Articles tagged with: John Relyea
Summer is icumen in: Classical concerts fill Ravinia Festival stages, alfresco and indoors
Preview: A bountiful smorgasbord of classical music enriches the summer fare at the 2017 Ravinia Festival. The Chicago Symphony Orchestra puts in a stint with an array of guest conductors and soloists at the festival pavilion, while on a smaller scale indoor venues will see a parade of string quartets and pianists. We offer a comprehensive look-ahead at Ravinia’s classical presentation.
Stylish new robes for ‘Messiah’: Andrew Davis leads Toronto CD in his modern orchestration
Review: To say the just-released recording of Handel’s “Messiah,” arranged and conducted by Andrew Davis with the Toronto Symphony Orchestra and Toronto Mendelssohn Choir, is unlike anything you’ve ever heard would be categorically true, down to the pictorial accents of harp, trombones and – yea, verily – marimba and tambourines.
Sex and the single troubadour: Lyric Opera turns heat up in earthy take on Wagner’s ‘Tannhäuser’
Review: It’s a bleak, war-torn world that greets Wagner’s prodigal troubadour in the Lyric Opera’s potent, sensual and yet strikingly unromanticized production of “Tannhäuser.” Typical of a current trend, the Lyric version – created by Covent Garden’s Royal Opera and now seen in Chicago for the first time – brings the story into a timeless present. Though generally dark, this treatment also energizes, and vibrantly colorizes, the prologue’s protracted sex romp at the Venusberg. ★★★★
Ravinia Fest 2014 runs gamut from enduring stars to first twinkles, with 3-pack of opera
Report: Ravinia Festival music director James Conlon leads Mozart’s “The Marriage of Figaro” and “Don Giovanni,” soprano Patricia Racette stars in Strauss’ grisly “Salome” and Finnish conductor Susanna Mälkki makes her festival debut in the 2014 summer series announced Thursday.
Lyric Opera’s diamond anniversary will spotlight Fleming and Serjan amid stellar cast of singers
Report: Russian dramatic soprano Tatiana Serjan, who riveted audiences as Riccardo Muti’s Lady Macbeth with the Chicago Symphony in 2013, will return to the Windy City next January at the Lyric Opera of Chicago to sing another knife-wielder, Floria Tosca, the tempestuous diva who tries to outwit a tyrant and foil her lover’s assassination. The Lyric’s 60th anniversary season, announced Jan. 27, also will feature soprano and Lyric creative consultant Renée Fleming in a signature role as Countess Madeleine in Richard Strauss’ final opera, “Capriccio.”
In tributes to ‘Tristan,’ Salonen and CSO lack forces and focus to embrace Wagner epic
Review: Finnish conductor Esa-Pekka Salonen once undertook total immersion in the music of Richard Wagner’s “Tristan and Isolde,” an opera of lasting influence and extraordinary musical language, newly coined to express ecstatic, forbidden love and its all-consuming anguish. Today Salonen’s enthusiasm for exploring this operatic icon is undiminished. In addition to two concert performances with the Chicago Symphony Orchestra of “Tristan’s” mesmerizing second act, he led “Beyond the Score” performances that explored the controversy over Wagner’s musical nugget, the Tristan chord, and its breakthrough potential to lead the ear beyond traditional harmonic bounds. Neither effort proved entirely successful. Through Feb. 24.