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Jul 25, 2017 – 7:28 pm

Review: There is currently a zoo on Navy Pier, and a jungle too, thanks to the Chicago Shakespeare Theater’s production of “Madagascar: A Musical Adventure.” This is not one of those shows that are also fun for kids. “Madagascar” exists only for kids. If you have children in your life, from toddler to 8 or so, do bring them to this colorful, toe-tapping animal extravaganza. The lack of squirming and whining in the theater indicated a mesmerized target audience. ★★★★

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As CSO concertmaster Chen takes spotlight, band behind him is like blue-blooded family

Apr 20, 2017 – 10:44 am
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Interview: Every time violinist Robert Chen, concertmaster of the Chicago Symphony Orchestra, steps in front of his colleagues as soloist, he knows one thing very well: A solid troupe has his back. Chen will be in that happy place April 20, 22 and 23 at Orchestra Hall when he plays Bartók’s early Violin Concerto No. 1 with guest conductor Neeme Järvi. The program will get an additional performance April 21 in Wheaton.

Chicago Opera Theater’s end-of-season gala involves surprise guest Philip Glass

Apr 12, 2017 – 2:03 pm
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This Just In: The following is a news release written by an arts organization, submitted to Chicago On the Aisle.
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Celebrate with Philip Glass and COT! COT’s End of Season Gala involves surprise guest Philip Glass!
April 12, 2016 …

Jeremy Piven leads intimate discussion with Kevin Spacey at Gene Siskel Film Center benefit

Apr 12, 2017 – 12:33 pm
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This Just In: The following is a news release written by an arts organization, submitted to Chicago On the Aisle.
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“Kevin Spacey: Renaissance Man,” features In-Depth Conversation with Golden Globe and Emmy Award-Winner Piven and Spacey …

From Lyric Opera stage, pair of stars launch into a swinging orbit around the world of song

Apr 12, 2017 – 10:09 am
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Review: Musical artistry at 360º was on display April 9 at the Lyric Opera of Chicago in a joint recital by tenor Lawrence Brownlee and bass-baritone Eric Owens, with the marvelously adroit Craig Terry at the piano. Through a rousing program, the two singers showed their vast, enthusiastic and refreshingly diverse audience a broad and deeply felt repertoire of spirituals, traditional songs and Broadway favorites as well as the opera for which they are celebrated.

Dutoit sees a wide spiritual gamut before him in Easter weekend with Chicago Symphony

Apr 11, 2017 – 1:51 pm
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Preview: Musical reflections on Easter, transcendent and intimate and existential, form conductor Charles Dutoit’s multilayered theme for his concerts April 13-15 with the Chicago Symphony Orchestra. The gentler parts are well known; for many listeners, however, the other part, a spiritual warp of upheaval and terror born of World War II, may come as revelation in startling terms.

With Haitink sidelined, James Conlon steps in and leads CSO, singers in Mahler to remember

Apr 2, 2017 – 10:42 am
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Review: When the Chicago Symphony Orchestra released its program schedule for the current season, among the brightest highlights – one of those don’t-miss concerts – was Mahler’s “Das Lied von der Erde,” to be led by Bernard Haitink, who at age 88 is unsurpassed among Mahler conductors today. Then, just days before the performance weekend, March 30-April 1, Haitink canceled due to illness. But when James Conlon, former music director of the Ravinia Festival, answered the call, “Das Lied” found its full voice.

Lyric Opera’s ‘Rising Stars’ concert reflects program designed to help young talent shine

Apr 1, 2017 – 8:44 pm
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Report: They were everywhere onstage all season, and seven are taking their final bows. It’s time to cut the cake for the gifted young artists who are emerging from the Lyric Opera of Chicago’s high-level Ryan Opera Center multi-year training program. They are venturing forth, some with bookings already in hand.

In ‘Hamilton’ immersion, Chicago school kids embroider the musical with riffs of their own

Mar 31, 2017 – 6:13 am
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Report: I wish every adult attending the hit musical “Hamilton” could see it the way nearly 20,000 Chicagoans in their mid-teens will experience it over the coming months. And not just because of the $10 tickets for a show that generally costs hundreds. What each student comes away with is a personalized connection to America’s birth.

