Articles by Nancy Malitz
Left dangling by Sandy: Carnegie Hall looks warily up and B’way pauses as NY regroups

Report update: Carnegie Hall’s concerts for Nov. 1 have been cancelled as the crane remains unsecured, and more cancellations are expected. Broadway theaters have resumed their performance schedules, so it’s back to work for several Chicago-based performers. Many off-Broadway theaters in the downtown area are still without electricity and remain closed.
Lyric to present first opera in mariachi style, tale of the Mexican experience in America
“To Cross the Face of the Moon”
Mythology’s ripple effect felt as Lookingglass splashes into season with ‘Metamorphoses’

Review: ★★★★★
Global opera fans, your elixir awaits: The Met launches seventh season of live HD

Preview: I’ll take mine with popcorn
In a vibrant brush with ‘Sunday in the Park,’ Chicago Shakespeare connects all the dots

Review: ★★★★★
Shrouded in dreams and illusion, Goodman’s ‘Sweet Bird of Youth’ teeters into nightmare

Review: ★★★★
CSO and musicians reach tentative agreement; 3-year pact secures concerts, October tours

Report: CSO board’s approval due soon.
Packed with vivid characters and hard truths, Court’s memorable ‘Jitney’ is worth the fare

Review: ★★★★★
As CSO contract talks break down, musicians’ strike forces last-minute concert cancellation

Update: Talks resume with mediator.
‘Variations’ at TimeLine: Seeking the solution to Beethoven’s obsession with a trivial waltz

Review: ★★★
CSO resident composer Mason Bates receives $250,000 Heinz award in arts and humanities

He receives prize Oct. 11 in Pittsburgh.
Chicago angels boost young actors with gift of training at Stratford Shakespeare Festival

Dorcas Sowunmi succeeds E.B. Smith.
Chicago Opera picks another Queen for ‘Flute’ after visa flap dethrones new Irish sensation

Even queens get caught in red tape.
The New Season: Modern retelling of Iphigenia legend will raise the curtain for Next Theatre

Fifth in a series of season previews: The Chicago theater community has become good at Really Old Tales Retold, especially the ancient Greek myths and legends. Evanston’s Next Theatre opens its 2012-13 season with Charles Mee’s “Iphigenia 2.0,” about a king who plans to sacrifice his daughter so the gods will allow his fleet of war ships to set sail for Troy.
The New Season: Stark Vietnam prison drama, Beethoven riddle define spectrum at TimeLine

Second in a series of season previews: Playwright Susan Felder’s “Wasteland,” a world premiere about two American G.I.’s imprisoned in Vietnam isolation, plus three Chicago premieres make up TimeLine’s 2012-13 schedule; season opens Aug. 24 with a musical riddle.
Ravinia favorite Misha Dichter’s double life revealed: The pianist’s a serious cartoonist

Report: Pianist Misha Dichter, who celebrates his 45th consecutive season with the Ravinia Festival on July 29, shares his passion for sketching in a new e-book.
‘42nd Street’ at Stratford: By any other name, this musical rose would still be just as sweet

Broadway’s tap classic. 4 stars!
Stratford Shakespeare Festival’s 2013 season will restore focus on the Bard, classic drama

“Romeo” and “Othello” top the list.
Free outdoor simulcast of Paris Opéra Ballet proves Harris Theater, Pritzker dynamic duo
Review: The best antidote to Chicago temperatures in the nineties is this surpassingly cool prospect — free Millennium Park concerts at the Jay Pritzker Pavilion, where the sound is superb and the ceiling’s a canopy of stars. Cooler still was the addition of big screen video to this outdoor mix that a huge crowd enjoyed June 27, when the Paris Opéra Ballet’s exquisite production of “Giselle” was projected live via the big screen, from inside the Harris Theater, to the traditional classical-loving audience of the Grant Park Orchestra. ****
With Muti again managing the house, CSO’s Bruckner Sixth becomes one splendid edifice

Review: One of the fascinations of this Chicago Symphony Orchestra season — which drew toward its close Sunday with the final performance of Bruckner’s Sixth in its sumptuous glory — has been to hear various conductors come into the same acoustical space of Orchestra Hall, stand in the same spot where music director Riccardo Muti stands, and ply their art with the same band of a hundred-plus that Muti conducts. ****
Redtwist puts an intimate spin on dark humor of McDonagh’s rough and quirky ‘Inishmaan’

Cripple Billy’s adventure. 4 stars!
Stratford Festival’s Shakespeare tradition echoes in the well-told tale of ‘Cymbeline’

Young love put to the test. 4 stars!
Sophistication meets innuendo: Shaw Festival puts fine edge on Coward’s ‘Present Laughter’

Matinee idol preens, pouts. 4 stars!
Chicago Symphony nabs key player from Detroit to helm bass

Alexander Hanna, 26, was groomed at Curtis, Tanglewood and Verbier.
On the Lyric Opera stage, pianist Lang Lang lends Schubert, Chopin a tenor of virtuosity

Review: Lang Lang’s debut at Chicago’s 3500-seat Civic Opera House was quietly elegant, cogently argued and intensely focused. That is, until the abundantly gifted pianist gave himself over to some astonishing fireworks. With a technique like that, who can blame him? ****
‘Melancholy’ cometh, draped in dolorous fun, as Grey Ghost Theatre bows with Ruhl’s play

Review: When Tilly shows up, she elevates the common funk to dolorous heights so seductive, transporting and rarified — cue the cello — that only the Japanese have a word for it, or is it the Scandinavians? This is Sarah Ruhl’s 2001 “Melancholy Play,” a gentle misery-loves-company fable of high wit. ***
ATC and About Face hang fresh ‘Rent’ sign on a production of street-level intimacy, energy

Musical classic, new again. 4 stars!
Profiles explores psychological shadows as LaBute drops siblings in deep, dark woods

‘In a Forest, Dark and Deep.’ 4 stars!