Articles tagged with: Anton Chekhov
Review: Chekhov’s “Uncle Vanya,” an existential snapshot of lost souls at a signless crossroads, exemplifies theater as an ensemble endeavor. In Annie Baker’s modernized, razor-sharp adaptation of the play, complemented by a directorial tour de force from Robert Falls, Goodman Theatre brings the spirit of dramatic teamwork to vibrant life. ★★★★★
Interview: Lindsey Gavel knew, heading into her performance as Chekhov’s unhappily married Masha in “Three Sisters” with The Hypocrites, that sorrow-on-sleeve was not the way she wanted to go with it. She decided instead to put a happy face on Masha’s heavy heart – and created a nuanced portrait of a woman caught between her longing for real love and the empty reality of her life.
Review: Two generations before Jean-Paul Sartre and his coterie of French existentialist playwrights, there was Anton Chekhov, dealing with the same core moral issue of accepting accountability for one’s own life and the hellish consequences of evading that necessity. Such is the specter that confronts the characters in Chekhov’s “Three Sisters,” which the Hypocrites have brought to the stage under the penetrating, indeed searing direction of Geoff Button, who also adapted the play. ★★★★
Preview: As if running up a banner announcing its annexation of the New World – where, of course, it is located – the classically oriented American Players Theatre in Spring Green, Wis., opens its 2014 summer with a new commitment to Americana, leading off with no less bracing a representative than David Mamet’s “American Buffalo.”