Home » Archive by Tags

Articles tagged with: Mozart

Lyric’s ‘Flute’ is a time-bending gift from ’50s, backyard fun boxed in spirit of Disney magic

Dec 19, 2016 – 10:51 am
magic-flute-chicago-lyric-2016-andrew-cioffi

Review: The ultimate holiday gift for arts lovers this season is Lyric Opera of Chicago’s rambunctiously retro world premiere production of Mozart’s “The Magic Flute,” set triumphantly in the world headquarters of the baby boom. Which is to say, a backyard of the ’50s and ’60s, as seen through the eyes of a child. This nostalgic feat is an exceptional musical delight and a fine show for families of all ages. What makes this show giftable is its extended January run. ★★★★

‘Marriage of Figaro’ at Lyric Opera: Stellar voices prevail in a farcical take on Mozart’s comic gem

Sep 29, 2015 – 3:17 pm
Feature 1

Review: If Mozart’s “The Marriage of Figaro” is inherently and effectively a bittersweet comedy that edges into farce, the new production directed by Barbara Gaines that opens the Lyric Opera of Chicago season reframes it as farce that edges into cartoon. This “Figaro,” conducted by the Hungarian Henrik Nánási in his American debut, fares best where a uniformly strong cast of singers is allowed to stand and deliver Mozart’s witty, touching, brilliant and wise arias and ensemble numbers. ★★★★

Theater 2014-15: Chicago Shakespeare bounty runs gamut from ‘Lear’ to Jane Austen musical

Aug 17, 2014 – 1:18 pm
Larry Yando in the title role of 'King Lear' at Chicago Shakespeare autumn 2014. (JeffSciortino)

Fifth in a series of season previews: Chicago Shakespeare Theatre honors its namesake this season with an autumn production of “King Lear,” the fantastic adventures of “Pericles” and a contemporary sequel to “Macbeth” that wryly ponders the chaos that befalls Scotland upon that usurper’s demise. Capping the season will be the world premiere of the musical “Sense and Sensibility,” composer-lyricist Paul Gordon’s adaptation of the Jane Austen novel.

Riccardo Muti turns spotlight on CSO Chorus with lustrous account of Verdi ‘Sacred Pieces’

Jun 22, 2013 – 3:52 pm
Mezzo-soprano-Alisa-Kolosova-with-the-Chicago-Sympohny-Orchestra-and-music-director-Riccardo-Muti-credit-Todd-Rosenberg.j

Review: Riccardo Muti, winding up his third season as music director of the Chicago Symphony Orchestra this weekend, led the orchestra and Chicago Symphony Chorus on a spiritual voyage Thursday night, from luminous Mozart and rapturous Vivaldi to a transcendental peak in Verdi’s glorious “Four Sacred Pieces.” Performances continue through Sunday. ★★★★★

Van Zweden, Chicago Symphony bring heat with torrid Bartók concerto, Mozart and Bates

Jun 1, 2013 – 12:01 pm
Jaap van Zweden, guest conductor, Chicago Symphony Orchestra 05-2013 credit Todd Rosenberg

Review: On the last day of May, full summer beckoning, Dutch conductor Jaap van Zweden led the Chicago Symphony Orchestra in a performance of fresh abundance, showcasing the virtuosity of the CSO musicians themselves in Béla Bartók’s Concerto for Orchestra, and also turning the spotlight on two youthful artists of distinction — composer Mason Bates and pianist David Fray. ★★★★

Sparked by belief in music’s healing power, Civitas lights up hospital and concert hall

May 18, 2013 – 4:35 pm
Civitas members Yuan-Qing Wu (violin), Kenneth Olsen (cello) and J. Lawrie Bloom (clarinet) with their favorite audience, hospitalized children (credit Civitas)

Concerts by the chamber music ensemble Civitas are as likely to take place at Lurie Children’s Hospital as they are on a concert stage, and perhaps that focus helps to explain the particular warmth and humor of the group’s programming sensibility. Its performances radiate joyful vigor, a happy blend of virtuosity and camaraderie. ““The last thing we want to be is stodgy,” says founder Yuan-Qing Yu.

Day in Rhineland: Muti, Chicago Symphony translate Schumann Third into vivid travelogue

Apr 26, 2013 – 12:32 pm
Riccardo-Muti-conducts-Chicago-Symphony-Orchestra-at-Orchestra-Hall-April-25-2013

Review: Robert Schumann’s Symphony No. 3 in E-flat isn’t known as the “Rhenish” for nothing. I felt very much like Schumann’s Rhine-journeying companion Thursday night, listening to the Chicago Symphony Orchestra’s radiant performance of the Third Symphony conducted by music director Riccardo Muti. ★★★★

With Muti back at helm, Chicago Symphony applies classic touch to Mozart, Beethoven

Apr 19, 2013 – 3:30 pm
Riccardo Muti conducted Mozart's "Prague" Symphony and Beethoven's 4th Symphony with a classically-sized Chicago Symphony Orchestra April 18, 2013 credit Todd Rosenberg

Review: The Chicago Symphony Orchestra’s Mozart-Beethoven concert Thursday night with music director Riccardo Muti felt like one long “aha!” moment. Here was the full measure of finesse, composure and pliancy the orchestra had expected to put on display for audiences in Southeast Asia with Muti at the helm, but in his absence never entirely achieved. ★★★★★

Berlin Aisle: It’s magical Mozart when Rattle leads Philharmonic in concert ‘Zauberflöte’

Apr 12, 2013 – 2:35 pm
Berlin Philharmonic rehearses Mozart's Die Zauberfloete at the Philharmonic 2013 April

