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Articles tagged with: Jessica Thebus

Theater 2014-15: Two world premieres, dear jewel keep Northlight true to its 40-year form

Aug 21, 2014 – 11:57 pm
'Shining Lives,' a new musical about the radium dial painters, anchors the Northlight Theatre's 2014-15 season.

Eighth in a series of season previews: Northlight Theatre enters its 40th anniversary season with a group of plays that exactly fits the model this company has refined through four decades of success. It’s what veteran artistic director BJ Jones describes as “a blend of new work and refreshed classics.” At season’s end comes the world premiere of “Shining Lives: A Musical,” with lyrics by Jessica Thebus and music by Andre Pluess and Amanda Dehnert. It’s based on Melanie Marnich’s play “These Shining Lives,” about women in the 1920s who painted radium faces on clocks only to become fatally ill from exposure to the paint.

Visiting the Darwins: ‘In the Garden’ dispenses some homey chat about homo sapiens and God

Apr 28, 2014 – 6:06 pm
Darwin (Andrew White) shows his children (Caroline Heffernan and John Francis Babbo) the hand-like bones common to various creatures. (Liz Lauren)

Review: Scene upon witty scene, there is much to admire about Sara Gmitter’s elegant and facile new play “In the Garden: A Darwinian Love Story,” which in its world premiere at Lookingglass Theatre offers a kind of evolutionary portrait of the marriage of Charles and Emma Darwin. Floridly festooned in designer Collette Pollard’s literal interlacing of the natural and civilized worlds, “In the Garden” exudes a radiant, if benign charm. ★★

‘Buzzer’ at Goodman: New day in neighborhood, but its bright promise is shadowed for 3 friends

Feb 26, 2014 – 1:46 am
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Review: As Tracey Scott Wilson’s urban tragi-comedy “Buzzer” spins through a series of introductory monologues, its mordant wit and coalescing picture of a ménage à trois suggests an updated bundling of the two young men and a woman in Noel Coward’s “Design for Living.” Though the laughs keep coming in “Buzzer,” the comedy soon hones the edges of a bitter tale — of love and hope infected by torment and fear. Goodman Theatre serves it up as potent brew. ★★★★