Articles tagged with: Mei-Ann Chen
Review: The singular community spirit of Chicago Sinfonietta was on proud display March 23 at Orchestra Hall in a stylish, disciplined and roundly entertaining performance of Orff’s “Carmina Burana” conducted by the organization’s music director, Mei-Ann Chen. Featured with Chen’s chamber-size ensemble were two Chicago choruses, both prepared to a fare-thee-well: the choir of Roosevelt University’s Chicago College of Performing Arts and the Anima Young Singers of Greater Chicago.
Review: There’s an infamous jest that if you ask six reviewers about the same event, you’ll get seven different opinions. As there is more than a grain of truth in that, conductor Mei-Ann Chen surely is entitled to put a notch in her baton after winning a consensus of enthusiasm from a dozen arts writers from across the U.S. and Canada following her guest appearance March 9 with the Sarasota Orchestra.
Review: Each year in the late spring, the Chicago Symphony Orchestra embarks upon themed programs that seem to be as much about reaching deep into the community, and becoming energized by the community in turn, as they do about any particular theme itself. This year’s festival, called “Rivers,” features the world premiere of “The Chicago River” by Orbert Davis. Inspired by late-19th and early-20th century photographs of the elaborately engineered reversal of the river’s flow, it underscores the notion that a cultural landscape is indeed much like a river — alive, ever present and ever changing.
Preview: Literally and metaphorically, rivers seem to flow in every direction across our lives; indeed, across life. It’s not hard to see how the Chicago Symphony Orchestra might have hit on the concept of its Rivers Festival, a multifaceted month-long exploration and tribute that opens musically May 9 at Orchestra Hall.