Articles by Lawrence B. Johnson
‘The Who & The What’ at Victory Gardens: It’s ‘Fiddler on the Roof’ meets ‘Other Desert Cities’
Review: Ayad Akhtar’s third play, “The Who & The What,” which now occupies the stage at Victory Gardens, shares with its masterly predecessors — “Disgraced” and “The Invisible Hand” — the core issue of conflict between Muslim heritage and mainstream American culture. But this time, Akhtar’s work verges on ethnic sitcom. ★★
‘Moby Dick’ at Lookingglass: A man’s obsessive drive to annihilate a whale surges to electric life
Review: Translating a great novel into a successful stage work is hardly a mere matter of reformulation. They are different beasts, novel and play. All the more marvelous, then, is David Catlin’s imaginative, poetic, indeed galvanic adaptation of Herman Meville’s “Moby Dick” for Lookingglass Theatre. ★★★★★
CHICAGO WINE JOURNAL: Classic art of Jaboulet’s new Chapelle mistress
Tasting Report: Since my earliest forays into French wines, the brightest stars in my firmament have consistently included the patrician Hermitage La Chapelle produced by Paul Jaboulet Aîné in France’s Northern Rhône Valley. So it was little short of enchanting to step back through time at a vertical tasting of this great expression of Syrah at a recent Chicago seminar sponsored by Robert Parker’s Wine Advocate.
New York Aisle: Philharmonic tops off season with rare bounty of Honegger’s ‘Joan of Arc’
Review: From his earliest days as music director of the New York Philharmonic, Alan Gilbert has indulged New York audiences with an end-of-the-season extravaganza, This year’s offering was Honegger’s dramatic oratorio “Jeanne d’Arc au bûcher,” a work rarely performed if only because of the magnitude of forces, starting with adult chorus, children’s chorus, 11 sung roles, and two lead actors.
From al fresco staging of Williams’ ‘Streetcar,’ American Players promise summer of surprises
Preview: In her second summer as artistic director of American Players Theatre, Brenda Devita can claim her fingerprints alone on the scheme of eight widely ranging plays that will run in repertory well into the autumn. And DeVita embraces that authorship with pride, starting with the company’s first go at Tennessee Williams’ monumental tragedy “A Streetcar Named Desire.” “We’re taking it outdoors,” she says, referring to the starry-domed 1,148-seat Up-the-Hill Theatre.
CHICAGO WINE JOURNAL: Aged Burgundian glory from three négociants
Mulling Wine: By chance or perhaps my natural gravitation, I just completed a sort of hat trick – meal accompaniments from three of my favorite Burgundy producers, all of whom fall into the somewhat misunderstood category of négociants.
Role Playing: Francis Guinan embraces conflict of father who fled from grim truth in ‘The Herd’
Interview: The alienated, indeed despised husband and father Francis Guinan portrays in Rory Kinnear’s marvelous first play “The Herd,” at Steppenwolf Theatre, elicits deeply ambivalent feelings, and not just from the audience. Guinan admits he also sees the guy in decidedly conflicted terms.
CHICAGO WINE JOURNAL: Burgundy-style Pinot Noir from an Oregon star
Tasting Report: Since its founding in 1989, Domaine Serene in Oregon’s Willamette Valley has emerged as one of the top producers of Pinot Noir in a region famous for that wine. In a horizontal tasting with friends of four different Domaine Serene bottlings from the 2011 vintage, it became readily apparent why this house continues to enjoy such high esteem.
Role Playing: Sophia Menendian reached back (but not far) as plucky Armenian refugee of 15
Interview: The most disarming, lovable character I’ve seen on a Chicago stage this season has to be 15-year-old Seta, refugee of the Armenian genocide and mail-order bride in Richard Kalinoski’s “Beast on the Moon,” played with big-eyed, open-hearted exuberance by Sophia Menendian, who’s all of 20. She says she captured Seta’s buoyancy by recalling her own unbridled spirit as an adolescent.
CHICAGO WINE JOURNAL: A new Spanish horizon for old-vine Garnacha
Tasting Report: With the dramatic emergence of Spanish wines in recent years, Grenache has gained familiarity in its Spanish robes as Garnacha – which might lead one to assume that the “two” grapes are one and the same. Indeed they are, and yet there’s a world of difference between them. That became clear during a Chicago seminar last week presented by Spanish producers of Garnacha from Cariñena, a small appellation long overshadowed by the likes of Rioja and Ribera del Duero.