Facing the music, if not her public, violinist Anne-Sophie Mutter delivers a stellar recital

Mar 30, 2017 – 3:33 pm
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Review: Very curious, violinist Anne-Sophie Mutter’s recital March 29 at Orchestra Hall with her longtime collaborator, pianist Lambert Orkis. The programming was imaginative, the performances elegant, forceful, seamlessly integrated. What was so odd was Mutter’s choice not to play out to the house, but rather to offer at best a profile as she leaned into the piano and in at least one instance read from a score propped up next to Orkis’ own music.

‘Venus in Fur’ – oops, ‘The Scene’ at Writers: Coulda, maybe shoulda, been the other play

Mar 29, 2017 – 3:40 pm
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Review: A ditzy girl, who turns out to be a veritable demon, brings a self-absorbed guy crashing down. He doesn’t see it coming, never has a prayer. Ah, you know that play? Right. It’s David Ives’ “Venus in Fur,” of course. Well, it’s back with us again, more or less, in Theresa Rebeck’s “The Scene” at Writers Theatre. When I say more or less, I mean there’s more involved – actors, situations, sex – but the sum amounts to less of consequence or, along the way, dramatic merit. ★★

Daniil Trifonov’s knockout recital points up high value of Symphony Center piano series

Mar 27, 2017 – 4:59 pm
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Review: Daniil Trifonov’s prodigious recital March 26 at Orchestra Hall provided a ringing reminder of what a treasure the Symphony Center Presents annual piano series is. To have 10 such virtuosi parade across that stage over the course of a season is a gift not to be taken lightly. Still, that said, Trifonov’s heady program was exceptional even for the world-class keyboard lineup that populates the SCP series.

Postmortem opera: ‘Charlie Parker’s Yardbird’ catches bop star musing on life – after death

Mar 26, 2017 – 12:10 am
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Review: I can only assume that tenor Lawrence Brownlee’s next operatic role will be Muhammad Ali. It took Brownlee all of five minutes as legendary jazz saxophonist Charlie Parker to own that tragic character – to reveal a deeply flawed figure as one who was determined to be his own man, a brilliant, scarred fighter who proved to the world that he was the greatest. The Lyric Opera of Chicago production of “Charlie Parker’s Yardbird,” by Daniel Schnyder and Bridgette A. Wimberly, runs through March 26 at the Harris Theater. ★★★★

Verdi’s Requiem, as bold act by Nazi-era Jews, comes to Chicago in multimedia concert event

Mar 21, 2017 – 3:44 pm
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Preview: “Defiant Requiem: Verdi at Terezín,” a multimedia creation with orchestra, chorus, vocal soloists, narrators and film clips, will be presented under author-conductor Murry Sidlin on March 23 at Orchestra Hall. Sidlin developed the project to memorialize Jews who learned and performed Verdi’s Requiem in figurative protest against their Nazi oppressors at the Terezin concentration camp.

‘Carmen’ (redux) at the Lyric: Leads change, young conductor steps in – and the heat’s on

Mar 20, 2017 – 9:24 pm
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Review: Lest any insatiable lover of Bizet’s opera “Carmen” be put off by the idea of a “second cast,” as the Lyric Opera of Chicago has now changed the leads in its continuing production, let me put this as plainly as possible: The mid-run advent of mezzo-soprano Anita Rachvelishvili in the title role, with tenor Brandon Jovanovich now portraying the tragically smitten Don José, isn’t just hot stuff; it is scorched earth. ★★★★

In a many-splendored program, Muti and CSO match world premiere, Uchida’s Beethoven

Mar 20, 2017 – 5:48 am
3/16/17 8:35:06 PM -- Chicago, IL, USA

Chicago Symphony Orchestra
Riccardo Muti Conductor
Mitsuko Uchida piano

Rossini Overture to La scala di seta
Beethoven Piano Concerto No. 3
S. Adams many words of love

[World Premiere, CSO Commission]
 © Todd Rosenberg Photography 2017

Review: With music director Riccardo Muti back on the podium, the Chicago Symphony Orchestra delivered a bravura world premiere with Samuel Adams’ “many words of love,” framed by an elegant and emotionally charged performance of Beethoven’s Third Piano Concerto with soloist Mitsuko Uchida and a vivacious account of Schumann’s Fourth Symphony, which remarkably enough the CSO had not played since 2003.

