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Articles tagged with: Sarah Ruhl

Role Playing: Kathleen Ruhl went for laughs, but resisted harsh character that gets them

Dec 14, 2017 – 11:12 am
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Interview: Actress Kathleen Ruhl loves to hear an audience laugh. It’s always been one of the joys of her long stage career. Naturally, in her role as the flinty, straight-talking mom to two adult children in Suzanne Heathcote’s “I Saw My Neighbor on the Train and I Didn’t Even Smile” at Redtwist Theatre, she savors the laughter that rings off those close walls. But for Ruhl, the mirth came in a bitter pill.

‘Going to a Place’ with ice cream for eternity, but where dialogue and plausibility are thin

Jun 27, 2017 – 10:11 pm
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Review: There’s a native directness about veteran Kathleen Ruhl’s acting that never fails to connect the viewer to her character. Call it authenticity. But no amount of straight shooting from the stage can magically turn a weak play into something terrific. Ruhl has demonstrated that proposition in two different plays in recent weeks — currently in Bekah Brunstetter’s “Going to a Place Where You Already Are” at Redtwist Theatre. ★★

Summer 2016 at American Players Theatre: It’s high drama, comedy where ardor meets Arden

Jun 16, 2016 – 7:55 pm
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Preview: It’s like seeing Shakespeare in the Forest of Arden, this bucolic Wisconsin festival that bears the name of American Players Theatre. Set in the rolling hills of Spring Green, just west of Madison, American Players has been producing stellar – literally star-covered – theater every summer since 1980. This summer APT juxtaposes Shakespeare’s “The Comedy of Errors” with Carlyle Brown’s “The African Company Presents Richard III.” Those timely spirits are already in flight, with many more plays to come. Here’s an overview.

‘Melancholy’ cometh, draped in dolorous fun, as Grey Ghost Theatre bows with Ruhl’s play

May 11, 2012 – 5:36 pm
Melancholy Play by Sarah Ruhl Grey Ghost Theatre 2012 Mouzam Makkar Tilly credit Alan Callaghan 1

Review: When Tilly shows up, she elevates the common funk to dolorous heights so seductive, transporting and rarified — cue the cello — that only the Japanese have a word for it, or is it the Scandinavians? This is Sarah Ruhl’s 2001 “Melancholy Play,” a gentle misery-loves-company fable of high wit. ***

Amid flounces and bustles, good vibes bring rosy cheeks

Sep 28, 2011 – 8:52 am
In the Next Room at Victory Gardens

High-voltage effects “In the Next Room” at Victory Gardens. 4 stars