Articles tagged with: Adam Plachetka
Review: The ultimate holiday gift for arts lovers this season is Lyric Opera of Chicago’s rambunctiously retro world premiere production of Mozart’s “The Magic Flute,” set triumphantly in the world headquarters of the baby boom. Which is to say, a backyard of the ’50s and ’60s, as seen through the eyes of a child. This nostalgic feat is an exceptional musical delight and a fine show for families of all ages. What makes this show giftable is its extended January run. ★★★★
‘Marriage of Figaro’ at Lyric Opera: Stellar voices prevail in a farcical take on Mozart’s comic gem
Review: If Mozart’s “The Marriage of Figaro” is inherently and effectively a bittersweet comedy that edges into farce, the new production directed by Barbara Gaines that opens the Lyric Opera of Chicago season reframes it as farce that edges into cartoon. This “Figaro,” conducted by the Hungarian Henrik Nánási in his American debut, fares best where a uniformly strong cast of singers is allowed to stand and deliver Mozart’s witty, touching, brilliant and wise arias and ensemble numbers. ★★★★
Interview: The first venture for the Lyric Opera of Chicago this season is also the first Mozart ever taken on by Barbara Gaines, artistic director at Chicago Shakespeare Theater. And in the poignancy – and the comedy – of “The Marriage of Figaro,” Gaines finds the Bard’s own sensibility, his empathy and his compassion.
Review: The decidedly Italianate, essentially operatic treatment of Bach’s Mass in B Minor offered this weekend by conductor Riccardo Muti and forces of the Chicago Symphony Orchestra may have little to do with the elusive question of Baroque performance practice, but it has everything to do with spiritual authenticity, conceptual integrity and musical wisdom. ★★★★★