Role Playing: Lindsey Gavel’s distressed Masha, in ‘Three Sisters,’ began with a touch of cheer
Interview: Lindsey Gavel knew, heading into her performance as Chekhov’s unhappily married Masha in “Three Sisters” with The Hypocrites, that sorrow-on-sleeve was not the way she wanted to go with it. She decided instead to put a happy face on Masha’s heavy heart – and created a nuanced portrait of a woman caught between her longing for real love and the empty reality of her life.
‘Side Man’ at American Blues Theater: Honey pours from a trumpet, bile from a bitter wife
Review: Everything that is so remarkable, so rich and treasurable, about Chicago’s far-flung storefront theater scene is embodied in American Blues Theater’s resonant and poignant production of Warren Leight’s “Side Man.” Eloquently directed by Jonathan Berry, this model of tight, smart ensemble acting is well worth adjusting the calendar to catch, but it runs only until May 24 and will not be extended. ★★★★★
CHICAGO WINE JOURNAL: The pleasures (and alluring price) of Chablis
Tasting Report: Somewhat to the northwest of the heart of what we think of as Burgundy – that is, the glorious Côte-d’Or with its world-famous Pinot Noir and Chardonnay — lies the appellation of Chablis. Technically, Chablis is part of Burgundy, though it’s more like an island. Or perhaps an unfavored stepchild. But for wine lovers, especially devotees of Chardonnay, Chablis is a discovery-in-waiting.
CHICAGO WINE JOURNAL: It’s Chicago-sur-Rhône at Robert Parker soirée
Mulling Wine: Wines of the Rhône Valley in southeastern France – and others modeled after them from sundry parts of the world – will be spotlighted, explained and, not least, savored in a series of “master” tastings followed by dinner May 23 at Chicago’s Park Hyatt Hotel. The public event is being presented by Robert Parker’s Wine Advocate.
Versatile ‘Jersey Boys’ actress knows Chicago, and some crazy quick-change parts in musical
Interview: New Orleans native Leslie Rochette, who plays – among a lightning paced scramble of other roles – Frankie Valli’s daughter Francine in the tour production of “Jersey Boys” currently at the Cadillac Palace Theatre, seems to have found a second home in Chicago. Knowing the richness of Chicago’s theater scene, Rochette made a bee-line for Columbia College to study theater, graduating in 2008. When the first national tour of “Jersey Boys” hit Chicago in 2012, Rochette was in the ensemble, and now she’s back as one of three women in the cast who all fill multiple parts.
CHICAGO WINE JOURNAL: Grgich revisits crowning of Chardonnay king
Mulling Wine: In an epochal Chicago event 35 years ago, Miljenko Grgich’s 1977 Napa Valley Chardonnay, the first he’d produced under his own name, beat out 220 other Chardonnays from all points on the compass (yes, including France) in the largest single-varietal blind tasting ever held up to that time. Last week, Grgich’s daughter Violet and other representatives of Grigich Hills Estate returned to Chicago for a small commemorative tasting of their library Chardonnays and three from the 2012 vintage.
Piano wizardry rules as Chinese star Lang Lang mixes Chopin, calendar’s worth of Tchaikovsky
Review: Pianist Lang Lang’s recital May 9 at the Civic Opera House was, at its best, a display of brilliance of a high order. Taken end to end, it was also a curious affair. To say this lionized, still infectiously youthful Chinese pianist – he turns 33 on June 14 — is a technical wizard may be understatement. Lang Lang is one demonic virtuoso for whom the most daunting technical demands seem more like expressive opportunities than hazards of execution.
Ravel opera rarity (an armchair sings) injects pure fantasy, great fun into CSO French fest
Review: It isn’t every Chicago Symphony Orchestra concert that ends with the conductor leading a gaggle of children across the stage like the pied piper. But there he was, Esa-Pekka Salonen, smiling ear to ear, a little child’s hand in his, marching the Anima-Young Singers of Greater Chicago into view for their ovation after a deliciously witty performance of Ravel’s one-act opera “L’enfant et les sortilèges,” an evident if unexpected hit at the CSO’s “French Reveries and Passions” festival.
CHICAGO WINE JOURNAL: Like a parade of tall ships, Antinori fleet sails in
Tasting Report: For a wine buff, it was an evening of almost silly delight: A tasting of wine after great wine from the astonishing portfolio of Italian producer Marchesi Antinori, an array that extended from Brunello di Montalcino to Super Tuscans the likes of Guado al Tasso, Tignanello and Solaia.
