Articles by Lawrence B. Johnson
When ethnic roots snag the American dream, idealism stumbles in ‘Disgraced’
Meltdown at Amer. Theater Co. 5 stars!
‘Aida’ at the Lyric Opera: Verdi’s tragedy hits the pitches but misses some dramatic notes
The Princess’ rival is her slave. 3 stars
In Orff’s earthy ‘Carmina Burana,’ Muti guides CSO and vocal force to Fortune’s throne room
Review: Chicago Symphony Orchestra and Chorus with the Chicago Children’s Choir conducted by Riccardo Muti. Maria Grazia Schiavo, soprano; Max Emanuel Cencic, countertenor; Stéphane Degout, baritone. Through Jan. 28. *****
It’s Mamet, so nothing’s plain as black/white when Goodman taps the bitter humor of ‘Race’
Cynically, unbearably funny. 4 stars!
Honeck and the Chicago Symphony recall Dvorak on native soil with a dancing Eighth
Review: If Dvorak’s Ninth Symphony is a yearning postcard “From the New World,” his Symphony No. 8 in G major is redolent of a composer happily settled on native ground. The Eighth is decidedly of the Old World, as conductor Manfred Honeck and the Chicago Symphony Orchestra so generously demonstrated Jan. 19 at Orchestra Hall. ****
‘Mr. Rickey’ imagines a prelude to history, before Jackie Robinson joined the Dodgers
Full count at the Lookingglass. 3 stars.
Role Playing: Diane D’Aquila’s twice regal portrait as lover-monarch in ‘Elizabeth Rex’
Interview: Diane D’Aquila, who brings Queen Elizabeth I to regal and vulnerable life in Timothy Findley’s “Elizabeth Rex” at Chicago Shakespeare Theater, says acting in this gripping, keenly honed production “is a like a dance out there, and it’s scary as hell.”
Chailly lifts his quick baton, and Beethoven’s symphonies emerge from the veil of tradition
CD review: Conductor Riccardo Chailly’s new recording of Beethoven’s nine symphonies, with the Leipzig Gewandhaus Orchestra, may finally be the document that changes the way we think of these seminal works – and the way the next generation of conductors approaches them. *****
Marriage of true minds: Chicago Shakespeare brings the Bard to Chicago Symphony’s party
Preview: Barbara Gaines directs actors from Chicago Shakespeare Theater in concerts Jan. 5-14 with the Chicago Symphony Orchestra conducted by Sir Mark Elder, featuring music inspired by the Bard.
‘Penelope’ at Steppenwolf: Four guys in an empty pool, down to life’s last threads
And Odysseus is bearing down. 3 stars.
Role Playing: Dean Evans, in clown costume, enters the darkness of ‘Burning Bluebeard’
Interview: His clown suit, a bit tattered and soiled with soot, looks like it once might have been pure white. But the character Dean Evans plays in the Neo-Futurists’ production of “Burning Bluebeard” is decidedly dark, one might even say spectral.
‘It’s a Wonderful Life,’ and a wonderful night when ATC revisits ‘radio’ parable of faith
Capra’s film as oldie broadcast. 4 stars!
Like composer on the podium, Salonen leads Chicago Symphony in brilliant Mahler Sixth
The Finnish conductor Esa-Pekka Salonen shares a peculiarity of temperament and genius with Gustav Mahler. Like Mahler in his time, Salonen today stands among the most important conductors in the world. And again like his great forebear, Salonen would really rather be composing than be saddled with the responsibilities of music director for any orchestra you could name. Even one that might be looking for someone to succeed James Levine in Boston.
Queen’s agony over love and duty gets royal treatment in CST’s searing ‘Elizabeth Rex’
Shakespeare’s in the barn. 5 stars!