Review: The Berlin Philharmonic delivered a concert performance of Mozart’s “Die Zauberflöte” April 7, simultaneously broadcast in Europe, that seemed to waft in like a spring breeze. The concert’s now being edited for streaming to internet audiences via the Philharmonic’s Digital Concert Hall, and there’s much to recommend it, including a delightful Papageno new to American opera lovers and a sneak peek at a Queen of the Night who makes her Met debut in 2014. Above all, front and center, was an orchestra such as you will rarely hear in an opera pit. ★★★★

In contrasting Mozart concertos with the CSO, pianist Mitsuko Uchida blends depth, charm

Mar 29, 2013 – 1:29 pm
Pianist Mitsuko Uchida credit Jean Radel

Review: While it wasn’t quite the alpha and omega of Mozart’s numerous ventures into the piano concerto, the two works pianist Mitsuko Uchida performed March 28 with the Chicago Symphony Orchestra did offer a telling perspective on a composer on top of the world and one who had seen all too much of it. ★★★★

CSO in Asia: At tour’s end, sense of triumph magnified by journey of maestro, musicians

Feb 7, 2013 – 3:00 am
Lorin Maazel conducts Brahms' Symphony No. 2 with the Chicago Symphony Orchestra in Beijing on 2013 Asia tour - credit Todd Rosenberg

Report: The Chicago Symphony Orchestra had come a long way, in every sense and under trying circumstances, to hear the Seoul Arts Center rocked by applause on the final stop of its Asia tour. In the quiet of an interview before the closing concerts, conductor Lorin Maazel, who had joined the fraught tour in Hong Kong to lead the CSO across China to this conclusion, its first ever visit to Seoul, described his thrown-together effort with the orchestra not merely as a challenge met, but as “an impossible task.” That the mission was accomplished as impressively as it was, Maazel said, bore witness not only to the Chicagoans’ musicianship but also to their collective professionalism.

CSO in Asia: That purring sound is Muti’s ‘Ferrari,’ driven by Maazel, cruising China

Feb 5, 2013 – 5:07 am
Conductor Lorin Maazel smiles at the audience as he takes his final bow in Shanghai on Chicago Symphony 2013 Asia tour credit Todd Rosenberg

Report: TIANJIN – Conductor Lorin Maazel has pretty much peaked out in his appreciation of the Chicago Symphony, even topping music director Riccardo Muti’s proud comparison of the orchestra to a Ferrari. Shortly after he caught up with the CSO to take over its Asia tour conducting duties from Edo de Waart, in Hong Kong, the grey eminence Maazel summed up the impression he drew from his first rehearsal with the orchestra: “About an hour into it, I thought to myself, ‘My God, what a sound!’”

Chicago Opera’s stage magic is a bit rough, but fine singing delivers a charming ‘Flute’

Sep 16, 2012 – 1:16 pm
Sean Panikkar as Tamino in Chicago Opera Theater The Magic Flute 2012 credit Liz Lauren

Review: The Chicago Opera Theater production of Mozart’s “The Magic Flute” leaves one with two distinct impressions. For the most part, its young cast sings with stylistic savvy, fetching beauty and engaging spirit – all shaped with unfailing sensibility by conductor Steuart Bedford.★★★

Chicago Opera picks another Queen for ‘Flute’ after visa flap dethrones new Irish sensation

Aug 28, 2012 – 4:03 pm
Chicago Opera Theater's "Magic Flute" gets a star change

Even queens get caught in red tape.

It’s the Bard’s birthday! Simon Callow reflects on the fanciful weave of ‘Being Shakespeare’

Apr 22, 2012 – 10:49 pm

Interview: As “the soul of the age” turns 448 on April 23, the celebrated actor talks with Chicago On the Aisle about his one-man play “Being Shakespeare,” presented by Chicago Shakespeare Theater at the Broadway Theatre through April 29.

In a week to remember, pianist Mitsuko Uchida bridges the lyrical realms of Schubert, Mozart

Mar 31, 2012 – 5:59 pm
Mitsuko Uchida featured image credit Hyou Vielz

Commentary: Pianist Mitsuko Uchida’s two appearances this last week at Orchestra Hall, in a recital of Schubert’s late sonatas March 25 and her current concerts playing and conducting Mozart concertos with the Chicago Symphony Orchestra, resonate not like discrete encounters but rather like an epic testimonial to her phenomenal art.

Once more, Lyric’s treasured ‘Magic Flute’ spins its noble, wacky tale of love and light

Dec 9, 2011 – 11:12 am
Charles Castronovo Magic Flute c Dan Rest Lyric Opera Chicago

Mozart’s classic opera revives. 3 stars.

CD Review: Invention, finesse of Mozart’s ‘Prussian’ Quartets revealed in Emerson’s hands

Nov 8, 2011 – 4:05 pm
Emerson String Quartet records Mozart's "Prussian" Quartets for Sony Classical

The last three string quartets Mozart composed, in 1789 just two years before his death, utterly belie the desperate financial straits into which he had fallen. These sunny, and technically brilliant, performances by the Emerson String Quartet reveal Mozart at the zenith of his creative powers.

Light the lights! Lyric Opera stirs a musical into the mix

Sep 28, 2011 – 1:45 pm
Lyric Opera of Chicago production of "Aida"

Eight operas for 2011-12 include new productions of “Showboat,”Donizetti’s “Lucia di Lammermoor” and Handel’s “Rinaldo.” The new season opens Saturday night with Offenbach’s “The Tales of Hoffmann.”