Articles tagged with: Gary Griffin
Review: Nick Moroni and Bernadette Perez are married (not to each other) mid-career Chicago cops burning late oil at the precinct shop, bantering, shuffling papers, watching the clock, waiting to check out so they can check into a motel together. This little slice of their lives provides the frame for Keith Huff’s “Six Corners,” a pulp-fiction drama at American Blues Theater that modulates from sad to sadder before it ends in the precincts of nobility. ★★★
Review: Not very far into Mike Bartlett’s “King Charles III,” directed by Gary Griffin at Chicago Shakespeare Theater, I found myself wondering how it all might work telescoped into a monodrama and spoken – not declaimed, heaven help us – by Robert Bathurst, the king in waiting here and the one actor in view who seemed to understand that blank verse is not speech set to the head-pounding of a jackhammer. ★★
Review: Chicago Shakespeare Theater has given us a “Gypsy” for our own time, one that embraces the difference that 55 years have made since the brassy blockbuster first strutted onto the stage. As directed by Gary Griffin, it’s a gritty roadshow musical with a surprisingly contemporary and tender heart. ★★★★★
17th in a series of season previews: Victory Gardens is a theater company built on new plays, says artistic director Chay Yew: “Our audiences comes expecting to see the unexpected.” Thus the 2013-14 season opens Nov. 15 with the “co-world premiere” of Branden Jacobs-Jenkins’ “Appropriate,” about three adult siblings circling – and colliding – over the division of their deceased father’s estate. And that’s followed by the world premiere of Marcus Gardley’s “The Gospel of Lovingkindness.”
Report: While the Stratford Festival has shed its branding association with the Bard of Avon, any concerns that the festival might really be loosening its traditional ties with Shakespeare should be allayed by newly announced plans for the summer of 2014. The Bard abounds. The festival’s five Shakespeare productions will include two takes on “A Midsummer Night’s Dream” — a full-scale account and a “chamber” version for just four players directed by one of the world’s most innovative masters of stagecraft, Peter Sellars.
15th in a series of season previews: Chicago Shakespeare Theater’s 2012-13 season will extend artistic director Barbara Gaines’ deep exploration of the Bard with “Henry VIII” as associate artistic director Gary Griffin adds a Sondheim encore to last year’s hit production of “Follies.” And Gaines will direct what she calls “the funniest play I ever read” in the Chicago premiere of David Ives’ comedy “The School for Lies,” a romping modern spin on Molière’s “The Misanthrope.”
Broadway’s tap classic. 4 stars!
It’s a midsummer night… 4 stars!
At Chi. Shakespeare Theater. 5 stars!