Articles tagged with: Jeffrey D. Kmiec
‘Cardboard Piano’ at TimeLine: Kids in love, and the long, life-altering echo of homophobia
Review: There is one great scene and another that’s at least charming in Hansol Jung’s play “Cardboard Piano,” now occupying the stage at TimeLine Theatre. But all told, this dramatic parable about the intolerance of homosexuality in Uganda limps from adolescent fantasy to a second act that is more contrived than compelling. ★★
‘Five Mile Lake’ at Shattered Globe: Siblings, distant or demanding, all in the swim together
Review: Rachel Bond’s play “Five Mile Lake,” a provocative slice of life currently held up for examination by Shattered Globe Theatre, is about lives out of kilter, out of perspective, out of adjustment. Before the play even begins, Jeffrey D. Kmiec’s disorienting set tells you as much. ★★★
‘Sweeney Todd’ at Porchlight: Indulge yourself with the best meat pie in Chicago; it’s deep dish
Review: The demon barber of Fleet Street is a bad one, that’s for sure; and Porchlight Music Theatre has a good one in David Girolmo. But the crucial ingredient of Stephen Sondheim’s macabre musical is that demonic purveyor of meat pies, Mrs. Lovett – and in Rebecca Finnegan, Porchlight boasts a beaut. ★★★★★
‘Good Boys and True’ at Raven: The fast track throws some curves into the path of privilege
Review: One always comes away from a play performance, whether the staged work is new or familiar, with a single dominant impression. It may be a complex impression, but there’s always that ruling aspect, the starting point from which the conversation evolves. In the case of Roberto Aguirre-Sacasa’s “Good Boys and True” at Raven Theater, it is a sense of relentless circularity. ★★
‘Ain’t Misbehavin’’ at Porchlight: The joint’s (almost) jumpin’ as singers ease into swing
Review: On opening night, Porchlight Music Theatre’s go at the Fats Waller revue “Ain’t Misbehavin’” gave the impression of two different shows, one ready and one not quite. The good news is that the sharper, more relaxed and spontaneous effort came in the second half, when perhaps nerves had calmed and the company of five singing, hoofing show folks started to look like they were simply having fun. ★★★
