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Articles tagged with: Matt Hawkins

‘Going to a Place’ with ice cream for eternity, but where dialogue and plausibility are thin

Jun 27, 2017 – 10:11 pm
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Review: There’s a native directness about veteran Kathleen Ruhl’s acting that never fails to connect the viewer to her character. Call it authenticity. But no amount of straight shooting from the stage can magically turn a weak play into something terrific. Ruhl has demonstrated that proposition in two different plays in recent weeks — currently in Bekah Brunstetter’s “Going to a Place Where You Already Are” at Redtwist Theatre. ★★

‘Good People’ at Redtwist: Down on her luck, Boston Southie seeks hope behind lace facade

Jul 3, 2015 – 5:32 pm
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Review: Margie’s life is hard, like the “g” in her name. It’s all she’s ever known. She grew up in the rough-and-tumble projects of Boston’s south side – a real “Southie.” She doesn’t have much, but at least she has a job; well, had a job. As we look in on Margie’s lot in David Lindsay-Abaire’s “Good People,” now staged with potent intimacy at Redtwist Theatre, she’s about to be fired. ★★★★

‘Henry V’ at Chicago Shakespeare: Noble production, except His Majesty is missing

May 23, 2014 – 10:51 pm
Henry (Harry Judge) exults as his troops rout the French at Agincourt. (Liz Lauren)

Review: Chicago Shakespeare’s vivacious production of “Henry V” poses something of a paradox: Much of its energy emanates from the youthful presence of Canadian import Harry Judge as the king – and what is least remarkable about this show is Judge’s surface-skimming account of the embattled monarch. ★★★

‘The Great God Pan’ at Next – When narrative runs out of thread, the drama is left dangling

Apr 17, 2014 – 1:41 pm
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Review: The setup of Amy Herzog’s play “The Great God Pan” is intriguing: A man in his early thirties reconnects with a childhood chum who makes deeply disturbing claims about their formative years. Problem is, where we ultimately expect catharsis the playwright leaves us merely teased. And despite director Kimberly Senior’s sensitive and tempting effort, the current production at Next Theatre cannot magically spin this fragment into whole cloth.