With ‘Hamilton’ gang added to cast, Concert for America brings stellar benefit to Chicago

Mar 18, 2017 – 7:20 am
Melissa Manchester will perform in Chicago's Concert for America. (Randee St. Nicholas)

Preview: Concert for America is headed to Chicago on March 20 with stars including Melissa Manchester and the cast of “Hamilton.”

‘Earthquakes in London’ at Steep: Our roiling planet may soon resemble a fractured family

Mar 15, 2017 – 9:02 am
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Review: Mike Bartlett’s “Earthquakes in London,” at Steep Theatre, is an intriguing excursion that conflates garden variety family dysfunction with nothing less than the end of days. The show closes March 18, and it’s worth catching – not for its perfection (it is imperfect), but for its rigorous melding of intricate, credible characters and a provocative foray into magical realism. ★★★

Placido Domingo’s gala return to Lyric Opera rekindles long love affair across the footlights

Mar 12, 2017 – 10:49 pm
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Review: There was palpable energy at the Civic Opera House on March 9 when the Lyric Opera of Chicago presented “Celebrating Placido,” an evening of music and mirth with the remarkable Placido Domingo, who at age 76 still engenders that singular frisson felt upon hearing his first phrases as only the greatest vocalists are able to do.

Converging on a cosmic plane, CSO and Ma find star stuff in Salonen’s new Cello Concerto

Mar 10, 2017 – 5:48 pm
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Review: As the audience packed into Orchestra Hall whooped its enthusiasm for Esa-Pekka Salonen’s new Cello Concerto, just given its world premiere by soloist Yo-Yo Ma and the Chicago Symphony Orchestra with Salonen conducting, the two stars of the moment gleefully pointed fingers at each other as if to say, “You’re the man,” and, “Oh no, you’re the man.” They were both right.

‘Uncle Vanya’ at Goodman: Seeking purpose, or a numbing refill when the glass is drained

Mar 8, 2017 – 10:23 pm
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Review: Chekhov’s “Uncle Vanya,” an existential snapshot of lost souls at a signless crossroads, exemplifies theater as an ensemble endeavor. In Annie Baker’s modernized, razor-sharp adaptation of the play, complemented by a directorial tour de force from Robert Falls, Goodman Theatre brings the spirit of dramatic teamwork to vibrant life. ★★★★★

Esa-Pekka Salonen, conductor and composer, again casts his lights on Chicago Symphony

Mar 7, 2017 – 3:48 pm
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Review: Predictable highlights of any Chicago Symphony Orchestra season are the programs with perennial guest conductor Esa-Pekka Salonen. When the brilliant Finnish maestro is on the podium, the fare is always special. Now Salonen is finishing up an extended weekend run of Stravinsky’s “Le sacre du printemps” on March 7, before moving right into the world premiere of the conductor-composer’s own Cello Concerto, with soloist Yo-Ya Ma, March 9-11.

‘Eugene Onegin’ at Lyric Opera: As anti-hero, Mariusz Kwiecień summons a tragic elegance

Mar 4, 2017 – 11:09 am

Review: Love took a glorious beating in the final grand opera of the Lyric Opera of Chicago’s season, but then it has been pretty much that way since October. Prince Tamino and Princess Pamina lived happily ever after, but otherwise things ended badly for the aspiring lovers of 2016-17. Now the Lyric gives us Tchaikovsky’s cynical anti-hero Eugene Onegin, brought to life in a devastating package of elegance and self-deluding condescension by baritone Mariusz Kwiecień. ★★★★

Channeling film-maker Eisenstein, Muti directs epic struggle in Prokofiev’s ‘Ivan the Terrible’

Feb 26, 2017 – 7:02 am

Review: Even for Riccardo Muti, it was an extraordinary night at the symphony. The maestro’s latest musico-dramatic assemblage, Prokofiev’s “Ivan the Terrible,” received its Chicago Symphony premiere featuring longtime Muti friend Gérard Depardieu as Russia’s ruthless Tsar Ivan IV. The performance was nothing short of operatic in the majesty of its vision, the grandeur of its pageantry and the grip of its blood-red emotional palette.

