‘A Doll’s House, Part 2’ at Steppenwolf:
Sharp knock at the door, but is anyone there?

Review: Fifteen years after Nora Helmer famously – or perhaps infamously – walks out on husband and children at the end of Ibsen’s play “A Doll’s House,” what do you know but she’s back, knocking on that same door, and not exactly bonnet in hand. Indeed, Nora has found great success as a writer. What an intriguing conceit for the sequel Lucas Hnath has ventured in “A Doll’s House, Part 2,” now at Steppenwolf. Except that I came away with the distinct sense that Nora, the woman of the hour, was missing. ★★