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Articles tagged with: Amy Morton

‘Hir’ at Steppenwolf: In battle on home front, now a gender mine field, a Marine seeks cover

Jul 19, 2017 – 9:26 am
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Review: Taylor Mac’s tumultuous, off-the-wall play “Hir,” currently on stage in a bristling production at Steppenwolf, is about battles, foreign and domestic. And if the shape-changing military one in the Middle East has been going on for a long time, the societal one at the center of “Hir” is just building a good head of steam. Ex-Marine Isaac has come home to a household in chaos, and to a new sexual order – a whole new declension of genders in which “he” and “she” are but instances on a daunting new landscape. ★★★★

Theater 2013-14: Joan Allen’s return and five premieres will light marquee at Steppenwolf

Sep 2, 2013 – 3:27 pm
Edgar Miguel Sanchez, Demetrios Troy, Scott Stangland, Joan Allen and La Shawn Bank in rehearsal for 'The Wheel' at Steppenwolf (Thomas Weitz)

Eighth in series of season previews: In a 2013-14 season that artistic director Martha Lavey promises will “make you laugh out loud and think deeply about how we live and love,” Steppenwolf Theatre offers two world premieres and two Chicago premieres – and to open the season an American premiere featuring the long-deferred homecoming of company co-founder Joan Allen.

‘Penelope’ at Steppenwolf: Four guys in an empty pool, down to life’s last threads

Dec 22, 2011 – 3:38 pm
Penelope featured image Steppenwolf Theatre Yasen Peyankov Scott Jaeck Tracy Letts credit Michael Brosilow

And Odysseus is bearing down. 3 stars.

Role Playing: Kirsten Fitzgerald inhabits sorrow, surfs the laughs in ‘Clybourne Park’

Oct 16, 2011 – 12:23 pm
Kirsten Fitzgerald Act 1 housewife Clybourne Park Steppenwolf 2011 featured

Interview: Actor Kirsten Fitzgerald portrays two very different characters amid the hurlyburly of “Clybourne Park, the double-edged drama by Bruce Norris now playing at Steppenwolf Theatre through Nov. 13. She’s a grieving mother in 1959 and a self-interested lawyer 50 years later.
It’s a theatrical tour de force that Fitzgerald likens to acting in two different plays the same night.