CHICAGO WINE JOURNAL: Tuscans are Super as Avignonesi presents Sangiovese royalty

Feb 24, 2017 – 5:00 pm
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Review: To sample through the red wines of Italian producer Avignonesi is to understand how such vino di tavola – or table wine – came to be known as Super Tuscan. It’s also to be reminded of the rewards and adaptability of Sangiovese, the bedrock grape of Tuscany. Or as Giuseppe Santarelli, Avignonesi’s export manager for North America, characterized Sangiovese in presiding at a Chicago tasting of his company’s wines: It is the King.

‘Straight White Men’ at Steppenwolf: Cheer up, Hamlet; oh, wait, is that the face of happiness?

Feb 22, 2017 – 11:03 am
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Review: For a play as benign as Young Jean Lee’s curiously titled “Straight White Men,” this glimpse into the man cave of three grown brothers and their father at Steppenwolf Theatre surely will engender the debate for which it ultimately begs. ★★

Elizabeth DeShong carries a torch for tragic bel canto – and for Bernadette, Bette, Judy

Feb 19, 2017 – 10:48 am
Elizabeth+DeShong feature crop (Kristin Hoebermann)

Interview: Enough with comedy. This singer, now featured in “Norma” at the Lyric Opera, and soon to kick back with other rising stars at a “Beyond the Aria” event at the Harris Theater, believes the world is poised for a major revival of coloratura-tinged drama, bel canto’s serious side. Her inspirations include opera’s Marilyn Horne, but she admires those legendary Broadway belters, too.

‘Love’s Labor’s Lost’ at Chicago Shakespeare: Delectable comedy made clear, biting and dark

Feb 18, 2017 – 7:37 pm
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Review: Chicago Shakespeare Theater’s new production of the Bard’s “Love’s Labor’s Lost” is a joyous voyage of discovery, a comedic delight that strips away the thicket of a problematic play and leaves us with the bare sober truth of human folly. Deftly edited and wittily directed by Marti Maraden, it brings together an acting ensemble so well integrated that the whole rollicking night feels like the work of a practiced improv troupe. ★★★★★

‘Death of a Salesman’ at Redtwist: Bringing resonant life to a fractured soul on the brink

Feb 16, 2017 – 5:59 pm
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Review: Brian Parry’s heartbreaking performance as Willy Loman in Arthur Miller’s “Death of a Salesman” at Redtwist Theatre is the finest work I’ve seen on a Chicago stage this season. A virtually tactile experience in a tiny, in-your-face venue, this is gigantic acting on the most intimate scale. Even better for theater buffs, the show’s run has been extended through March 26. ★★★★★

‘A Disappearing Number’ at TimeLine: Infinity as starting point in a story of incalculable love

Feb 16, 2017 – 11:35 am
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Review: Who are the rare humans able to unlock secret patterns of the universe, sharing their discoveries as music, science, mathematics or metaphor? You might think of Michelangelo or Bach. Copernicus or Newton. Shakespeare. Einstein. But Ramanujan? If this name stopped you, then you’re a candidate for TimeLine’s fascinating romance “A Disappearing Number.” ★★★★

‘Carmen’ at Lyric Opera: Allure’s everywhere, then bizarre finale lets the tragic line fall slack

Feb 15, 2017 – 9:08 am
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Review: There is much to recommend the new Lyric Opera production of Bizet’s “Carmen,” a joint venture with the Houston Grand Opera. Topping the list is mezzo-soprano Ekaterina Gubanova’s scorching performance in her role debut as the Gypsy femme fatale. But in the final act, where amid much splendor one anticipates a hair-raising pay-off, director-choreographer Rob Ashford loses his way. ★★★