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Articles tagged with: Suzan Hanson

Chicago Opera Theater buffs up neglected jewel in high-tech staging of Bloch’s grand ‘Macbeth’

Sep 17, 2014 – 3:12 pm
Nmon Ford in title role of Ernest Bloch' 'Macbeth' at Chicago Opera Theater (Keith Ian Polakoff)

Review: When Swiss-born Ernest Bloch began to contemplate the creation of his first and only opera, “Macbeth,” he was an untested 25 and would turn 30 before his opus found footing at the Opéra-Comique in Paris. The opera then slipped into oblivion. What is surprising is how staggeringly good Bloch’s result is — for an opera that almost no one knows. ★★★

Muddling the stakes, Chicago Opera Theater drives one through the heart of Verdi’s ‘Joan’

Sep 28, 2013 – 4:52 pm
Joan of Arc struggles with the devil's emissaries in Verdi's 'Giovanna d'Arco' Chicago Opera Theater 2013 (Liz Lauren)

Review: Does the middling label “lesser,” in the habitually repeated rankings of Verdi operas, give presenters a green light to “fix” things that may not be broken? Stage director David Schweizer fell into that trap with the Chicago Opera Theater production of “Giovanna d’Arco.” From a musical standpoint, Verdi’s Joan of Arc opera was a stunning achievement by the 31-year-old composer. COT conductor Francesco Milioto got that. Schweizer, not so much. ★★

In Verdi’s rarely staged ‘Giovanna d’Arco,’ director sees image of modern fanaticism

Sep 19, 2013 – 3:56 pm
Joan of Arc, ca.1450-1500, oil on canvas, Centre Historique des Archives Nationales, Paris

Preview: Chicago Opera Theater jumps into the Verdi bicentennial observance this weekend with its season opener, a relatively rare staging of the composer’s early “Giovanna d’Arco.” The stage has not generously embraced this odd riff on Joan of Arc’s life – and death. “It’s one of history’s most extraordinary, mind-bending true stories,” says stage director David Schweizer, “and the audience knows that. But the work is filled with rapturous music.”

This old ‘House’ a bit shaky as multi-Mitisek ushers in COT regime with goth Philip Glass

Feb 26, 2013 – 4:32 pm
Ryan MacPherson Roderick tormented by entombment of Madeline Fall House Usher Philip Glass Chicago Opera Theater 2013 cred Liz Lauren

Review: On paper this looks like a no-brainer: American opera’s most influential composer of the 20th century transforming a gothic horror tale by Edgar Allen Poe, the 19th century’s master of the macabre. You can almost taste the possibilities for sustained tension and terror. Goth drollery is needed, but COT’s twice-twisted tale meanders. ★★★