Articles tagged with: Christiane Karg
Lyric’s ‘Flute’ is a time-bending gift from ’50s, backyard fun boxed in spirit of Disney magic
Review: The ultimate holiday gift for arts lovers this season is Lyric Opera of Chicago’s rambunctiously retro world premiere production of Mozart’s “The Magic Flute,” set triumphantly in the world headquarters of the baby boom. Which is to say, a backyard of the ’50s and ’60s, as seen through the eyes of a child. This nostalgic feat is an exceptional musical delight and a fine show for families of all ages. What makes this show giftable is its extended January run. ★★★★
Chicago Symphony Chorus glories in Brahms’ ‘German Requiem’ under van Zweden’s baton
Review: Brahms’ “German Requiem” is a gentle monument, expressive in equal parts of humility, reassurance and peace. Such were the components of a radiant performance by the Chicago Symphony Orchestra and Chorus, with soprano Christiane Karg and baritone Michael Nagy, conducted by Jaap van Zweden on Nov. 11 at Orchestra Hall.
‘Marriage of Figaro’ at Lyric Opera: Stellar voices prevail in a farcical take on Mozart’s comic gem
Review: If Mozart’s “The Marriage of Figaro” is inherently and effectively a bittersweet comedy that edges into farce, the new production directed by Barbara Gaines that opens the Lyric Opera of Chicago season reframes it as farce that edges into cartoon. This “Figaro,” conducted by the Hungarian Henrik Nánási in his American debut, fares best where a uniformly strong cast of singers is allowed to stand and deliver Mozart’s witty, touching, brilliant and wise arias and ensemble numbers. ★★★★
Shakespeare director Barbara Gaines modulates to Mozart at Lyric Opera, and sees second Bard
Interview: The first venture for the Lyric Opera of Chicago this season is also the first Mozart ever taken on by Barbara Gaines, artistic director at Chicago Shakespeare Theater. And in the poignancy – and the comedy – of “The Marriage of Figaro,” Gaines finds the Bard’s own sensibility, his empathy and his compassion.
