Articles tagged with: Owais Ahmed
Interview: Joel Reitsma creates a convincingly distressed investment banker who parlays his expertise into a desperate, life-preserving deal with his Pakistani captors in Ayad Akhtar’s “The Invisible Hand” at Steep Theatre. But Reitsma admits up front that he knows little about the trading game; and besides, he’s quick to add, the play isn’t about the stock market anyway. It’s about the corrosive power of money.
Review: If power corrupts and absolute power corrupts absolutely, what shall we say about the allure – no, the infection — of wealth? Perhaps mammon is the perverse god whom man created, not in his own image but as his highest aspiration and ideal. Money, money, money, money, money. Get a good taste of it only to crave more. That’s the object lesson, the demonstration, of Ayad Akhtar’s wrenching, fearsome play “The Invisible Hand,” which now commands the little stage at Steep Theatre in a production directed by Audrey Francis that is well worth adding to your must-see list. ★★★★