Articles tagged with: Michaela Martens
Review: The great power of Richard Strauss’ “Elektra” lies in the transmogrification of a timeless tragedy through harrowing vocal music reinforced by an orchestral score so vivid, so nearly verbal, that it might stand alone as a symphonic drama. The magnificence of Lyric Opera of Chicago’s current production resides in the depth of its humanity – that depth sounded by tremendous vocal performances and orchestral playing, under Donald Runnicles, that is absolutely graphic. ★★★★
Analysis: To sit in the audience at the Metropolitan Opera, where a richly inflected production of John Adams’ 1991 opera “The Death of Klinghoffer” unfolded this fall, was to experience the opera itself coming into focus. “The Death of Klinghoffer” is already a different experience than it was at its Brussels premiere 23 years ago.