Articles tagged with: Lisa Peterson
Review: Rage, beyond expression or reason or appeasement, rips through the timeless modernity of “An Iliad,” the dramatic distillation of Homer’s epic by Lisa Peterson and Denis O’Hare that now echoes against the near walls of an intimate space at American Players Theatre in Spring Green, Wis. This fraught opus of glory and gore bristles in the one voice but many personas of Jim DeVita, playing the Poet who frames the perpetual folly of war in the single appalling, ever repeating travesty that was Troy. ★★★★★
Preview: In her second summer as artistic director of American Players Theatre, Brenda Devita can claim her fingerprints alone on the scheme of eight widely ranging plays that will run in repertory well into the autumn. And DeVita embraces that authorship with pride, starting with the company’s first go at Tennessee Williams’ monumental tragedy “A Streetcar Named Desire.” “We’re taking it outdoors,” she says, referring to the starry-domed 1,148-seat Up-the-Hill Theatre.
Interview: As a veteran actress, Hollis Resnik feels a deep connection with Miriam, the biblical scholar she plays in “The Good Book” at Court Theatre. That commonality, says Resnik, is passion.
Review: It ain’t necessarily so, says Miriam with scholarly conviction and a defiant flourish of the Good Book. The Bible, she says flatly, is not the word of God. How it might have been pieced together and how its powerful text touches the lives of two contemporary souls – this scholar and a devout teenage boy struggling with his sexual awakening – is the stuff of “The Good Book,” a brilliantly funny and provocative new play by Denis O’Hare and Lisa Peterson now in its world premiere run at Court Theatre. ★★★★★
10th in a series of season previews You can hear the phrase resonate in his voice when Charles Newell, artistic director of Court Theatre, says the company wanted to do something “very exciting” this season in observance of its 60th anniversary. It has turned out to be not one thing but more like a menu, spanning centuries and cultures, classics to modern explorations. The season opens with Nambi E. Kelley’s world-premiere adaptation of Richard Wright’s novel “Native Son,” about a young black man trapped by desperate circumstances in a white world. The project is a joint venture by Court and American Blues Theater.
11th in a series of season previews: “It’s been a long while since I read a play and without hesitation said, ‘We have to do this,’” says Court Theatre artistic director Charles Newell about Katori Hall’s “The Mountaintop,” which imagines Martin Luther King’s last night on earth. King had given a speech that day in Memphis in which he famously touched on a premonition that he would die soon. Hall’s play catches up with him a few hours later in his hotel room, a weary man who strikes up a conversation with the chamber maid.
One-man invasion at the Court. 4 stars!