Articles tagged with: Kathleen Ruhl
‘Herland’ at Redtwist: Three senior ladies give new meaning to garage band’s sacred domain
Review: As shaggy dog stories go, Grace McLeod’s “Herland,” now rollicking about in the very small space of Redtwist Theatre, is funny from start almost to finish. The show derives its nearly nonstop energy and substantial appeal from three middle-aged actresses and a convincingly vulnerable young actress playing in a you-are-there garage set. Right at the finish line, however, “Herland” makes a sudden shift from high comedy to self-conscious morality tale and concludes in an awkward effort to make its point. ★★★
Role Playing: Kathleen Ruhl went for laughs, but resisted harsh character that gets them
Interview: Actress Kathleen Ruhl loves to hear an audience laugh. It’s always been one of the joys of her long stage career. Naturally, in her role as the flinty, straight-talking mom to two adult children in Suzanne Heathcote’s “I Saw My Neighbor on the Train and I Didn’t Even Smile” at Redtwist Theatre, she savors the laughter that rings off those close walls. But for Ruhl, the mirth came in a bitter pill.
‘Saw My Neighbor on the Train’ at Redtwist: Amid pain and plain talk, generations collide
Review: Just when you think you’ve seen the ultimate dysfunctional family on stage, along comes Suzanne Heathcote’s gritty play “I Saw My Neighbor on the Train and I Didn’t Even Smile,” a stunner that touches a core of hope in a mesmerizing production at Redtwist Theatre. ★★★★
‘Going to a Place’ with ice cream for eternity, but where dialogue and plausibility are thin
Review: There’s a native directness about veteran Kathleen Ruhl’s acting that never fails to connect the viewer to her character. Call it authenticity. But no amount of straight shooting from the stage can magically turn a weak play into something terrific. Ruhl has demonstrated that proposition in two different plays in recent weeks — currently in Bekah Brunstetter’s “Going to a Place Where You Already Are” at Redtwist Theatre. ★★
‘The Realization of Emily Linder’ at Redtwist: Mom’s ready for death, but not without toes
Review: Life, suggests Richard Strand’s play “The Realization of Emil Linder,” is like a stack of DVDs. What’s in it for you depends on how you look at it. That warm and fuzzy proposition, couched within dark comedy, makes for an amusing if fairly bizarre night out at Redtwist Theatre. ★★★
‘Good People’ at Redtwist: Down on her luck, Boston Southie seeks hope behind lace facade
Review: Margie’s life is hard, like the “g” in her name. It’s all she’s ever known. She grew up in the rough-and-tumble projects of Boston’s south side – a real “Southie.” She doesn’t have much, but at least she has a job; well, had a job. As we look in on Margie’s lot in David Lindsay-Abaire’s “Good People,” now staged with potent intimacy at Redtwist Theatre, she’s about to be fired. ★★★★
‘Purple Heart’ revealed as a bruised condition in Redtwist revival of Norris’ off-beat drama
Redtwist puts an intimate spin on dark humor of McDonagh’s rough and quirky ‘Inishmaan’
Cripple Billy’s adventure. 4 stars!