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Articles tagged with: David Catlin

Chicago theater mid-season preview, Part 3: Steppenwolf, Lookingglass, Chicago Shakes

Feb 7, 2019 – 2:34 pm
Feature 1 Part 3 Joel Moorman

Review: The mid-winter is far from bleak under Chicago’s theater marquees. Steppenwolf offers Lucas Hnath’s “A Doll’s House, Part 2,” a sort of what-if sequel to Ibsen’s play. Lookingglass runs out the premiere of Kareem Bandealy’s ‘Act(s) of God,” a cosmic guess-who’s-coming-to-dinner. And Chicago Shakespeare revisits the Bard’s melancholy prince – ever perched on the existential fence between being and nothingness.

Role Playing: Christopher Donahue, as Ahab, finds sea’s depth in sadness of a vengeful soul

Aug 21, 2015 – 9:48 pm
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Interview: Christopher Donahue contemplates the weathered, craggy, doggedly vengeful figure of Captain Ahab, the iconic central character of Herman Melville’s “Moby Dick,” whose cosmic persona Donahue brings into vivid focus on the stage at Lookingglass Theatre. And in the driven whale hunter, the actor finds a paradox. “Ahab abides far away from humanity,” Donahue says. “He is as much a creature of the sea as the creature he’s trying to kill. The sea lives in him. I think he believes himself to be as strong and tumultuous as the sea itself.”

‘Moby Dick’ at Lookingglass: A man’s obsessive drive to annihilate a whale surges to electric life

Jun 22, 2015 – 7:45 pm
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Review: Translating a great novel into a successful stage work is hardly a mere matter of reformulation. They are different beasts, novel and play. All the more marvelous, then, is David Catlin’s imaginative, poetic, indeed galvanic adaptation of Herman Meville’s “Moby Dick” for Lookingglass Theatre. ★★★★★

Theater 2014-15: Death, travel, Alice and Ahab shape and reshape images at Lookingglass

Sep 3, 2014 – 11:17 pm
Deanna Dunagan, in 'Death Tax' by Lucas Hnath, opens the Lookingglass 2014-15 season. (Sean Williams)

12th in a series of season previews If theater should be an adventure, then Lookingglass offers something akin to safari into unknown regions every time out. The company’s premiere-laden 27th season reflects that ever-changing dramatic topography — from Lucas Hnath’s family-challenged “Death Tax” to a brand-new ropes-and-spars vision of “Moby Dick.”