Articles tagged with: Henry Wishcamper
Review: While Larry Yando’s indelible Ebeneezer Scrooge is once again delighting children and tapping into adult truths in Goodman Theatre’s indispensable staging of “A Christmas Carol” (★★★★), the Q Brothers are back at Chicago Shakespeare rapping Dickens’ parable on greed and misanthropy to a reggae beat (★★★). The Spirit of Christmas Present walks among us anew.
Review: It’s Dolly’s world, the charming milieu and crazy circumstances of Thornton Wilder’s perdurable farce “The Matchmaker.” All the other characters on stage just live in it. So say hello to a delightful Dolly whose world is well worth a visit in the Goodman Theatre production starring — with a capital S — Kristine Nielsen. ★★★★
‘The Night Alive’ at Steppenwolf: It’s three guys, girl and thug looking for answers in life’s rubble
Review: At the center of “The Night Alive,” Conor McPherson’s wry and compassionate spin on the human comedy, are three men grappling with life near its baseline. And in Steppenwolf Theatre’s unglossed, touching perspective on the play, these ordinary guys find in each other the redemptive qualities of connection, meaning and purpose. ★★★★
Interview: In working out her transfixing performance in the harrowing pas de trois that is August Strindberg’s “The Dance of Death,” now on the boards at Writers Theatre, actress Shannon Cochran says she got an indirect boost from Irish playwright Conor McPherson, who created the new English-language adaptation at hand.
Review: If you liked Edward Albee’s “Who’s Afraid of Virginia Woolf,” you’ll love the original: August Strindberg’s “The Dance of Death,” wherein a toxic, blood-sport marriage between a venomous old soldier and his hissing wife make the sniping between Albee’s George and Martha feel once more present in the room. Writers Theatre provides the well-polished dance floor for Strindberg’s caustic waltz. ★★★★★
Review: The sixth time is a charm for Larry Yando as that grasping, covetous old sinner Ebenezer Scrooge in the Goodman Theatre production of Charles Dickens’ “A Christmas Carol.” Or I should say, a charm again — just like Yando’s previous five outings in the part. His irascible but salvageable and very funny misanthrope remains a Scrooge for the young in heart and imagination. ★★★★
Ninth in a series of season previews: As artistic director Michael Halberstam began putting together the 2013-14 season at Writers’ Theatre with associate artistic director Stuart Carden, one coincidence seemed too good to be true: Halberstam’s right-hand man had been the teacher, at Carnegie-Mellon University, of an eclectic group of seven buddies called the PigPen Theatre Co., who were the buzz of Greenwich Village for their folksy fable called “The Old Man and the Old Moon.” The charming off-Broadway saga now comes to Writers’.