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Articles tagged with: Ross Lehman

‘Vanya and Sonia and Masha and Spike’: Lighting up Chekhov with laughter at Goodman

Jul 8, 2015 – 9:05 pm
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Review: I hate going here, I really do, because it’s going to sound like home cooking, but the hysterical truth is – and everything about this is hysterical – that the Goodman Theatre romp through Christopher Durang’s “Vanya and Sonia and Masha and Spike” roundly eclipses the production I saw last season in New York. Directed by Steve Scott, this show is so smart and tight, so killingly funny, that seeing it just once may not be possible. ★★★★★

‘Lear’ at Chicago Shakespeare: A worthy king rules over concept that Frankly doesn’t sing

Oct 4, 2014 – 9:33 am
Crazed, rejected Lear (Larry Yando, right) confronts wild nature with his devoted Fool (Ross Lehman). (Liz Lauren)

Review: Were it not for Larry Yando’s crushing turn in the title role, Chicago Shakespeare Theater’s “King Lear” would amount to little more than an ill-advised concept played out by a cast that largely misses both the pulse and the pressure of Shakespeare’s language. Setting aside for the moment this production’s manifold curiosities, at its core reigns the regal figure of Yando, whose portrait of Lear – as imperious fool stripped to his humiliated soul – is an experience not to be missed. ★★★

With Sir John Falstaff as an overstuffed delight, CST romps in ‘Merry Wives of Windsor’

Jan 4, 2014 – 4:36 pm
Mistresses Ford (Heidi Kettenring, left) and Page (Kelli Fox) with the antlered Falstaff (Scott Jaeck) at Chicago Shakespeare Theater. (Liz Lauren)

Review: You never know what pared-down, free-wheeling adaptation of Shakespeare you’re going to get at Chicago Shakespeare Theater. But even for CST, its 1940s setting of “The Merry Wives of Windsor,” complete with a musical track of period pop tunes, takes fast-and-loose into a new dimension. It’s also a complete delight. ★★★★

To cut, to shift, perchance to sharpen, Writers’ bold ‘Hamlet’ matches conviction with power

Sep 14, 2012 – 5:07 pm

Review: ★★★★★