‘Beast on the Moon’ at Raven: After Armenian genocide, an improbable pair retool their lives
Review: Outwardly, Richard Kalinoski’s play “Beast on the Moon” is about a young man and a teenage girl, refugees from the 1915 Armenian genocide who have lost their families and embark on a new life together as immigrants in Milwaukee. But as Raven Theatre’s exuberantly funny and sensitive production so urgently telegraphs, this tragi-comedy is ultimately about the beast within – a fearsome creature of the mind spawned by terror, isolation and guilt. ★★★★
Musical accent unmistakable, French pianist Tiberghien gives CSO fest pitch-perfect start
Review: The French pianist Cédric Tiberghien turns 40 years old on May 5, but it was he passing out the presents May 3 at Orchestra Hall. His recital, devoted largely to Ravel and Debussy as the official opening event of the Chicago Symphony Orchestra’s three-week festival titled “French Reveries & Passions,” was a veritable shower of musical gifts from a pianist making his Chicago debut and, incredibly enough, still just barely known in the U.S.
‘Three Sisters’ at Hypocrites: Shattered hearts, vanished hopes, and Moscow a distant dream
Review: Two generations before Jean-Paul Sartre and his coterie of French existentialist playwrights, there was Anton Chekhov, dealing with the same core moral issue of accepting accountability for one’s own life and the hellish consequences of evading that necessity. Such is the specter that confronts the characters in Chekhov’s “Three Sisters,” which the Hypocrites have brought to the stage under the penetrating, indeed searing direction of Geoff Button, who also adapted the play. ★★★★
CHICAGO WINE JOURNAL: In Ferrari-Carano’s Trésor, a Bordeaux accent
Tasting Report: Among the treasures of my wine cellar are several vintages of Ferarri-Carano’s Bordeaux-style blend called, fittingly enough, Trésor. More than merely Bordeaux-styled in concept, the 2010 Trésor’s combination of layered fruit, ripe tannins and crisp acidity lends it the native character of its classic model.
CHICAGO WINE JOURNAL: A Chardonnay toast to the ‘secret’ of DuMOL
Tasting Report: Chardonnay lovers, as well as those who insist they’d rather drink anything but, take note of the name DuMOL. I have just tasted a trio of this 20-year-old Sonoma County winery’s 2012 Chardonnays, and I am star-struck.
‘American Clock’ at Redtwist: There are songs but the key is bitter irony in this Depression tale
Review: Arthur Miller’s plays consistently center on the vicissitudes of ordinary folks, with economic plight as a common theme. What might this avowed life-long liberal, who died in 2005, have written about America today? Actually, a plausible answer is before us, in Redtwist Theatre’s gritty, chilling production of Miller’s “The American Clock,” a cautionary retelling of the saga of the Great Depression. ★★★★
CHICAGO WINE JOURNAL: Five Brunello snapshots from Poggio Antico
Tasting Report: With a group of friends, I recently ventured through five vintages of Brunello di Montalcino from Poggio Antico, an excellent producer of this patrician wine from central Tuscany. The results were intriguing. Younger wines sometimes proved more readily drinkable than older ones, and comparative qualities changed – radically in some instances — as the wines aerated after pouring.
CHICAGO WINE JOURNAL: To sip, to explore, perchance slowly to collect
Mulling Wine: For many years, and by now many years ago, I wrote for various national publications about consumer electronics – sound systems, televisions. The advent of larger-screen televisions came to mind as I was pondering a column on venturing into – and inevitably collecting – wine.
‘The Herd’ at Steppenwolf: It’s Dad at the door, but it could be the wolf – he’s so not welcome
Review: Ah, family values. Mom, Dad, the kids. The dysfunction, the divorce, the alienation, the animosity. All the things that make a house a home are piled into “The Herd,” a smashing first play by Rory Kinnear now fuming through its U.S. premiere at Steppenwolf Theatre. No need to equivocate. It is simply not to be missed. ★★★★★
Role Playing: Hollis Resnik felt personal bond with zealous, skeptical scholar in ‘Good Book’
Interview: As a veteran actress, Hollis Resnik feels a deep connection with Miriam, the biblical scholar she plays in “The Good Book” at Court Theatre. That commonality, says Resnik, is passion.
CHICAGO WINE JOURNAL: Cristom captures Willamette’s Pinot mystique
Tasting Report: In the comparatively brief time since Oregon’s Willamette Valley was established as an American Viticultural Area (AVA), in 1984, the region has won a reputation, especially for its Pinot Noir, that borders on legendary. Over the last couple of days, I’ve been savoring a wine from Cristom Vineyards that illustrates in classic terms the basis of the mystique of northwestern Oregon.
