Articles tagged with: Michael Weber
Chicago theater mid-season preview, Part 2: Ahead at Porchlight, American Blues, Raven
Preview: Chicago’s turn into real winter comes with the consolation of intriguing theater just ahead. Think of it as warming countermeasures. Porchlight offers the musical farce “The Gentleman’s Guide to Love & Murder” while Raven plots Paula Vogel’s now-classic memory play “How I Learned to Drive.” American Blues jumps into the season’s second half with Steven Dietz’s “On Clover Road.” If a play synopsis that begins “At an abandoned motel on a desolate road” sounds more like a chiller, at least it will unfold in a snug place.
‘Sweeney Todd’ at Porchlight: Indulge yourself with the best meat pie in Chicago; it’s deep dish
Review: The demon barber of Fleet Street is a bad one, that’s for sure; and Porchlight Music Theatre has a good one in David Girolmo. But the crucial ingredient of Stephen Sondheim’s macabre musical is that demonic purveyor of meat pies, Mrs. Lovett – and in Rebecca Finnegan, Porchlight boasts a beaut. ★★★★★
Theater 2013-14: Chicago premiere leads off Porchlight’s exploration of musical landscape
Fourth in a series of season previews: Porchlight Music Theatre prides itself on taking a new approach to classic musicals, “as if the script just came across the desk,” says managing artistic director Michael Weber. Opening with the Chicago premiere of the two-hand farce “Double Trouble,” Porchlight’s 2013-14 season reflects that spirit of approaching a show “with an understanding that we can stretch it and explore it in a different way.”
Opportunist meets shrewd socialite, and his match, in Porchlight’s vivacious ‘Pal Joey’
Your drama is waiting: Chicago Theatre Week offers citywide smorgasbord at savory prices
Report: Tickets will be $15 and $30.
The New Season: It isn’t pizza in Porchlight’s oven, but well-spiced musicals Chicago-style
Third in a series of season previews: A rethought, more visceral Porchlight Music Theatre rolls out its 18th season with two Chicago premieres to be followed by a searing portrait of the faded Billie Holiday and “Pal Joey,” Rodgers and Hart’s anti-hero driven drama on the dark side of the human comedy.