Articles tagged with: Cherubini
Review: If there was a moment during the season-ending concert that summed up the singular achievement of the Chicago Symphony Orchestra and Chorus under the long-term influence of Riccardo Muti, it came near the end of Rossini’s “Stabat Mater,” a Catholic hymn to Mary that pulls the listeners into the mother’s grief at the foot of the cross and offers transcendence. The three-line prayer “Quando corpus morietur” (“When my body dies, let me live in Paradise, too”) is so very human and humble that the listener might not notice how treacherous it is to sing. The Chicago Symphony Chorus imbued it with a powerful emotion that filled the hall, yet with sound so soft it barely hung on a thread.
Interview: Conductor Riccardo Muti’s final two weeks of the season with the Chicago Symphony Orchestra also bring the consummation of his season-long cycle of Schubert’s symphonies. From his perspective “in the middle of the river,” as Muti puts the ongoing project, the CSO is absorbing the style and finesse of his reference ensemble: the Vienna Philharmonic.
Review: Riccardo Muti has given Chicago many reasons to celebrate his music directorship of the Chicago Symphony Orchestra, but perhaps the most perfect expression of his belief in art’s purpose comes in the current run of rarely heard works for chorus and orchestra by Brahms, Schoenberg and Cherubini. ****