Tallis Scholars magnify spirit of Christmas in a Renaissance concert at Rockefeller Chapel
Review: For many music lovers, the single word Magnificat probably summons the name Bach, whose setting of this ancient “song of Mary” is doubtless the most famous to modern listeners. But in fact the Magnificat enjoys a long and glorious tradition in music history, notably in the 16th century, and several such Renaissance gems were on display Friday night in an exquisite concert by the Tallis Scholars at the University of Chicago’s Rockefeller Chapel. *****
CD Review: Paul Lewis rambles Schubertian paths strewn with sonatas, fantasies, fragments
British pianist Paul Lewis brings a potent blend of ingredients to a diverse collection that shows Schubert as both Beethoven’s heir and an original, indeed daring creative spirit. ****
Role Playing: Dan Waller wields a personal brush as uneasy genius of ‘Pitmen Painters’
Interview: Actor Dan Waller describes himself as a simple guy who values friendship and the respect of his peers. That makes him a close kin to the North England coal miner, revealed as gifted artist, he portrays in Lee Hall’s play “The Pitmen Painters” at TimeLine Theatre.
In the pre-dawn of rock ‘n’ roll, ‘Memphis’ bundles daring hearts in a jumping love story
Burning hot at the Cadillac. 5 stars!
Lyric Opera’s zany ‘Ariadne auf Naxos’ is model Strauss with dash of Marx Brothers
Lovable but seriously bizarre. 4 stars!
Bereft clowns of ‘Burning Bluebeard’ recycle pain and guilt of 1903 Iroquois Theatre fire
Neo-Futurists riff on a tragedy. 4 stars!
Holland Taylor’s one-woman show ‘Ann’ gets down with the grit and humor of a Texas star
At Bank of America Theatre. 4 stars!
Ho-ho-ho! Best bet for giving is the 60-CD Leonard Bernstein treasury
In a quandary about what to give the person you dare not buy for? If that knotty assignment is a music or theater lover, we at Chicago On the Aisle have a garland of happy solutions: concert music, operas, plays and musicals on CDs, DVDs and downloadable recordings. We’ll be stringing our bright recommendations over the weeks ahead, so check back often.
Role Playing: City boy Michael Stegall ropes wild cowboy in Raven Theatre’s ‘Bus Stop’
Interview: Michael Stegall, who looks and sounds every inch a ropin’ cowboy in the Raven Theatre production of William Inge’s “Bus Stop,” grew up in the West. No surprise there. But wait a minute. Not that West. The 6-foot-3, 23-year-old actor hails from Palm Springs, CA, where the buffalo do not roam.
French conductor Stéphane Denève scores a triumph in Chicago Symphony debut
Review: The French conductor Stéphane Denève made a thrilling debut with the Chicago Symphony Orchestra on Thursday night. Denève, who turns 40 this month, is going to be an international force, and his concert with the CSO amply demonstrated why. *****
Da capo al fine, sharply accented ‘Bernstein’ sketches life of a great American conductor
Maestro at the Royal George. 3 stars
CD Review: Invention, finesse of Mozart’s ‘Prussian’ Quartets revealed in Emerson’s hands
The last three string quartets Mozart composed, in 1789 just two years before his death, utterly belie the desperate financial straits into which he had fallen. These sunny, and technically brilliant, performances by the Emerson String Quartet reveal Mozart at the zenith of his creative powers.
Motley travelers looking to get their tickets punched at Raven’s snowbound ‘Bus Stop’
Engagingly off-kilter charms. 3 stars
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Role Playing: Brent Barrett’s glad he joined ‘Follies’ as that womanizing, empty cad Ben
Interview: At the center of Stephen Sondheim’s acerbic musical “Follies”stands Benjamin Stone, worldly, rich, the envy of his old acquaintances gathered at this reunion of theater folks. Ben is all of that, and one more thing — miserable. Veteran actor Brent Barrett offers a candid analysis of the self-centered cad and womanizer.
In Handel’s ‘Water Music,’ Labadie and Chicago Symphony provide a splash of Baroque authenticity
What a pleasure it was Thursday night to hear Handel’s vivacious “Water Music” in the hands of a conductor who knows it so intimately that he doesn’t require a score – and who understands what charms it possesses that induced a delighted monarch to command repeated performances at its first hearing.
Review: Pacifica Quartet pairs Shostakovich and Beethoven, showing them as peers
Review: The Pacifica Quartet offered a stunning reminder in its concert Sunday at the University of Chicago that the quartets of Shostakovich stand shoulder to shoulder with Beethoven’s as exemplars of the form, great and deeply personal expressions. *****
