Articles tagged with: Stephen Adly Guirgis
Review: Pops is a retired black New York cop – retired because he got thoroughly shot up by a fellow cop (white) while Pops was off-duty at an unsavory watering hole. But he gets along well enough in his rent-controlled Riverside Drive apartment, which he shares with a son who’s into some shady business and a slow-witted, adoring young ex-con. That’s the frame, the border around the stress points, of Stephen Adly Guirgis’ Pulizer Prize-winning play “Between Riverside and Crazy,” which enjoys a detailed, charged and mesmerizing go-round in the tiny arena that is Redtwist Theatre. ★★★★
Fourth in a series of season previews: Fifteen years into its venture of creating high-voltage drama in a really small space, Redtwist Theatre will roll out its first production ever by the Bard of Avon. And what else would you choose for a first leap into Shakespeare on a postage-stamp stage but “King Lear”?
13th in a series of season previews: Two world premieres and three first-time Chicago stagings form a doubly celebratory season at Steppenwolf Theatre – marking the company’s 40th anniversary and honoring the legacy of its longtime artistic director, Martha Lavey, who stepped down at the end of last season. Steppenwolf opens with the world premiere of Frank Galati’s adaptation of “East of Eden,” John Steinbeck’s sweeping, tumultuous epic novel about family dynamics and fortunes set mainly in California early in the 20th century.
Interview: One of the most appealing, indeed endearing, performances to be seen on Chicago theater stages this season is Gary Perez’s quietly philosophical, yet vaguely dangerous turn as Julio, the gay cousin and one true friend in Stephen Adly Guirgis’ play “The ______ With the Hat” at Steppenwolf. Perez credits director Anna D. Shapiro with framing Julio as worldly-wise and possessed of a Zen-like calm, the one really centered character in a collection of loose cannons.