSO through musical perspectives on human spirit
Review: Riccardo Muti has given Chicago many reasons to celebrate his music directorship of the Chicago Symphony Orchestra, but perhaps the most perfect expression of his belief in art’s purpose comes in the current run of rarely heard works for chorus and orchestra by Brahms, Schoenberg and Cherubini. ****
Role Playing: Bill Norris pulled the seedy bum in ‘The Caretaker’ from a place within himself
Interview: The scruffy creature with darting eyes who calls himself Davies looks like his last bed was a cardboard box on the street. He is the elusive but palpably real character at the core of Harold Pinter’s play “The Caretaker,” now on the boards at Writers’ Theatre, and he’s brought to wheedling, calculating life in a masterful piece of acting by Bill Norris.
Raven Theatre sifts through debris and debate of ‘The Price,’ but can’t deliver the payoff
Arthur Miller on memory’s attic. 3 stars.
Worth A Visit
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