Articles tagged with: Thomas Hampson
‘The Merry Widow’ at Lyric Opera: Slow start, then Pop! – bubbles and, mais oui, grisettes
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The Lyric Opera of Chicago Presents
"The Merry Widow"
Renée Fleming,
Nicole Cabell,
and Thomas Hampson
© Todd Rosenberg Photography 2015"
Review: If it had been opening night for the Lyric Opera production of Franz Lehár’s “The Merry Widow,” one might have understood the stark contrast between the dismal walk-through of the first act and the sustained vivacity suddenly on display post-intermission. One might have chalked it up to a calming of collective nerves. But as this was the second performance, the first-night excuse hardly applies. I daresay the show is what it seemed to be: egregiously uneven. ★★★
From ‘Romeo’ to ‘Figaro,’ love rules as Lyric plans eight operas, ‘King and I’ for 2015-16
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Report: You know that Valentine’s Day is just around the corner when the romantic couplings planned for the Lyric Opera’s 2015-16 season are the stuff of headlines. The game of love becomes a delicious frenzy when lots of money and a very attractive widow are at stake: Soprano Renée Fleming will be playing her “Merry Widow” title role to the hilt with baritone Thomas Hampson beginning Nov. 14 and into the holiday season. We provide details.
Cue cameras: Metropolitan Opera Live in HD, come of age, is playing at a cinema near you
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Feature review: The Metropolitan Opera is the most international of houses, but there is something quintessentially American about the Saturday afternoon HD cinema broadcasts that are now part of its marketing arsenal. After attending a performance of “Die Meistersinger von Nürnberg” at the Met, I caught the same production, broadcast live to cinemas on Dec. 13, starring German baritone Michael Volle as Hans Sachs, the master shoemaker, cobbler of poems and mender of hearts.
‘Meistersinger’ to ‘Streetcar,’ Lyric Opera’s new season offers scenic route with 9 stops
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The Chicago Lyric Opera’s new season begins and ends with shows that should attract aficionados of opera and theater: “Elektra” and “A Streetcar Named Desire.” Here’s the show-by-show breakdown.